The weather is most definitely getting nicer and while we won’t have Osheaga this summer, we do have plenty of local arts and music to keep you busy. This week we have two new music video releases and a Mother’s Day burlesque show (tonight).
Let’s get started:
Po Lazarus Launch Despair, Too EP and Video
Shortly before the pandemic hit, Montreal rockers Po Lazarus recorded twelve new songs with veteran Canadian producer Mark Vreeken at The Tragically Hip’s Bathouse Studio in Bath, Ontario. On April 30th, they released a three song EP from this session called Despair, Too and today they released the music video for the title track.
When in-person shows resume, we’ll surely get to see Po Lazarus’ live show once again, but for now, we can enjoy them in recorded form. Here’s the video:
Hot Mamas Burlesque Mother’s Day Fundraiser is Tonight
This Sunday is Mother’s Day, and in anticipation, Salty Margarita Burlesque has put together a virtual show streaming tonight called Hot Mamas Burlesque. It’s an event designed to show all the women in your life “how special they are, but in a unique way”.
The event features local burlesque stars Lou Lou La duchesse de Rière and Foxy Lexxi as well as a slew of other local performers and burlesque talent from out of town and is hosted by Jimmy Phule. It is also a by-donation fundraiser for the Native Women’s shelter of Montreal.
FRASE Set To Release Fanny Pack Music Video on Wednesday
You might know Montreal-based singer, producer and multi-instrumentalist FRASE from performances at Jazz festivals such as Kaslo Jazz and FIJM, or maybe from EDM raves like Bass Coast and Shambala. This coming Wednesday, though, we’re getting his latest music video Fanny Pack (featuring Lexodus).
This will be followed on June 17th with the release of his EP We’ve got time. For now, though, please enjoy a previous video:
Fanny Pack (featuring Lexodus) will be release on FRASE’s YouTube Channel Wednesday, May 12th
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If there’s one play that truly embodies the spirit of diversity and creativity of the Montreal Fringe Festival, Glam Gam Productions‘ Greasy: A Lesbian Love Story is it. If you’re open minded and want to laugh yourself silly, this play is a sure bet.
Greasy is not for everyone.
If you’re a prude who takes offense to nudity and simulated sex acts, don’t come to this play. If you’re homophobic, do not come to this play. If the idea of people being open and free about their sexuality makes you angry, do not come to this play. If you’re the type to have a social media tantrum about a few Catholic school jokes, stay away.
Inspired by the musical play Grease, Greasy is a racier, raunchier, funnier, gayer spoof with all the right jokes in all the right places.
The play starts with Winter, a cute blonde lesbian played by Magenta Haze, whom nine months earlier had rolled around in the snow with Dani, played by the amazing Phoenix Wood. Like in the original play, the sweet naïve Winter finds herself at the same all-girl Catholic high school with her old flame, who shrugs her off to impress her clique of butch dykes.
Many of the character names in the play are riffs on the names in the original. Rizzo becomes Jizzo, Danny Zuko becomes Dani Fuko, Kennickie becomes Kink-Nikki, and the Pink Ladies become the Pink Tacos.
This play is a treat because no topic is off limits. Queer identity, drag culture, gender roles, polyamory, and even mental illness, academic stress, and school debt are all addressed in the piece. What particularly sets Greasy apart from the original, however, is how thoroughly the other characters are developed.
The original Grease revolved around the romance between Danny Zuko and Sandy, giving it an almost nauseatingly sentimental note while leaving the other characters’ storylines superficial. In Greasy all the characters are given a voice and a story to tell, whether it’s Frenchie’s struggles to get into med school, Jizzo’s conflicted sexuality and her romance with Kink-Nikki, or Rummy and Slutzy – played by the hilarious Booze Crotch and her puppet Slutzy – and their struggles with mental illness and love for Tarty.
Even gay male identity is addressed through the play’s two drag queens, Cha Cha and Ta Ta, played by the beautiful Lez Izmohr and Spoopy Patootie, respectively. We also get this through Prince LaFontaine, played by Micheal J. McCarthy, whose outfits consisting of the tackiest suits I’ve ever seen, trumped even the most beautiful drag costumes in the play.
The show has the added benefit of promoting body positivity via its numerous burlesque performances. Few in the play fit the Hollywood ideal of an anorexically thin body and big boobs, but all who took their clothes off for the audience made it sexy through artful shimmies and shakes and the sensuous removal of their outer costumes revealing glittery pasties and thongs.
