As anyone who has attended Montreal Comic Con knows, one of its great privileges – in addition to hobnobbing with creators and celebs – is seeing the best of our local cosplay scene. This year proved no exception, as can be seen in following gallery of costumes covering everything from Star Wars and Disney characters to Horror icons and Burton films. Enjoy!
Bust out your back issues and binoculars folks, because it’s that time of year again. Montreal Comic Con descends upon the Palais Des Congres this weekend for three days of autographs, celebrity encounters, cosplay and of course, comic books.
This year, the 1990s will be very well represented, and not just by those sporting fashions from Forever 21. Lois & Clark: The New Adventures of Superman’s very own Man of Steel, Dean Cain, will be present to reflect on his time in the iconic red and blue tights, as well as his turns as Vandal Savage on Smallville and Jeremiah Danvers – aka Supergirl’s foster father – on CW’s Supergirl.
Voiceover actor extraordinaire Jim Cummings will also be making a long-awaited appearance at the Con. If the name doesn’t ring a bell, his voice certainly will.
Remember the classic after-school programming block known as the Disney Afternoon? Cummings worked on nearly every animated series you raced home from the bus stop to check out, from Gummy Bears, Duck Tales, Chip ‘N Dale Rescue Rangers, Aladdin and Gargoyles, to the comic book/sitcom Darkwing Duck, where he brought the titular Masked Mallard to vivid, egomaniacal life.
He’s also voiced both Winnie the Pooh and Tigger for the last few decades, and stood in for Jeremy Irons and Christopher Lloyd as the singing voices of The Lion King’s Scar and Anastasia’s Rasputin. He’s lent his pipes to various Looney Tunes projects, all sorts of video games and even theme park attractions. Suffice it to say, if there’s an animated property you hold dear to your heart, he was likely involved.
Speaking of Disney, the voice of Belle herself, Paige O’Hara, will be present to reflect on that tale as old as time, Beauty and the Beast. Given her character’s reappearance in Ralph Breaks the Internet and the continual popularity of the ‘Disney Princess’ brand, one can only wonder whether we’ll be seeing more of the brunette bookworm in the years to come.
Celebrated Canadian comic artist and writer Ty Templeton will also be in attendance once again this year, telling stories and taking commissions from his booth in Artists Alley. Templeton is best known for having adapted the classic superhero cartoon Batman: The Animated Series into a monthly comic for DC through the 90s and 00s.
The Batman Adventures series won multiple Eisner Awards and helped introduce a whole new generation to the Dark Knight Detective. Though Templeton’s credits span multiple DC and Marvel titles, as well as the late, great Mad Magazine, which only this week was cancelled after 67 years in print. Try not to bum him out about that one.
Mighty Morphin Power Rangers fans will be tickled by the appearances of Austin St. John, Karan Ashley, Walter E. Jones and David Fielding aka the Red, Yellow and Black Rangers and their amorphous floating head of a leader, Zordon. Though the action-packed live action kids series became a pop culture phenomenon in its day, it also left us with plenty of unanswered questions, such as: how exactly is saber-tooth tiger a dinosaur?
All this isn’t to suggest other decades of comic book and pop culture deliciousness won’t be equally represented, mind you. 70’s Hulk Lou Ferrigno will be hulking about, X-Men and Star Wars actor/athlete Ray Park will also be around (and maybe even demonstrating roundhouse kicks? No?) and Elijah Wood will be reminiscing about the Lord of the Rings films with the one and only Captain Kirk himself, William Shatner, holding court for autograph seekers, no doubt surrounded by Starship Enterprise memorabilia.
Comic Con is the perfect time to let your inner geek out, whichever era you prefer, so take some time this weekend to enjoy its more than 200 activities and remember to invite children under the age of five to tag along. Because they get in for free…and because it’s never too early to start obsessing over sci-fi.
For full program details and ticket information, visit montrealcomiccon.com. Comic Con runs from July 5th to the 7th
Usine 106U is not like other art galleries. It’s not immaculately clean or impeccably organized, and its outer mural is as colourful and eccentric as the art you’ll find within.
Located in the Plateau next to the iconic Else’s Pub, the gallery attracts everyone from painters to sculptors to dollmakers and photographers. The gallery’s openings on the first Thursday of every month feature works that range from the classic to the extreme and the atmosphere is one of an eccentric family reunion rather than a formal affair.
While most galleries in Montreal charge huge commissions and exhibiting fees, Usine 106U takes fifty dollars a month and ten percent commission on any sales. In exchange, every artist gets four by five feet of space to show their work to passersby and regular visitors. Artists who volunteer their time running the place get all fees and commissions waved.
A Concept that Grew Over a Decade
The official caretaker of the gallery is Eric Braün, a multidisciplinary artist known for his acrylic paintings of creatures. His style for me is reminiscent of Bosch and Dali, with a hit of Nightmare Before Christmas thrown in.
Usine 106U has been around for 12 years. In the beginning, it was just a show of the same name.
A guy from Paul’s Boutique record store lent Eric and other artists a paddock with the goal of creating art on the spot, filling the walls as they went. The show lasted one week and was hugely successful, with the media and others coming in to wait, ready to buy the works in progress once they were finished. Almost everything was sold.
The show’s success led to an offer to continue it through to the end of the month, followed by an offer to rent the space on a monthly basis. From there came the idea of artists sharing the cost and management of the place and the rest is history.
When I asked Eric about the name, he explained that it was a French play on words.
“If you pronounce in French the number ‘cent six’ – one zero six – and the letter u it makes ‘sans issu’ and ‘sans issu’ sounds like ‘sans issue’ which means ‘no way out’ and that was the title of my anthology cause I used to do comics so it was always a collective. But back then it was international and silent so it could be distributed in many different countries without having to translate.”
In addition to Eric’s paintings, he also has copies of his comic books and sculptures for sale at the gallery. When I asked what kind of artists he feels the gallery attracts, Braün spoke of people who do very intense personal work, “outsider art” that doesn’t fit current fashion, and some old style abstract pieces.
