When I first walked in to the International Wrestling Syndicate (IWS) event Praise the Violence the
night of Saturday, January 21, 2023, I was prepared for the worst. I imagined a den of toxic masculinity:
sexist dudebros who abuse women behind closed doors all gathered in one place to fuel their excessive
need for violence as muscle-bound costumed men pretended to beat each other bloody for their
delight.

What a found wasn’t that at all. The audience was as varied in gender as it was in age, and when the
fighters or performers- how they prefer to be known depends on the wrestler – gathered around the
merch table to schmooze with their fans they were friendly and congenial, eager to hear feedback about
their performances.

“The IWS tends to bring in all sorts of people,” says wrestler Sonny Solay, The Rockn’ Roll General, who
speaks on behalf of his own experience, not the IWS. “Wrestling was generally marketed towards young
men, and as they got older they have their families and it’s more of a family show. The best way to
understand professional wrestling is we are the three ring circus: if you’re there for the lion tamer, you’ll
like the lion tamer; if you don’t like the lion tamer, you’ll like the clowns, if you don’t like the clowns,
you’ll like the guy who gets shot out of a cannon…There’s somebody for everyone at our shows.”

As for the concerns of women regarding toxic masculinity and sexism, there was at least one women’s
wrestling match at the event. Solay encourages women to give IWS events a shot, saying that the
perception of professional wrestling as an area where women were objectified may have been justified
in past wrestling eras, but since the women’s revolution in wrestling, that’s all changed.
“There’s a lot more women-forward promotions and the work that they’ve been doing in Japan, women
have shown that they can hang with the men and even surpass a lot of us as far as skill and intensity
goes. So I say give it a chance and you’d be pleasantly surprised,”

The IWS –initially named the World Wrestling Syndicate – is the biggest wrestling promotion in Canada.
It was founded in Montreal in nineteen-ninety-eight by pro-wrestler SeXXXy Eddy, with Manny
Elefthriou and Nic Paterson. In the year two thousand, the professional wrestling promotion was
renamed the Internet Wrestling Syndicate when one of the founders partnered with Wild Rose
Productions, an adult entertainment company. In 2004, following tons of pro wrestling matches
including tag-team bouts, No-Rope Barbed Wire matches, and Tag-Team Championships, the promotion
was renamed the International Wrestling Syndicate or IWS. The promotion group based out of Montreal
has helped launch the careers of such World Wrestling Entertainment (WWE, formerly the WWF) stars
as Sami Zayne and Kevin Owens, as well as IWS legends like The Green Phantom, who fought an
intense table match last Saturday, wresting the belt from The Maniacal Maredes. The IWS women’s
championship match pitted Dani Leo, Melanie Havok, Jessika Black, and Katrina Creed against one
another, with Havok emerging victorious.

Photo by Sebastien Jette

The matches were everything one could hope for from pro-wrestling: blaring high energy intros,
breathtaking stunts, snazzy costumes, and performers with their ring personas on full display. As a
martial artist and self-defense instructor, it was obvious to me when hits did not connect, and the faking
of injuries rivaled what one would see in any FIFA match. The ring, according Sonny Solay, who spells his
second name phonetically after the French spelling was butchered by one-too-many announcers outside
of Quebec, is designed to maximize sound, thus giving the crowd a better show. As to whether fights are
actually real, they are not, though whether the outcomes are set in advance varies.

“It’s not a matter of it being a real fight, but there are certain beats that need to be hit. I can’t really go
into it too much without getting to specifics…It’s not a real fight, but the outcome is usually pre-
determined. And when I say ‘usually pre-determined’ I mean sometimes things happen, sometimes
there are surprises, that’s the magic of professional wrestling, that’s why people love going to the
shows,”

In terms of the violence of the shows, Solay reminds me that shows are still a three-ring circus, and that
sometimes things happen that wrestlers weren’t aware of beforehand. The show I saw involved a table
match or two, in which an opponent could only be beaten when their bodies made contact with a
wooden table hard enough for the table to break. Other times fluorescent light tubes are broken on the
backs of wrestlers and both carry the risk of bloody but minor wounds. That said, Solay points out that
any contact sport comes with risks, and more common injuries include cuts, bruises, and ankle and wrist
injuries.

