Swedish filmmaker Levan Akin’s third feature And Then We Danced is about sensitive dancer Merab (real-life dancer Levan Gelbakhiani making an impressive acting debut) coming to terms with his homosexuality in the conservative, hyper-masculine world of Georgian dance. While that may sound like a giant bummer, the film manages to retain a sweet optimism throughout.
When we first meet Merab, his dance instructor is chastising him for being ‘soft’. It’s clear that while Merab is extremely passionate about dance, he doesn’t quite fit in this world. He’s too expressive with his movements, too sensual.
But still, Merab is desperate to please. He comes from a long line of dancers and despite his father’s warnings that the profession can destroy you, wants to take it seriously.
Merab’s life changes when newcomer Irakli (Bachi Valishivili) arrives. Irakli is brash, talks back to the instructor, and immediately becomes a rival for dance numbers.
They eventually do become friends, and then more, when members of the dance troupe go away together for the weekend. I mean who wouldn’t want to experiment with their sexuality when you’re drinking wine and dancing to Robyn shirtless in the woods?
Lesser films would have focused solely on the melodrama of Merab and Irakli’s ill-fated romance. Yes, Merab is devastated at how it works out, but the story isn’t focused on that.
The real focus is about how that experience helps him become the man he’s truly meant to be: He meets some new like-minded friends and has an epic night out. He’s able to come clean to his longtime dance partner/sort-of girlfriend Mary (Ana Javakishvilli) about who he really is.
But most importantly, Merab dances the way he wants to dance, not the way his instructors have tried to drill into him. There’s no big Flashdance moment where Merab impresses the dance company so much they completely change their minds about him, but as he walks offscreen for the last time, you can’t help but feel it’s off to a much better future.