Open But Selective
Eric is discriminating in his choice of artists who get to show there: “If someone does some really bad copies of some photos that you see on the internet I tell them they should work more on their stuff and come back later,” he said.
When looking for artists to admit to the gallery, he’s not looking for perfection but originality and honesty in the work. Currently there are 40 different artists showing their work with the common thread being that:
“Everything is figurative, there’s a narrative, there’s a story being told and everything is kind of explorative. People take chances, they develop their own language, they go into their own world, and they keep working at it to create something that is original and unique.”
If there is a word to describe the art at Usine 106U, unique is certainly it. Whether it’s the hyperdoodled paintings and guitars of artist John Lanthier, Jean Martin Raven’s sculptures, or the realistic yet wonderfully eerie paintings of Xavier Landry.
Much of the art is not for the faint of heart, with art depicting graphic nudity, sex and violence displayed alongside cutesy hand knitted dolls. That said, Usine 106U is more than a gallery.
Home Away From Home
For artist John Lanthier, it’s a home away from home. He’s been showing his work at Usine since 2015 and like many artists, he volunteers his time in exchange for showing there:
“I enjoy making art in the environment here and appreciate having a permanent gallery space where my psychedelic paintings, sculptures and custom guitars can feel at home amongst the many diverse local artworks that cover the walls. Thanks to Eric Braun I’ve also had my Hyperdoodling paintings and Guitart instruments featured in the last nine magazines…which is pretty cool.”
The magazine in question was created following Eric Braün’s failed attempts to get his work in a local art magazine which was poorly managed and written. So like any pioneer, Braün decided to publish his own, and Usine106Us quarterly free magazine features work from a variety of artists showing at the gallery.
As a working artist, Usine 106U saved me from a dark time in my life. Their collective welcomed me with open arms, a tale shared by many who come to the gallery hoping for an affordable space to show their work. In addition to the monthly vernissages, they also do free collage workshops (bring your own glue).
When I asked Eric Braun what advice he had for aspiring artists, he was very pragmatic:
“Get a job to pay your bills and then do art with your needs taken care of or you’ll go crazy.”
The gallery is located at 160 Roy East and is open every day from noon to 6pm. Check it out.
Photos by Samantha Gold
On September 26th, Pop Montreal returns with another five days of music, film, panels, and visual arts. It’s been a few years since I’ve attended this very Plateau/Mile End festival, but I already know I’m going to have a good time. Because unlike other bigger festivals where you’re drawn to check out what you know, at Pop you’re guaranteed to discover a whole slew of new exciting artists you’ve never heard of before.
Here’s my list of what I’m most looking forward to checking out at Pop Montreal 2018:
Ever since I first heard the song I Love Rock n’ Roll as a teenager, I was drawn to the badass that is Joan Jett. This year as part of Film Pop, the festival will be screening a documentary by director Kevin Kerslake about the legendary feminist punk rocker. I’m also looking forward to attending the screening at the newly opened indie/art house movie theater Cinema Moderne on St-Laurent.
Wednesday, September 26, 8pm, Cinema Moderne, 5150 St-Laurent. Tickets $12
While rap music isn’t usually my thing, I was so drawn by the music video for Elegance by New York artist Kilo Kish that I officially have added her show to my must-see list. While researching Kish I discovered that Pitchfork recently dubbed Elegance one of the best songs of 2018, declaring “Building from the stream-of-consciousness style that characterizes most of her catalog, Kilo Kish turns her racing thoughts into crackling electricity.”
Wednesday, September 26, 11pm, Piccolo Rialto, 5723 Ave du Parc. Tickets $20
My favourite part of POP. The festival has these fairs year-round now (if you’re friends with a Plateau gal, you’ve undoubtedly been dragged to one of these events), but the biggest of them all is always during the main festival in September. For three glorious days, you can shop for prints, jewelry, food, makeup and clothing. So come watch hipsters gather in their natural habitat, and leave with a cute new print to hang on your wall!
September 28-30, Eglise St-Denis, 454 Laurier Est. Schedule
Molly Nilson is a Swedish pop singer that, according to Pitchfork “does ennui like no one else.” That combined with her 80s music sound has me excited to see what she does onstage. I would love to tell you more about her but she doesn’t have much of a social media presence… which kind of only makes me want to get to know this artist more.
Thursday, September 27, 8:30pm, Bar “le Ritz” P.D.B., 179 Jean-Talon Ouest. Tickets $16.50
In between film screenings and shows, I plan on checking out the many art shows that are also happening during Pop. Here’s just a sampling of the ones I’m most excited for:
OBORO and White Frame co-present Où sommes-nous, an exhibition by Judith Albert, Katrin Freisager, Dana Claxton, and Nik Forrest. These four established artists open and disrupt our knowledge of space and time, bringing into question the line between reality and illusion through poetry and resistance. (info)
Art POP is collaborating for the very first time with the Association of Visual and Media Arts Masters students (AEMAVM) of the Université du Québec à Montréal to co-present POP Pavillon, AEMAVM’s annual group exhibition showcasing the work of 11 exciting, emerging artists. (info)
Centre Clark presents a new exhibition by Shana Moulton, an artist who creates evocatively oblique narratives in her video and performance works. In Whispering Pines, the artist presents art pieces combining an unsettling, wry humor with a low-tech, pop sensibility.(info)
* POP Montreal 2018 runs September 26-30. Full schedule available at POPMontreal.com
** Featured Image: Screengrab from Kilo Kish’s Elegance video
Starchild Stela is a prominent part of Montreal’s underground art scene, known mainly for their activist graffiti/street art, zines, and fine art. If you live in Montreal, chances are you’ve seen their work in the streets. If you haven’t, now you’ll probably notice them everywhere.
High-femme imagery and characters paired with bold slogans such as “support survivors” (of sexual violence) and “he won’t change, just leave” can be found painted on exterior walls, freight trains, and slapped on mailboxes/other public spaces in sticker-form. Fierce and powerful, they have a style that turns heads and makes a difference, from making drab infrastructure more aesthetically pleasing to making the world a better place.