“Technically all injuries are possible, but we train to make sure that they happen as little as possible,”
Now let’s say someone wants to become a pro-wrestler. Solay says that every wrestler has a different
road they travelled to get to the IWS. He initially started as an athletic wrestler, only to stop due to
injury. He got into the IWS via a friend, but ultimately joined the IWS Dojo which puts the emphasis on
getting people in the ring, teaching them the basics and allowing them to explore the type of wrestler
they want to be. He recommends the IWS Dojo as a way of making sure someone can be the best
wrestler they can, speaking highly of the mentoring and training offered by Super Star Shayne Hawke,
Matt “Daddy Magic” and “Cool Hand” Angelo. Those eighteen or over (or sixteen and have parental
consent) who are interested in becoming pro wrestlers are welcome to message the IWS Dojo’s
Facebook page. They are more than willing to offer a one-time trial to see if it’s a good fit.

Featured image by Sebastien Jette

The IWS has monthly shows in Montreal that are entertaining and fun. Check em out and follow your
favorite wrestlers on social media.

Jason C. McLean and Dawn McSweeney are joined by Special Guest Andrew Jamieson to talk about the recent behind-the-scenes drama at WWE – Stephanie McMahon resigning, Vince McMahon forcing his way back into power and a potential sale – ahead of the company’s three shows in Montreal.

Follow Andrew Jamieson at WhoTheFuckIsAndrewJamieson.com or @fakejamieson on Instagram

Follow Dawn McSweeney @mcmoxy on Twitter and Instagram

Follow Jason C. McLean @jasoncmclean on Twitter and Instagram

Jason C. McLean and Dawn McSweeney talk about Ye (formerly Kanye West)’s recent anti-Semitic and other outbursts, the PQ being barred from the National Assembly for refusing to swear allegiance to King Charles III and Montreal settling a class action protest lawsuit for $3.1 Million.

Follow Dawn McSweeney @mcmoxy on Twitter and Instagram

Follow Jason C. McLean @jasoncmclean on Twitter and Instagram

The party’s going down over at the Palais de Congrès this weekend, and all the proof you need is in this gallery of standout outfits from Montreal’s finest cosplayers. Before you head on over to join in, get inspired and dress for the occasion. Everyone else has!

Jason C. McLean and Dawn McSweeney discuss the plan to make seven Downtown Montreal metro stations free on weekends and the summer festival season beginning with Grand Prix and Fringe.

Follow Dawn McSweeney @mcmoxy on Twitter and Instagram

Follow Jason C. McLean @jasoncmclean on Twitter and Instagram

Jason C. McLean and Dawn McSweeney discuss the giant and expensive ring coming to Downtown Montreal and the reaction to it, Canada lifting the ban on men who have sex with men from donating blood (and Hema-Quebec doing something “distinct”) and Elon Musk’s plans for Twitter.

Follow Dawn McSweeney @mcmoxy on Twitter and Instagram

Follow Jason C. McLean @jasoncmclean on Twitter and Instagram

Jason C. McLean and Dawn McSweeney discuss Montreal’s pilot project to allow the S.A.T. to serve alcohol without a last call, Russia banning 61 more Canadians, the Johnny Depp/Amber Heard defamation trial and more

Follow Dawn McSweeney @mcmoxy on Twitter and Instagram

Follow Jason C. McLean @jasoncmclean on Twitter and Instagram

Jason C. McLean and Special Guests Dawn McSweeney and Jerry Gabriel start with Quebec’s second curfew which begins on New Year’s Eve and then talk about some of the top news stories of 2021.

