A Place to Share the Darkness Together: A Preview of Festival de la Bète Noire

It must be said right off the bat that I am a tad biased towards Festival de la Bète Noire. A multidisciplinary horror theatre festival, it runs from February 19-23 at MainLine Theatre. I have the honor of being the illustrator for one of the festival’s shows, Quagmire Productions’ How to the Kill Your Baby 101, a one-woman show about post-partum depression.

Festival de la Bète Noire was founded in 2018 by Mylène Chicoine, who is now its Executive and Artistic Director. It features a wide variety of live performances from solo shows to storytelling to stage plays to dance shows, though it welcomes everything from puppetry to burlesque to shows Chicoine cheerfully refers to as “unclassifiable”. I had the opportunity to sit down with her to talk more about the festival and why she started it.

When Chicoine founded the festival she immediately got to work collecting a team. Among them are Tyla Webster, Assistant Director and Artist Liaison, Technical Director Eric Wrazen, Christian Menard, Finance and Director and “Professional Boring Guy”, and their Administrative Assistant Robin Friedman.

I’m not a horror fan so I was curious as to whether Bète Noire is truly for everyone. Chicoine says that it’s for anyone who wants to experience something truly unique.

“Part of the reason I put this festival together is because I use fear the same way other people use laughter. For me it is a form of therapy, it is a form of catharsis, it’s a way to deal with those deep dark hidden things inside that you don’t want to deal with but then you put it on the stage and you deal with it together.”

She compares the Bète Noire to the Montreal Jazz Festival, noting that you rarely actually hear any jazz at the Jazz fest. She points out that horror is a huge and diverse genre that includes everything from murder mysteries to psycho thrillers to ghost stories and not just blood and gore.

When asked if there would be blood in these productions, Chicoine admits there will be blood and maybe guts, but nothing will be sprayed on the audience. She also adds that there will be content and trigger warnings and things that are meant to push boundaries, adding that some shows are scarier than others.

“But once you do it, you did it, and you survived.”

The Festival’s offerings this year include the aforementioned How to Kill Your Baby 101, Marissa Blair’s BDSM horror piece Triptych, The Malicious Basement’s Maintenance on cyberspace, Kay Komizara’s Monstrologyka about monsters and witches and many more. You can see the full lineup on the festival’s Facebook page.

The shows vary in length but are generally about an hour long. Chicoine said that she has not seen the shows yet. Her and her team selected participants based on the overall message and boundary pushing.

“Something that’s a little out of the ordinary as opposed to ‘here’s some horror’.”

Applications took place online, with people submitting a blurb of about 25-50 words. Though she admits the team knows some of the artists and has seen their shows, the overall criteria was interest with her team taking votes on what to include in Bète Noire.

In addition to the shows themselves, the Festival includes open mic Fright Nights, the Opening Night Horror Gala featuring horror skits, an art exhibition throughout MainLine theatre, as well as horror trivia night – about ALL horror, not just movies. Originally started as fundraising efforts to cover the costs of the Festival, these events adjacent to the festival have become a way to bring the community together.

When I asked Chicoine if there’s one thing she could say to prospective audiences, she invited people to join her on this journey.

“Go check it out. Go fight your demons. Go love them. Go embrace them. That’s what the Festival is for.”

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