Starchild Stela agreed to do an interview on how they got started, their relationship to DIY culture, giving back to the community, and their views on the Montreal graffiti scene.
girlplague: When did you start doing street art/graffiti, and why?
Starchild Stella: This is a question that comes up a lot for me in interviews, and it’s a bit odd to answer for me because it was still an era where street art wasn’t popular yet. It wasn’t an enlightened decision, it wasn’t really planned.
I started because other people I knew were tagging, everybody in my circle kinda did it (although not seriously). Everybody had their name & signature. At that time we didn’t have access to fancy sprays and it was niche and you got to really suck at first, just the type of stuff teens who spent lots of time outside would do.
I really had not much going on in my life at that time besides struggling and being angry at the world, I was drawing a bit but “art’’ wasn’t really a thing for me. I was a “bad kid” and went through a lot with the justice system, was on probation (for other reasons) during pretty much all my teenhood and pretty much felt untalented and useless. I think I was also looking for something to do to deal with myself.
My first “graff” was pretty much the same character as I do today but it was really bad. We stole sprays in a car and we did it, and I remember, ah – that’s really something I could be good at. (This would be circa 2002-2003).
You make personal/art zines. Do you find a correlation between the DIY nature of both zines and graffiti?
There’s a DIY connection with everything I do, it is my lifestyle. Coming from a low income background and still being poor, unfit for conventional “work” because of disability as well as a desire for independence led me to live “for free” as much as I can.
I think it’s also grounded in a hope for community. Zines were an inherent part of my recovery, and so is graffiti. I don’t like rich people graffiti – lol. I think consumerism and technicality within the “industry” of graffiti makes it feel inaccessible to people.
I see it as an illusion; you can add flares and robotically paint something fancy looking but it won’t be interesting if you don’t have a genuine style. The truth is you don’t need fancy paint to make cool things. I don’t know, for me graffiti that is not DIY is likely to be boring and I couldn’t care less for art by privileged university students or 30 something graffiti uncles. This may sound cocky but the scene is so oversaturated!
The graffiti/street art scene is very male-dominated. How has this affected you as non-binary and femme?
Honestly I was so unaware of feminism before – the way people acted towards me within these circles made me really self-conscious of my gender, how I was never gonna fit in. Experiences of misogyny made me learn about anti-oppression.
Graff is a scene where women are still perceived as either sluts or wifey. Since I don’t fit in either category that just makes me an oddity. But at the same time, graffiti has no gender. If you put the work in, the people that need to know will know, it’s not about pleasing people, so at the end you do you. It”s about you and your friends fucking shit up.
You do a lot of work fighting against rape culture, transphobia, racism, and other types of oppression. Is there a political agenda in your work, or is it natural to you because you are passionate about these topics?
At this point I don’t know if qualifying my art as “fighting” is correct; generally I explore in topics that affect me directly. For example, I do lots of work surrounding surviving traumas, especially in my writing.
I don’t see my art as activism but often people say that my work is political. But it’s fucking 2017 I think anyone’s work is political. As a white person, I think it’s inappropriate to call anything I do as anti-racist or anti-colonial, although I do my best to unlearn oppressive behaviours, to learn and pay reparations where it’s due. But these things are not a political agenda; I think we should all take the time to reflect in the ways we are complicit and support directly the work of people who are affected by these systems of oppression.
I try to “give back’’ to my community in various ways; however I tend to do work only about experiences I know. I’m highly interested in anti-oppression politics, read a lot, do my best to unlearn oppressive behaviours and recognize the ways I am benefitting from systemic oppression. I try to remain critical and humble.
You’ve been travelling a lot and doing a lot of work in other cities, including a residency at James Black Gallery (Vancouver) in July. What are your experiences with and feelings on doing work in places other than Montreal?
I have been here all of my life, so it feels good to get out. I am immensely privileged to be able to do that work. Montreal for me is my home of traumas. Going places I’ve never been, even if they are only a couple of hours drive away, makes the memories flow around and heal myself.
I am lucky. I want to meet new people and often feel stuck in Montreal. Travelling brought me perspectives. Right now I’m working on an upcoming show with Laurence Philomene to be held in Toronto.
You have a large following, including almost 10 000 followers on instagram. What do you have to say to fans who are inspired by you, and/or want to follow in your footsteps?
Don’t follow my footsteps is my main advice lol. I say that because I made lots of mistakes, learned some lessons the hard way. I’d just say do what you love with sincerity, be humble, even if you think you’re the shit there’ll always be people who will disagree.
Listen if you get called out, learn to take your space, and leave room for others. You don’t have to be under the spotlight all the time. Be aware of your privileges. Respect the people who support you. Have fun – you can’t have fun all the time of course, but if the work you do brings you joy, you are up to something.
Do you have any non-art related aspirations in life?
Live my best life. Getting my shit together. Baking the most delicious desserts on earth. Developing my practice as a witch. Being there for survivors. Develop strong friendships and travel if I get the chance. Being financially stable enough to support my family and my cats without stress. I want to put energy in healing & managing my PTSD, to live a healthy and joyful life.
This week, we’re stretching the classic definition of show at least a couple of times, but for good reason as you will see. So here are this week’s picks for Montreal arts shows:
Keep the Beat Launch
This one is more of a campaign rollout than a show, though there will be readings by actors Jacqueline Laurent-Auger and Denis-Martin Chabot. The main reason we’re including it is because Maison Plein Coeur, an organization that helps people living with HIV/AIDS, is fighting to stay open after losing its federal funding.
As today is World AIDS Day, it is an appropriate time as any for them to launch their Keep the Beat campaign. You can find out more at tonight’s event.
The Keep the Beat Launch is Friday, December 1st from 7-9pm at Maison Plein Coeur, 1611 Dorion. The event is free, but please RSVP via EventBrite
While this one is definitely a show, it’s the audience that bring the entertainment. It’s a strip karaoke show brought to you by local raunchy theatrical burlesque troupe Glam Gam Productions and they’ve been doing it the first Saturday of every month for a few years now.