Follow Dawn McSweeney on Twitter and Instagram @mcmoxy

Follow Jerry Gabriel on Twitter (@depressingbear) and Instagram (@jerrygabrielrocks)

Follow Jason C. McLean on Twitter and Instagram @jasoncmclean

When I walk into my local major chain grocery store, one of the first fridges I see is filled with bright, fun cans, chock full of sugar and alcohol. One in particular looks just like those red, white, and blue rocket popsicles, and hits me in the nostalgia.

They share the fridge with rows of stylized kombuchas, beckoning to shoppers in an all ages space to take their pick. You can also buy cigs there of course, tucked out of sight these days, but like an old timey speak easy, say the right words and show the right ID, and they open the secret doors. This feels normal now, though I’m old enough to remember when smokes were not only proudly displayed at pharmacy check-outs, but also sponsored just about all our noteworthy festivals.

We embrace vice in Montreal. We embrace it because we believe in joie de vivre and personal freedoms. We love the caché that sexy trinity gives us, and in normal times, we love the tourist dollars that come with it. From our drinking age, to our legal contact dances, Montreal is a haven for adult entertainment in the broadest sense of the term.

Typical Quebec grocery store fridge with fruity alcohol (Photo by Dawn McSweeney)

That’s why it seems so weird that e-cigarettes are slated to come under stricter regulations. Quebec is moving to limit nicotine content in cartridges and liquids to 20%, while also banning flavors. This means that adults will only be able to choose between flavorless, menthol, or tobacco flavored, to pair with their hard root beer.

Before the pandemic, the news was briefly filled with teenagers getting sick from what turned out to be black market THC and CBD vapes made with vitamin E, and who knows what else. While broken telephone caused panic about adults smoking regulated nicotine products, it also seems to have contributed to Quebec’s decision to ban THC and CBD vape products moving forward while other provinces allow them.

During the lockdown, vape shops were considered non-essential. They are the exclusive retailers of e-liquid, refillable vape pens, empty pods, and various bits so you can keep your vape up and running. They often have custom flavors and products that set them apart from each other, creating niche markets.

While plenty of small businesses in the same boat were able to mitigate some of their losses by moving to online platforms or curb-side pickups, vape shops weren’t allowed to do either. In fact, under Quebec law, vape shops can’t sell their wares online, leaving small shops out in the cold, and vapers to find their own alternatives, likely driving money to other provinces or countries.

One small loophole remained: deps continued to sell a limited selection of popular, self contained pod products, and the e-cigarettes associated with them. They had Juul products, and Vuse (previously Vype). Both are relatively pricier options per milliliter, but I dusted off my Juul, and used it until I got sick of it, bought a Vuse, and then paid more than I used to for cigarettes until restrictions eased.

I wondered why these were available. Big box stores had sections closed off in an attempt to even the field, and while I was grateful to be vaping, I couldn’t help but wonder why there seemed to be some favoritism in play on vapes.

A quick search, and I found that the Altria Group (formerly Philip Morris) owns a 35% share of Juul. They already make multiple tobacco flavors including Virginia, Golden, and Classic. Even more fun, our former Health Minister Rona Ambrose joined the Juul board of directors in spring of 2020.

This gave me giggles because in 2014, in her position as Health Minister, she was quite concerned about vapes, flavors, et al, and called for further research. At the time, she said:

“Currently, without scientific evidence demonstrating safety or effectiveness, we continue to urge Canadians against the use of these e-cigarettes. We have heard that e-cigarettes may be a gateway for teens to begin smoking, while also having the potential to serve as a smoking cessation tool. Today, I am asking the Standing Committee on Health to undertake a thorough study on e-cigarettes and provide a report.”

– Rona Ambrose, while Canadian Minister of Health in 2014

So, as I see it, either the research came back clean, or she’s a high paid hypocrite shilling for big tobacco. I’ll wait.