So what exactly does strip karaoke involve? Well, people sign up and go on stage to sing just like in regular karaoke but are free to remove as much or as little clothing as they want. Glam Gam always provides a safe space. More details can be found on the Facebook event page.
Bareoke is Saturday, December 2nd, from 10pm-3am at Café Cléopatra, 1230 boul St-Laurent (2nd floor). $5 at the door
This one definitely is a show, an art show. You’ve probably seen some of Cryote’s commissioned street art around town and now you have a chance to see what he can do in the more traditional milieu of painting, and if you want, take some of it home with you.
His style is surrealist and generally features animals and pastel colours.
Cryote’s art show vernissage is Friday, December 1st, from 6pm to midnight and will also be viewable Saturday, December 2nd and Sunday, December 3rd from 11am to 8pm at 87 Mont-Royal Ouest. BYOB and art will be for sale
Is there an event that should be featured in Shows This Week? Maybe something FTB should cover, too? Let us know at email@example.com. We can’t be everywhere and can’t write about everything, but we do our best!
It’s that time once again! Time to find out just some of what’s happening artistically this coming weekend and next week in Montreal. Two of the shows are happening tonight, so let’s get started:
It seems like community theatre is alive and well in NDG. This weekend and next, Theatre NDG is presenting a new one-act comedy by local playwright Ryan Madden called Hunting Moon featuring a cast of local actors.
According to the description, it’s all about love: being in it, being burned by it and being hopeful about it. Seeing as pretty much everyone can relate to at least one of those states, it’s sure to speak to the audience.
Hunting Moon presented by Theatre NDG continues November 24th and 30th, December 1st and 2nd at 8pm with a matinee December 2nd at 2pm. Loyola Chapel, 7141 Sherbrooke Ouest. Tickets are $10 and available through Eventbrite
ArtJam Vol. 15
ArtJam is a monthly multidisciplinary arts party put together by Good Vibe People and streamed live by Nomad. According to the promo material, they shoot for an atmosphere that is more social than a typical arts show or concert.
Tonight’s event features art by DUVAL Art, Michèle Laflèche, Kasimp Productions and others. Music will be courtesy of Afro-Soul artist Tina Ford, folk-alternative musician Vikki Gilmore, indie rockers Made Men and more.
ArtJam Vol. 15, November 24, 8pm, NomadLive, 129 Van Horne. Tickets are $10 (including a drink) and entrance is free for members only before 9pm
Collage Workshop with girlplague
Ever wanted to learn how to collage? Local collage artist (and FTB contributor) girlplague is offering a two hour workshop on the art form. She will show cutting and application techniques, differences in adhesives, basic composition and more.
girlplague has over ten years’ worth of experience in the genre and her work has been shown in galleries worldwide.
Collage Workshop with girlplague, November 30, 6-8pm, 3487 rue Peel. Tickets are $25 and available through Elysium
* Featured image courtesy of girlplague
Is there an event that should be featured in Shows This Week? Maybe something FTB should cover, too? Let us know at firstname.lastname@example.org. We can’t be everywhere and can’t write about everything, but we do our best!
The streets of Montreal are filled with all sorts of graffiti, wheatpastes, and murals, but the artist Swarm is one of few that stand out among the rest. Originally from Ottawa, Ontario, the multi-disciplinary artist started doing street art in Toronto in 2011, and has been Montreal-based since 2014. Heavily inspired by outer space, bright colours, portals, and the void, her wheat pastes and sprays add an ethereal, dreamy vibe to the city’s infrastructure.
Aside from that, she has been involved with Unceded Voices since 2014, a collective of anti-colonial street artists, participated in OFFMural-Es (2014), a feminist/anti-corporate/anti-colonial street art movement, and was a featured artist in Street Meet Saskatoon (2015), an annual public/street/graffiti art festival. While a lot of her work is politically charged, Swarm is also a master of celestial imagery which fuels her work across many disciplines.
While popular motifs of space beings/plants, portals, and naturally occurring patterns in space and nature seem literal on the surface, in her artist statement she talks about them as symbols for abolishing oppressive power structures, her experiences with gender identity, gender oppression, and being multi-racial. These themes carry over from her political work into the work she does where the audience only sees the surface and is left to interpret the meaning, which is intended to provoke feelings of boundlessness, transcendence, and hope.
It’s important to note that Swarm is a multi-disciplinary artist because she doesn’t fall into one category. Other than street art, she practices studio arts, printmaking, makes jewellery, and creates beautiful installations in Montreal’s DIY scenes.
Sleepover Drone!, a recurring event at Mile-End DIY-space La Plante, often commissions Swarm’s installations to create an otherworldly experience for those interacting in the space. Metallic flowers, portals into space, soft drapery and lights strung around the room’s perimeter all sets the perfect ambience for the drone-music-centered events.
You can also see a permanent installation on the terrace of Casa del Popolo, which includes a pink fence, giant moons and space plants at the very least. You’ll have to go check it out in person to see it, or scroll through her instagram to find photos. Wherever you see her installations, it’s always magical and makes you feel like you’re in a dream.
Swarm also has an Etsy store, Maison Cinq, where you can buy stickers, screen printed patches, handmade jewellery and original art directly from her.
* Featured image: Wheatpaste (2016), photo credit: Swarm
Even though the past few days have felt more like a second burst of summer (hope you’re enjoying it), we are in September and the fall is approaching. The good news is that we’re starting up our Shows This Week columns again.
This week, music shows in Montreal are centered around POP Montreal, so that column will be back after the festival. There are plenty of other arts shows you can check out this week in Montreal, so let’s get started with Montreal Arts Shows This Week:
Candyass Cabaret: Summer in the City
One group clearly wants to bring what we have been experiencing outside indoors. The Candyass Cabaret kicks off its fall season, which runs the third Friday of every month, with a tribute to summer.
Jimmy Phule is back as emcee and the show features burlesque, musical and other types of performances. Candyass regulars Salty Margarita, Diane Labelle and Nat King Pole are back, plus the evening will feature the triumphant return of Tania the Mexican Mime and much more.
Candyass Cabaret: Summer in the City runs Friday, September 15 at 10pm (doors 9pm) at Cabaret Cleo, 1230 boul St-Laurent (2nd floor). Tickets are $10
Mile End Studio Tour
Montreal’s Mile End neighbourhood is home to quite a few artists and their studios. Now, for the weekend, many of those artistic work spaces are open to the public as part of the second annual Mile End Studio Tour. You can visit the studios of painters, fashion designers, ceramists, visual effects artists and more.
Mile End Studio Tour runs September 16 and 17. A full list of participating studios can be found on their Facebook event page
If this column had returned last week, we would have included the Alienation Vernissage at Usine 106U. If you missed it, though, you can still see this exhibit featuring a slew of local artists, including FTB’s own Legal Columnist Samantha Gold (and even stick a pin in her Trump Voodoo Doll pictured above) for the rest of the month.
Alienation at Usine 106U, 106 Roy Est. Find out about all the artists on the Facebook event page
* Featured image of Samantha Gold’s “Pussygrabber” Doll by John Lanthier via Facebook
Is there an event that should be featured in Shows This Week? Maybe something FTB should cover, too? Let us know at email@example.com. We can’t be everywhere and can’t write about everything, but we do our best!
I am a painter, I appreciate all colors and the way they change when mixed. A friend of mine introduced me to Vancouver artist Annette Labedzki and everything changed.
Her videos are simple, like Bob Ross but more sensual, a complex psychedelic kaleidoscope of bliss, just a woman’s hand pushing paint. The sounds and scrapes are sexy. The blobs are soothing, mystifying. Watch and you will see! She inspired me to get high and write poetry. Lose yourself in the simplicity of mixing colors.
Splatter and push
Mush, muddle, spread
Make 2 become 1
Three in harmony
Bleeding (between my legs)
All the colors
Explosions for the eyes
Titilate the senses
Its only just paint
Rub it over my hills
The landscape of a human
Formed with muted browns
Think about the colors
And why there was always only 1 flesh tone in the crayon box
Rainbow is my favorite color
Followed closely by glitter
Glitter gets the most hits
Glitter on my tits
It sits between the cells of imperfection
Covering up nothing
Just illuminating the possibilities
Glitter is confidence
In the prime of all good times
I sit and wonder
What is it like to watch paint dry?
I like it better when its wet
On my fingertips
Like a dream of her hips
Thighs and lies
Its my name that she calls
Merge beneath the pale sheets
Fail to wake up in time for the early bird breakfast
Guess I am not getting the worm
Worms, resilient with their endless supply of hearts
I feel that way sometimes
Like I have 6 hearts
You can tear me apart and I still go on beating
More of me
Life not death
No longer using the worm for bait
But saving it from the sidewalk
Beating down on all its tender hearts
A worm’s life matters as much as your own
Every piece connected
In the dirt
The hook in my mouth hurts like my Monroe
Like watching a tongue piercing with over 1million views
Gummy gliding through your mouth
I miss the squish of gummy worms in my teeth
How can something so innocent be drenched in blood?
We are all compost
Planting pots with muddy fingers
Swipes and swoops
Cut the cord
Scribbles can change the world
Orgasmic paint pushers
Glide effortlessly on baited breath
I see the future in revolutions
Swipes and swatches
Creation of the new
I have been on my game.
I got a nude pic from a never nude.
Rather be jaded than faded
Free in technicolor for all to see
Read more on this amazing artist!
The 13th Annual Buffalo Infringement Festival has come to an end, I survived. All of my dreams came true (especially the wet ones).
In 11 days I made quite a few costume changes, lost my mind and found it, and saw some of the most incredible art I have ever experienced in my life. I won this year’s poster contest, so it was extra special.
Thank you Montreal for giving us the Infringement Festival! I was a naked caterpillar riding my trike wearing nothing but glitter and a smile for the Mad Hatter’s Tea Party and World Naked Bike Ride, Marie Antoinette me was part of a nude cake fight and fetish party for Wet Dreamland where hotties suckled at my frosting spewing teets, my porn collages and newest paintings hung proudly.
I was Dazzlingly Inappropriate. I read a story based on my drawing that will eventually be a children’s book collaboration. I spun rainbow ribbons in a garden. I was a purple sparkley unicorn and Bob Ross in the same day. My rainbow butterfly wings were my day look. Oh, and no big deal but my best friend dressed up like a dog and shit in my mouth as I was Divine for our tribute to John Waters, then my dick was a monster and I was a mud shark girl for a Frank Zappa tribute to end the festival.
It was a wild wild wild ride. I am so honored to be part of this festival. My life is better because of it. I have a chance to truly be ME and express whatever weirdness lies within.
To be uncensored and completely free is priceless. I am already planning for next year! A whirlwind of every kind of art imaginable takes hold of my spirit.
For the past seven years local cartoonist Samantha Leriche-Gionet has attended the Montreal Comic Convention with copies of her autobiographical comic strip, Boumeries, in hand. The graduate of Concordia University’s Film Animation department has made a career for herself chronicling the ups, downs and in-betweens of daily life by finding humor in everything from raising young children to having vivid dreams on a nightly basis.
To get a sense of how our annual Con has evolved, FTB took a moment to speak with the artist about the challenges facing illustrators working the convention circuit, finding French readers in unexpected places and the double-edged sword of celebrity.
Forget The Box: Do you feel like there’s been enough support for you here on home soil to build your brand or do you feel like you get further along outside Montreal or Quebec?
Samantha Leriche-Gionet: No, I do much better here. I used to sell equal amounts of English and French copies at Montreal Comic Con, but that shifted when I started getting somewhat popular and because I’m a local, I’m going to attract a lot more Francophones.
So now, for the last volume I printed 500 in French and 100 in English. The ratio is really unbalanced now but I do sell a lot of English copies on the web and it’s nice to have English copies if I want to travel. When I went to Seattle, I didn’t bring any French copies and the first person who stopped by my booth addressed me in French and said “I’m from Calgary but I’m from Quebec originally. Do you have any French copies?” [Laughs] I have a bigger readership here than anywhere else.