What about Vuse? Oh, they’re owned by British American Tobacco, one of the biggest cigarette players in the world, now making sure they keep their profits up by having a foot in each world.

Maybe I’m paranoid. Maybe self contained pods are just easier to stock. Well, my preferred one and done self contained e-cig is STLTH. They’re founded by a group of ex-smokers with over twenty years of cumulative experience in vape space, and no apparent ties to big tobacco. Their products are exclusively available in dedicated vape shops. Weird, right?

All this is in the name of “think of the children”. Well, I was one once, and I had no trouble getting my hands on cigarettes at 13. Locked in a decades long toxic on-off relationship with butts, I was down to a pack a week, feeling that was a negligible, “harmless” amount to smoke.

I made the switch to vape 2 years ago, and I breathe better. I no longer have that gross morning cough, and my vocal range has returned in a way I never thought it could. My house smells better. Hell, my hair smells better.

I enter an 18+ space, and make my adult decisions, aware that this is harm reduction, not perfection, and that no toxins are better than any toxins. It’s much the same way I think about alcohol.

If eliminating flavors stopped experimental and rebellious kids from doing stuff, alcoholic soda would be banned, and I wouldn’t have ever picked up a regular ol’smoke. If all we do is worry about the children, and 18+ spaces aren’t a good enough way to keep kids out and “safe”, then let’s board up every SAQ and SQDC.

Because as it stands, taking away my flavors looks like it won’t keep vape out of kids’ mouths, but it sure sounds like it will be taking money from small businesses, and giving it right back to big tobacco, one way or another.

Featured Image by Dawn McSweeney

Quebec will be re-opening some parts of its economy during the month of May. The province, at this point, will not be relaxing social distancing rules imposed because of the COVID-19 pandemic overall and will impose new regulations on businesses when the re-open.

Quebec Premier François Legault announced the plan in general at the government’s daily press briefing before passing it over to Pierre Fitzgibbon, Minister of Economic Development, Innovation and Export Trade with the details. So far there are three sectors re-opening:

  • Retail Stores: Retail businesses that are not located inside a shopping mall or businesses inside a mall but with a separate entrance will be allowed to open on May 4th across Quebec with the exception of the Greater Montreal Area and on May 11th in Montreal and its surroundings. Stores will remain closed on Sundays until May 31st.
  • Manufacturing: Manufacturing businesses across Quebec can open May 11th. Businesses with 50 or fewer employees working per day can re-open with full staff. Those with over 50 daily employees can open with 50 employees plus half the remaining staff. On May 25th, manufacturing businesses can open with full staff regardless of the size of the staff.
  • Construction: Construction businesses across Quebec can re-open May 11th.

Legault repeated remarks he made yesterday when talking about re-opening some schools as a justification for re-opening parts of the economy with COVID deaths and hospitalizations still on the rise. While situation is still dire in seniors’ residences, the population overall, excluding that sector, has been flattening the curve.

No word yet on when sit-down restaurants, bars, gyms and other businesses where social distancing could prove difficult may re-open. The government did say that they will be making other announcements at later dates.

This summer was supposed to be the St-Ambroise Montreal Fringe Festival’s 30th anniversary edition. Now, due to COVID-19, the celebration and theatrical performances by hundreds of groups and performers originally scheduled to run June 1-21 will have to wait until next summer.

“I sincerely feel that as leaders in the Montreal cultural landscape, it is our responsibility to temporarily close our spaces and to postpone the Fringe Festival in order to protect the health and of our artists and patrons,” the festival’s Executive and Artistic Director Amy Blackmore said in a press release. “The conditions for in-person art-making and consumption amid this crisis are significantly challenging since many are unable to rehearse, have been laid off from work and are trying to manage shifting priorities.”

MainLine Theatre, which produces the festival, will also keep its performance and rehearsal space on St-Laurent Boulevard closed until May 31st as per public health directives. The festival will offer alternate online programming this June in place of the public theatre shows.