Is it cathartic chronicling your personal life in your comic strip?
It’s also a great document to look back on….
Yes, it’s a really great archive. I didn’t think of it that way at all when I started doing it. Even after having kids, I would just keep doing the comic and then I’d forget about some strips and then when I read the books again I’ll go, “oh yeah – my daughter used to do that!”
Now, I’m aware that on top of baby photos my kids are going to have a bunch of comics about them to look through. They’re probably going to be angry with me at some point over some gags I’ve written about them or something they did. I’m not making fun of them though.
How do you choose what to edit out of the stories?
I never want my kids or [my partner] Pierre-Luc to be the butt of the joke. Pierre-Luc can veto anything. Usually he vetoes it right away – “don’t put this in the comic!” My kids can’t do that yet. My oldest knows it’s her and her sister but she doesn’t get that the whole story is about them yet. I just try not to make fun of them because I don’t want to. I try to depict them in a funny light. I want them to be likeable and fondly remembered. It’s not that big of a problem. I know when something is good enough for the comic.
What conventions, other than the Montreal Comic Con, have you attended?
TCAF in Toronto, VanCAF in Vancouver, Emerald City Comicon in Seattle. Here, I do the Montreal Comic Arts Festival, Expozine which is in the fall and I do Otakuthon which is an anime con, which is pretty good for me because there is less of a focus on comics.
We are three cartoonists, so if people are looking for comics in French they have three choices. There’s a small comics festival in Prevost, in the Laurentians. I did a really crummy convention in Toronto that doesn’t exist there anymore called Wizard World. The franchise exists but not in Toronto anymore. It was really bad. I did okay, but…
Bad terms of sales, you mean?
I sold one book in three days and out of desperation I started taking ten dollar commissions and paid for the whole trip with those. I did forty-five, I think. It was exhausting. I’m never doing that again!
What have you seen change here at the Montreal Comic Con in terms of the way people come through Artist’s Alley and check out art?
Well, the place got much bigger so I don’t think it’s to our advantage really because people get lost. They say “oh I’ll be back later” and they never find you again. Of course that’s also a good excuse if they don’t want to buy anything [Laughs]. And of course there are a lot more artists than there used to be.
Comic Con is not on the growth curve for me actually. I did better this year than last year but just barely. It’s not a great Con for me but it’s an okay Con so I still do it.
It’s often said there are different atmospheres at different conventions…
Do you feel, as other attendees have expressed, that the focus at this event has shifted more towards promoting the big-name celebrities?
Yes, more than before. I heard that David Tennant was something like 130 bucks if you wanted an autograph or a photo-op, I can’t recall which, but it explains why people are hesitant to buy anything. People also have to pay to get in, so it gets expensive.
I don’t do commissions but other artists here do and attendees don’t really order commissions at all. If you go to Ontario or the States, it’s basically what everyone wants. I have a friend who usually pays for her table with commissions and she was complaining all weekend because no one orders commissions.
At other conventions, do you find people will ask for commissions even if they aren’t familiar with your work?
Yes. They see “Commissions” and they’re interested.
Has there been a highlight to this year’s Con for you?
[Laughs] This isn’t a highlight but somebody told me it’s too bad I don’t have PAW Patrol merchandise and I wanted to tell him that PAW Patrol stuff is everywhere. Why did you come to Comic Con looking for PAW Patrol stuff?
I do love when kids buy my books. I love when kids know what it is. Adults are nice too, but kids are special. I think my ideal target audience is geeky parents.
What would you like to see change as the Con evolves in years to come, if anything?
I’d like the prices to drop but that’s impossible. I don’t know. I’m doing okay.
What’s next for you? More Boumeries…?
Yes. I’m also illustrating a series of children’s novels. I’m working on two comics at once: one that I’m only illustrating and one that I’m doing completely by myself. I already have a publisher behind it.
Is it weird being a local celebrity of sorts and having fans recognize you? I remember once seeing someone asking you and Pierre-Luc for a photo…
People feel like they know me. Yeah, it’s weird. I’m the one doing the comics so I’m okay with it. Pierre-Luc found it weirder so he doesn’t come to conventions a lot, in part because of that. People know a bunch of stuff about me. Some people I don’t even recognize. They’ll say hi and I’ll wonder “who are you?” But it’s nice to have three days of people saying “your work is awesome!” even if they don’t buy anything. Just hearing “this is great, I’ve read it, keep it up.” That’s my real pay.
You can check out Samantha Leriche-Gionet’s work, including Boumeries, at comics.boumerie.com
If you happen to spot a Power Ranger or Sailor Scout in the days ahead, do not be alarmed. It’s simply that special time of year again, when fanboys and girls of all ages gather at the Palais de Congres for three days of celebrities, cosplay and comic books. Yes, the Montreal Comic Con is back in full swing this weekend and expecting some 60 000 visitors with a passion for all things sci-fi and spandex.
Those who’ve frequented local cons since the early 2000s have seen these gatherings grow from modest affairs in hotel ballrooms to an annual event proudly featuring the likes of Patrick Stewart and Nathan Fillion. But while Hollywood heavy-hitters are sure to draw in the crowds, it’s important not to overlook the ones who do the actual…well, drawing.
Yes, there was once a time – back before geekdom went mainstream – when comic book conventions were focused more on actual comic books than comic adaptations. Of course, those were the days when superheroes rarely made the transition to television let alone the big screen. Now, we can watch the adventures of Supergirl and Preacher from our living-rooms while Wonder Woman and the Guardians of the Galaxy battle at the multiplex for box office supremacy.
It’s impossible not to be excited about that, but as films like Batman V Superman have shown, adaptations can often pale in comparison to the source material. Why not then seize this opportunity to spend some time with the creative minds who’ve been fueling these franchises for decades and truly understand what makes these characters great?