The Fringe is generally the event that kicks off Montreal’s jam-packed festival season. This year it is the first major summer arts festival to postpone or cancel due to COVID-19.

We will update you if any other arts events follow suit.

Man thrusts fist at viewer

For eight seasons on the shameless sketch comedy series MadTV, comedian Bobby Lee cracked audiences up with his impersonations of celebs like Connie Chung and Kim Jong-il…but just as often by simply running around naked, even to the point where one sketch featured an Intervention-style sit-down with his concerned co-stars. It was a career-launching experience for the California native, who makes his Montreal debut this week as the host of Just For Laughs The Nasty Show. With his successful podcast introducing him to new fans, the 47-year old is happy to reflect on the good ol’ Mad days and share just how nasty he plans to get.

James Gartler: How did your popular TigerBelly podcast get started back in 2015?

Bobby Lee: My girlfriend asked “how come you don’t have a podcast?”And I said, “No one will listen if I have one.” So, she went to the store and bought all the equipment and told me “Well fine, I’m going to do it on my own then,” and for a couple of weeks she did. One day I just walked by the room and she was sitting by herself looking so sad, so I said “Fuck it, okay, I’ll do one with you”.

It turned out really well and we started accumulating a couple of episodes and building some good traction and eventually I was able to get really good guests, like Jordan Peele, Eric Stonestreet, Craig Ferguson and others. It kind of reinvented me in a sense. People wanted to see me again. So it’s been great.

JG: Do you feel podcasts are great medium for comedians? It seems like an open-mic night that can go on for as long as you want it to and no one can censor you really…

BL: Also you find your real audience that way, I’ve done a lot of different things – a couple of lines here and there in movies, TV shows and whatnot – but podcasts were the way to reach the people that share my real sensibilities and people that enjoy what I have to say. It’s reinvented my shit, man, and I’m pretty happy.

JG: Have you never performed in Montreal before?

BL: I’ve never performed in Montreal before. I’ve done Vancouver a bunch of times, Toronto, Edmonton, Calgary, all those rooms, but Montreal is the one festival I’ve never done, which is weird because I’ve been in the game for so long.

JG: You’re hosting JFL’s The Nasty Show, which is a popular ticket. How do you decide what material works best for that kind of evening?

BL: Well, not every joke I’m going to tell is going to be a dirty one. I feel like I’ll do an act that I would do in L.A. and that’ll suffice. People say that I’m really dirty – I don’t see that. I could have done The Ethnic Show a couple of years ago, but I decided that maybe the dirty one was more up my alley.

People think that when I perform that a lot of Korean people come out. I have no Asians come out. My audience is a mix of everyone. Obviously, I have Asian people that like me, but I wouldn’t say that’s my audience. If you see someone like Jo Koy, he has a huge Asian audience. I don’t think Asians like me that much.

JG: Why’s that?

BL: I won’t tell you who it was but many years ago there was a Korean actor at The Comedy Store who saw me perform and he came up to me and said: “you’re a disgrace to your people”. So that’s when I knew, “ohhhh, I don’t really connect with them really” (Laughs). Like, if you look at my audience, the people have tattoos on their eyeballs, or they have some weird thing they’re doing with their hair, they look a little dirtier, much like me. I’m just a dirty ethnic guy.

JG: On MadTV you showed a real propensity for running around naked. Did they request it or did it evolve over time?

BL: I just had this thing growing up where I just kinda liked being naked. It’s a control thing, to be honest with you. The other reason why I do it is because I never thought that I was that sexy, but once I started getting naked and being more comfortable with my body is when I feel like women started going “Oh – he thinks it’s good. Maybe it is good?”

It was a way to build my self-esteem, really to be honest with you. And also, getting naked on MadTV was nothing – I used to do some crazy shit. I used to poo in people’s dressing rooms. I pooed in the executive producer’s office once. So being naked is not the worst thing I did.

JG: So by comparison they overlooked it…

BL: Oh yeah. But MadTV taught me so many things about life. It really influenced me because it was so difficult being on that show, especially in the late 90s/early 2000s.

I was a little Korean guy on an American sketch show and that rarely happens.

For me to be able to get that show and learn how to act and memorize lines and perform on TV was so valuable. And also it taught me that “oh shit – maybe you can make it”. Getting there was so important to me on so many different levels.

JG: And a lot of the cast has moved on to great things. Alex Borstein, of course, has her great voiceover career and Keegan-Michael Key and Jordan Peele are doing well for themselves. Who are most jealous of, from your costars, if anyone?

BL: Honestly, I’m not jealous of any of those guys because those guys are all family. I’m more jealous of people who are more my type. When people my type do better than me, then I get a little crazy.

JG: What’s your type?

BL: I think my fear is that when other when other Asians make it people think that I’m that person. Like when Ken (Jeong) got Hangover and it became a big hit, I would walk down the street and people would roll down the window and yell “Hangover!” so people thought I was Ken for years. That’s what I dread the most – when other Asians make it and people think that I’m them.

JG: Was there a backlash for MadTV alums after you left the show? The material didn’t pull any punches. You made fun of everything and everyone and it was hilarious. Was it hard to go into an audition and say “hello and yes – I’m the guy from MadTV”?

BL: At the time when we were doing it, it felt like… We had no control over what the show was.

When Keegan and Jordan and Ike (Barinholtz) were there, I knew, even though we weren’t really a hit, we were under the radar, but I still knew that the level of talent on MadTV that could rival SNL. I’m not saying we were better, but I was able to see so many good guys.

When I joined the show, Alex was still there, Will Sasso, Michael McDonald…all those guys are my friends and it was just a great introduction to comedy. Keegan and Jordan and Alex and all these people being successful only helps my cause. I feel like Key & Peele reinvented the way the industry views MadTV. I know that Key & Peele was their own thing, but they are MadTV people and they met on MadTV. The kind of talent I was exposed to completely and utterly blew me away.

And also, I got sober on that show. I discovered recovery on that show. I relapsed, I got sober and that’s how I was able to do movies after that. So even though there was some darkness, I have fond memories when it comes to Mad.

The Nasty Show runs July 17 to 27. Tickets are available at hahaha.com or by calling 514-845-2322. Follow Bobby Lee on Twitter @thetigerbelly.

Ronny Chieng is one of the few comics to bring an Asian perspective to the Just for Laughs stage. He is playing the Just for Laughs festival as part of his Tone Issues Tour but you can also see him on The Daily Show and in Crazy Rich Asians, his first role in a major motion picture. 

I had the chance to speak to Chieng over the phone. Being half-Asian myself, I know about the expectations Asian parents often have for their children so I asked if his family had different hopes for him career-wise. Chieng appreciated the question because one of his very first jokes at Just for Laughs addressed that.

He spoke of being sent to Australia to study law but he was a poor student. He became a comedian because he couldn’t get a job in law, and comedy ended up paying better. He even said that he didn’t tell his parents about his new career directly – they found out about it when he appeared in the local press in their home country, but they’re okay with his career choice now.

Since Chieng now works in America and a lot of his comedy is political, I asked him if he thinks Trump is good for comedy. He feels it’s fair to say that Trump is good for comedy.

“He’s bad for life, bad for the planet, and bad for the country, and bad for mental health everywhere. At The Daily Show we talk about him every day, so I’d be hard-pressed to say he’s not good for comedy. Would I want that? No, I would rather have someone else – he has more cons than pros for the comedy world.”

Though Chieng doesn’t like the Trump Administration, he doesn’t feel that comedians working in America should feel obligated to criticize it in their comedy.

Great stand-up, in his eyes, comes from really authentic points of view and pandering to trendy topics if you’re not personally passionate about them is not going to make for good comedy. 