Case in point: Ty Templeton. This Ontario-based Renaissance Man has worked in just about every area of the entertainment industry – and has the hilarious anecdotes to prove it – but is probably best known for helping to adapt the Emmy Award-winning Batman: The Animated Series for comics. The celebrated tie-in book, The Batman Adventures, debuted in 1992 and proved so popular DC kept it going for another twelve years, long after the animated series concluded its run in 1999.
Templeton provided scripts, covers and interior art for the all-ages book, which won several Eisner Awards during its run and is widely considered to feature some of the best Batman stories of all time. He’s also written for Bongo Comics’ Simpsons books and provided art for DC’s recent Batman ’66 Meets the Green Hornet series.
Templeton’s sense of humor and passion for comics is evident in all his work, but especially his weekly online comic strip Bun Toons, which cleverly comments on comic book culture and even politics in as few as six panels. If you happen upon his booth, don’t be surprised to see him regaling a group fans with one of his rousing stories. He’s an entertaining one to be sure.
…not that he’s the only one with stories to tell. Comics legend Neal Adams will also be in attendance and hosting a panel called The Sordid History of Comic Books. Having worked on characters as diverse as Tarzan, the X-Men, Green Lantern and Batman, he has a wealth of knowledge to share with both readers and aspiring comic artists.
In addition to having drawn Superman’s famous boxing match against Muhammad Ali and co-created the villain Ra’s Al Ghul, Adams is especially well regarded within the artistic community for having stood up to the big publishers in the 1970s to ensure creator’s rights were being respected. His efforts saw Avengers creator Jack Kirby and Superman creators Jerry Siegel and Joe Shuster get long-overdue credit for their contributions to the medium, and helped ensure today’s crop of comic book artists aren’t at the mercy of their employers. If anyone can speak to the industry’s sordid past and possibly brighter future, it’s him.
Archie Comics’ artists Dan Parent and Fernando Ruiz, meanwhile, will be present to reflect on the adventures of the world’s oldest teenager, who just so happens to also have a new hit series on the CW network. If you haven’t checked out an Archie comic since your last visit to summer camp, rest assured that little has changed in his neck of the woods, except perhaps the variety of representation now featured.
Parent ushered Kevin Keller – Riverdale’s first openly gay resident – into the pages of Archie back in 2012. The character has since made the transition to all corners of the world of Archie after weathering an initial storm of controversy. Now, Parent and Ruiz are focused on their first creator-owned collaboration: a saucy series called Die Kitty Die! which came about through a successful 2015 Kickstarter campaign and sees their typically kid-friendly style take a walk on the wilder side.
Perhaps most fittingly, given Canada’s recent 150th birthday, attendees can get to know a bit about our own somewhat forgotten national superhero Captain Canuck, whose latest adventures are being scripted in part by Jay Baruchel. The former Montreal-based actor has invested in Chapterhouse Comics to help chart the course for this character, originally created in 1975.
These are but a few of the comic book writers and artists attending this weekend’s festivities. Walking through Artist’s Alley will also offer an opportunity to familiarize oneself with the work of local independent artists whose unique perspectives and enthusiasm for comics could very well lead them to success and fame down the road.
In short, great as the temptation may be to spend those hard-earned savings on autographed photos with the host of talented actors and actresses present, celebrating the creative minds at the hearts of these larger-than-life franchises is really what a comic book convention is all about.
Full guest and schedule details for the Montreal Comic Con, which runs through Sunday July 9th, is available at MontrealComicCon.com
* Featured image: The 2011 Montreal Comic Con main room, via WikiMedia Commons
Forget The Box’s weekly Arts Calendar is back for its last November edition. Take a look at these excellent events if you’re looking for fun and inexpensive things to check out!
As always; if you’re interested in going to one of these events and want to cover it for us, send a message or leave a comment below.
Beaux Dégâts #45 – Tap Water Jam MTL + Ella Grave showcase
Beaux Dégâts is a time-honoured Montreal tradition that combines improvisation in musical and fine arts to create a unique organic event space. From their Facebook page:
“Beaux Dégâts tries to make a parallel between the reality of street artists and the Fine Arts. It is here to bring back what has been ignored for too long by art institutions and return to the street artist’s reality: the importance of community, sharing, accessibility and uniqueness.
For two hours, six teams of artists will improvise 8ft X 8ft murals on different themes given on the night. Each team will have to research and find visual references to create a production in front of public. All mediums except spray cans are allowed. During the evening, the public will vote for it’s favorite mural using their empty Pabst beer cans. The team that will collect the most cans will win the right to paint over the other artists work if they wish.”
Beaux Dégâts #45: Live Improvised Painting and Music – Wednesday, Nov 30, Foufounes Electriques, 8pm-1am. Entrance: 5$
The Crossing presented by Cinema Politica Concordia
Cinema Politica is a media arts, non-profit network of community and campus locals that screen independent political film and video by Canadian and international artists throughout Canada and abroad. It is volunteer-run and all screenings are by donation.
The film that Cinema Politica is screening this Monday, The Crossing, “takes us along on one of the most dangerous journeys of our time with a group of Syrians fleeing war and persecution, crossing a sea, two continents and five countries, searching for a home to rekindle the greatest thing they have lost – Hope.”
The Crossing screening @ Cinema Politica Concordia, 1455 de Maisonneuve Boulevard W, Room H-110, Monday, 7pm. Entrance by Donation
50/50 presented at Mainline Theatre
50/50 is a novel concept; a half-scripted, half-improvised live comedy show! This show was a major hit at Just For Laughs 2016 and will not be back for four months – definitely catch this if you can at the Mainline Theatre.
Coming off a sellout show at OFF-JFL/Zoofest this past July, 50/50 returns with a new cast blending talented actors and hilarious comedians. In each of the show’s nine scenes, a prepared actor who has learned lines off a real script is paired with an improviser who has no prior knowledge of what the actor has rehearsed.
50/50 @ Mainline Theatre, 3997 boul St-Laurent. Wednesday, November 30th, 8pm. $15 (students/seniors/QDF Members $12)
Forget The Box is kicking off Autumn with a new weekly calendar of arts shows in Montreal! Check out these events and feel free to contact us with suggestions for others as well.
Alder & Ash
Alder & Ash is a counterpoint of two extremes. The music lies in stillness, introversion, and penitence. It lies in violence, cacophony, and angst. Alder & Ash plays solo cello with loop pedal to create improvised minimal classical music, with influence of doom metal, ambient, post-rock and noise. Alder & Ash will be performing live at Le Réactueur as part of an ambient music showcase – don’t miss it!
Alder & Ash Live at Le Réacteur, 2401 Rue Sainte-Catherine E, Friday, October 14th. Pay-What-You-Can
Fela Kuti Tribute
The Tupi Collective crew, ASMA, KYOU, and DJ Kobal are putting together an exciting evening filled with sonic tributes to Afrobeat pioneer Fela Kuti at Groove Nation. The event is in celebration of what would have been Fela’s 78th birthday, October 15th (but don’t get it twisted, the show is October 14th).
Fela Kuti Tribute at Groove Nation, 410 Rachel Est, Friday, October 14, 10pm-3am. $5 before midnight, $10 after
Pompette’s Monthly Comedy Extravaganza
Pompette’s Monthly Comedy Extravaganza offers Montreal’s finest in a casual context with one of the best new resto/bars in the city. At your service Riccardo Spensieri & his crew will be dishing out the eats and libations as Franco Taddeo & friends light up the night with laughter.
Taddeo is joined by emcee Peter J. Radomski of Just for Laughs fame as well as Paul Baluyot, ParkEx’s One Name Wonder Pantelis, TV’s Geoffery Appelbaum, Erica “The Funny & No Relation” Taddeo plus a Special apperance by Ernie the 80 year Old Comedian & his stool (chair to sit on to be clear!!).
Pompette’s Monthly Comedy Extravaganza at Pompette, 4128 Boulevard St-Laurent, Wednesday, October 19th, 8:30pm – 10:30pm. $9 with comedy night special on drinks
Is the recent guerrilla art installation Emperor Has No Balls (nude Trump statues in various parks) just an example of body shaming or does it get a pass because the subject, Trump, is obsessed with sexist body norms for women?
As an American citizen I am embarrassed and abhorred that someone like this has gotten so far in our obviously flawed political system. He is the actual Republican nominee for President of the United States.
He is a racist, sexist, bigoted meanie face. All of his beliefs and moral stances are foolish and full of shit, he is not a politician, he is an ego maniac celebrity, a money grubbing monster, and downright evil doer. BUT, he is a human being.
While I do think he is an idiot and I want to see his campaign crash and burn, I do not believe in body shaming or making fun of any of his physical attributes. You are only as beautiful on the outside as you are on the inside, so obviously he doesn’t have much to work with. Judge him on his idioic ideas and not his lack of genitalia.
I don’t want to be shamed for my imperfect body so I will never do the same to another human. The piece features fat shaming and transphobia.
There is no pass when it comes to body shaming. I am a firm believer in two wrongs don’t make a right. If I judge him for being a jerk I can’t go right back and be a jerk in response, we must Love Trumps Hate to move on.
This publicity stunt got his name in the news again, the dumb people are still seeing his name. In good or bad context doesn’t matter, it’s in their impressionable minds. The stunt made headlines.
Although, on one hand I do believe that people should have a sense of humor. Public art is made to stand out, make people think. Trump’s naked body has nothing to do with his political agenda. I do agree that he would be a terrible president, and would probably erect similar statues of himself anyways.
I have dressed up like Trump in the past, mocking him and being satirical. I was a parody, a personification of his idiocracy and “perfect hair.”
Trump wins every time someone says or types his name, I am feeding the machine by even writing this article. He is an “even bad press is good press” believer.
He pulls this stuff out of his ass just to rile people up. He excites the hate mongers and ignites the protesters into a fury. Justice has not been served by erecting the larger than life nudes, he honestly probably really loves them, and will have the whole collection in one of his mansions.
Activist art crew Indecline was in charge of this public art frenzy, naked Trump statues appearing in many major cities: Seattle, New York, San Francisco, Cleveland, and Los Angeles- to protest the Republican presidential nominee. At 11 am in each city (8 on West coast) two people dressed like construction workers carried out this 6’5″, 80 pound sculpture under a blue tarp and then literally glued it to the ground and disappeared into the crowd.
Each statue was beautifully hand painted by an artist known as Ginger, a Las Vegas based horror artist (that admits he was once a Trump supporter, then wisened up as the campaign got more out of control). Ginger is known for his monsters, and Trump is a monster.
Once the tarp was removed mayhem insued. So many selfless were taken, one was “jerked off” by a homeless man, another was dragged into a nearby art gallery, but most were taken down by the police. The new goal is to make them for high end galleries and restaurants, willing participants.
Tiny penis and no testicles were the main attraction. Although art is subjective and takes liberties, it is not confirmed whether he actually has testicles in real life or not. He definitely suffers from foot in mouth disease and is a raging sociopath, but that is beside the point.
The Emperor Has No Balls is part of Indecline’s 15 years of art as activism, usually sticking to murals and graffiti. They are responsible for the Rape Trump graffiti on a fence at the US Mexico border. They knew that larger action needed to be taken as the Trump campagn was a real thing, he is the nominee, wow, this is happening!
Everytime I turn on a TV or look at the news I get sick, I worry that this impending doom is the final apocalypse. What will he do as our commander in chief? Not saying I love Hilary Clinton or anything, but COME ON! He is the worst, it’s a joke that has gone too far, and at OUR EXPENSE!
They started to think about how dictators were memorialized in giant statues throughout history. Illama Gore’s infamous drawing of naked Trump got so much attention (even the artist being assaulted due to her work) that it was a clear inspiration for this project.
Trump’s campaign did not comment on the statues. Of course not…
* Featured image: Naked Trump statue in Union Square, NYC
Got a question for Cat? Ask it: Cat@ForgetTheBox.net