While comedians shouldn’t feel obligated to talk about it, he feels that everyone – comedian or not – has an obligation to say something if they feel that something isn’t right.

Chieng’s comedy centers a lot on being Asian in predominantly white countries so I asked if his work was more about dispelling stereotypes or just about laughter. At first he joked that it was about making money, but then said that he is about fighting stereotypes or at least give them a little more nuance. 

“If there’s a stereotype, I would like to explain why that’s a stereotype and maybe take the stereotype to another level – explain the full story behind the stereotype or break the stereotype altogether if I feel a stereotype is unfair. I try to address it because I feel like no one is talking about it in society. I wanted someone to talk about it when I was growing up so that’s the kind of comedy I do. I hope I do the kind of comedy I wanted to see.”

While a lot of Chieng’s comedy is about lived experience, he does research on occasion to make sure he knows what he’s talking about. When it comes to his favourite topics in comedy, he said it’s mostly things that make him angry, saying he has an hour of such examples in his Just for Laughs show.

Crazy Rich Asians was Ronny Chieng’s first film role, so I couldn’t help asking him about it. Chieng loved doing the film because it was shot in Malaysia and Singapore, where he’s from, which allowed him to see family and friends during filming. 

The film was considered ground-breaking because it supposedly opened the door for more Asian characters in film when Hollywood still didn’t think it was possible. While Chieng doesn’t consider the film to be the be-all and end-all of films featuring Asian characters, he thinks the fact it was so well-received is amazing. 

“What the movie was really good at was not over-explaining Asian things and showing Asian characters as complete three-dimensional characters with complicated needs and wants. Some of them are good guys and some of them are bad guys, some of them are in between, they fall in love, they fall out of love, they have complicated lives. I thought that was very useful. I think it also established a baseline for Asian storytelling moving forward. I think there’s no context for Asian stories usually in the West, so a lot of movies can’t be made because there’s no baseline understanding so I feel like Crazy Rich Asians is a very good baseline story for Asian people in the West.”

There have been criticisms of Crazy Rich Asians as only showcasing paler-skinned Asians. For example, Filipinos like myself tend to be darker. Chieng sees the problem in the fact that in North America, Asian is considered a single voting block despite the diversity in Asian nationalities and cultures among the Asian diaspora. 

“You got Koreans, you got Japanese, you got Burmese, you got Thai, you have Filipinos, you have Malaysians, you have Chinese people, not to mention Chinese Indonesians, Chinese Malaysians, Chinese people who live in Japan, Chinese people from different parts of China with all the different dialect groups. Then you have the same number of people Americanized… and each of those groups are very distinct cultures. To expect one movie to cover the entire diaspora of Asia is an unfair burden placed upon it by Western views of what Asia is,”

In terms of criticisms that the film only showcased wealthier Asians, Chieng considers the movie satirical and that it showcases the extreme wealth that’s in Asia right now because that’s how the West experiences Asia in 2019.

Ronny Chieng is playing Just for Laughs from July 23 to 25. Check him out.

If Ned Starks’ death before the end of season one of Game of Thrones didn’t do it, the Red Wedding in season 3 cemented the fact that no character was safe on this show and anything could happen. The way the hit HBO show messes with the audience and defies expectations is why it’s the best show on TV right now and quite possibly one of the best of all time.

Now that The Long Night (the title of season eight, episode three) is over and the dust, or rather the shards, of former White Walkers has settled, it’s clear, at least to me, that The Battle of Winterfell delivered exactly what Game of Thrones promises. It’s just not in the way fans may have become accustomed to.

The Screen is Dark and Full of…I Don’t Know

Watching the episode live, our group wondered if there was something wrong with the streaming service we were watching it on as it was difficult to see a lot of what was happening at the beginning. Turns our Crave (I’m Canadian) wasn’t overloaded, parts of it were dark, in the literal sense, for everyone.

While this lead to complaints and even an explanation from the episode’s cinematographer (something about HBO’s compression rate), I think that the showrunners should just own this as an artistic choice. Because it’s a brilliant one.

It’s war. At night. In Winter. You’re not entirely sure what The Army of the Dead is throwing at our heroes. Well, neither are they.

When the flaming Dothraki swords go out, you don’t see what is happening to them, but you know it’s bad. You’re getting the same view of the battle that Jon (sorry, not going to call him Aegon until he asks another character to do so), Dany, Sansa and the Unsullied are. When the dragons crash into each other because of poor visibility, you don’t know right away that it’s just Jon and Danerys, and neither do they.

And I’d like to add that it looked beautiful. Everything doesn’t need to be brightly lit for it to be a cinematic treat.

Just as he did in The Battle of the Bastards, director Miguel Sapochnik made the audience feel as though they were in the midst of things for real. Low visibility and confusion for the audience is the new “I can’t believe you killed” x character.

All My Faves Didn’t Die

Speaking of character deaths, there were some major ones in this episode: Jorah, Theon, Melisandre, Lyanna Mormont, Beric Dondarrion, Edd and, oh yeah, The Night King and the entire Army of the Dead (plus we don’t know about Rahaegal the dragon and Ghost). Most of the fan focus, though, has been on those who did not meet their end.

With this discussion terms like “plot armor” pop up in order to infer that GOT has lost its edge and joined the ranks of ordinary storytelling. It’s actually the opposite.

Brienne of Tarth got knighted last episode, something she has always wanted. Grey Worm and Missandei made plans to travel when all of this was over, the Westeros equivalent of three days away from retirement from the police force and I bought a boat.

These characters didn’t enter the battle with plot armor, they did so with giant narrative bulls-eyes painted on their backs. Their survival here is as much an unexpected event as Ned’s death was way back when.

Of Course it Was Arya

So Arya Stark killed the Night King and with one stab ended the Army of the Dead. An unexpected twist ending. Well, not killing the Night King to win, that was the main part of the plan laid out in the last episode: use Bran to lure him to the Godswood and then somehow take him out.

No, the surprise is that it was Arya who assassinated him. Yes, the only trained assassin in Winterfell at the time carrying out the assassination was the big surprise.

Even if you ignore those who called Arya a Mary Sue (it’s easy to, they ignored the season and a half we saw her training to do just what she did in The Long Night), there are still plenty of people who were surprised by (and also elated at) the choice.

Sure, this is something the show has been setting up since season three. Sure, the guy who knows everything gave her the weapon she ended up using last season. Sure, she snuck up on Jon in the same location two episodes prior.

It’s just that Arya had her own storylines. The Night King was part of Jon’s storyline and later Dany’s. He wasn’t even on Arya’s list. Arya killing the Night King is about as unexpected as Jon killing Cersi.

With this move, GOT defied expectations by having the most logical thing happen. Now no plotline is safe from being intersected by another.

Cersi as the Final Boss

So wait, the Night King and the Army of the Dead are no more? The finale is Jon, Dany and company versus Cersi for the throne? That can’t be right.

Or so I thought for a bit after the episode ended. Pretty sure I wasn’t alone in this, considering how they have been building the supernatural zombie aspect of the show since the very first episode and the Night King specifically since Hardhome.

But they’ve also been building up the intrigue, the scheming and Cersi Lannister from the very first episode. And with good reason: her double-cross which seemed selfish and ignorant of the big picture turned out to be really good strategy.

The Army of the Dead are all truly dead and Dany’s forces are seriously diminished. And even if someone (hi Arya) assassinates Cersi, the Lannister forces and the Golden Company won’t instantly shatter like glass.

Making the battle for all life in the world the second to last act is a truly unique choice. The kind of expectations-defying choice that Game of Thrones has made throughout its run and continues to do in its final season.