Even if you’re not a fan of musicals, you may want to give this play a shot. All the singers and band members are talented and never miss a beat even when the venue’s sound system screws up.
This play shocked me in many ways, but awed me in more. If you want to laugh and cheer and dance in your seat, check out Greasy. It’s worth it.
Montreal Fringe is one of those events that truly has something for every theatre go-er. You like burlesque? They have shows for that. You love drag queens and drag kings? There are shows for that too. You want drama? Comedy? Something different? Fringe has got you covered. If you’re willing to look, you’re bound to find many diamonds in the rough.
The Montreal Fringe Festival prides itself on creativity, diversity, and accessibility so even the shows that producers consider unsellable get a shot at stardom by having a chance to take the festival stage. One of the best ways to sample local talent is to take in the Fringe for All event that happens the first night of every festival.
For up to two minutes, all the local performers get a shot at enticing attendees to come to their plays. It’s a slog, but for your stamina you see a lot of gems hidden among snippets that confirm people’s worst prejudices about independent theatre – that it’s pretentious, artsy, and consisting of symbolism lost on even the university educated.
I’m not going to bore you with those. Having witnessed bits of shows that look REALLY good, I’m going tell you MY picks for Montreal Fringe 2018:
Apocalipsync : Humanity Is a Drag
I should admit right off that bat that I LOVE drag, so the show intrigued me before I saw their bit. When they took the stage I was not disappointed. Their lip sync and choreography was immaculate as was the glam the genre requires.
The premise of the show is that – “CONSERVATIVES REJOICE!” – the left ended the world and the “Social Justice Road Warriors” played by drag queens Uma Gahd, Dot Dot Dot, and Anaconda are searching for humanity’s salvation. If you’re a fan of RuPaul’s Drag Race, you NEED to see this show.
Greasy: A Lesbian Love Story
True to the title, the show is riff on the classic musical play Grease but with a much naughtier touch. There isn’t just dancing, there’s riveting burlesque performances proving that you don’t need to be a busty toothpick to be sexy.
Also, this is the latest offering from Glam Gam Productions who produced Peter Pansexual, which set Montreal Fringe box office records last year and a group we at FTB have been following for a while.
Mid Knight is a modern fairy tale about what would happen to Little (Prince) Charming if his parents got divorced. The snippet I saw featured a piñata with the word “childhood” on it getting smashed to bits by the show’s prince with a blunt sword. The audience got any candy that came out. It’s an interesting approach to the classic fairy tale that’s timely given the renewed public interest in medieval themes due to shows like Game of Thrones and Once Upon a Time.
CLIO: Puppets, Not Patriarchy
If you’re a heterosexual male who doesn’t believe in making sure your sex partners are satisfied in bed, this isn’t the show for you. It’s a puppet show about Clio, a clitoris on a journey of self discovery to find out what she is capable of, thus becoming “cliterate”.
The snippet I saw was funny and sweet so while I don’t typically go for shows about one body part, this looks intriguing, if only to marvel at how the puppeteer keeps a straight face through the performance.
What the Hell Happened to My Patio Furniture?!
I’m not normally a fan of one-man shows, but Joshua Budman’s two-minute performance in which he wonders how his patio chairs disappeared from his sixteenth-floor balcony to the song Dust in the Wind had me laughing so hard it looks like a sure thing.
This is an interactive show in which audience members are invited to participate using their cell-phones. It’s a format I’ve never seen before in theatre and it featured a male and female actor with perfectly synchronised dialogue. It’s worth checking out if you like high tech audience participation
Mme Brulé starring Evelyne Laniel is a French language play that embodies the frustrations of formerly idealist teachers everywhere. The snippet I saw was hilarious and heartwarming, making me want to laugh and cheer. If you have any teachers in your life, bring them to this show.
Drunk Live Reading: Bridesmaids
If you were a fan of the film, you need to check this out. Featuring Montreal’s own Cat Lemieux who co-hosted the Fringe for All with Kenny Streule and Dayane Nbaritukure, all proceeds of the event go to the Canadian HIV/AIDS Legal Network. Not only is that an amazing cause, but Lemieux’s snippet channeled Melissa McCarthy and the late Chris Farley in way that was hilarious and riveting, making this show a sure bet.
Les Aventures d’Humphrey Beauregret
Philippe Gobeille’s one-man puppet show surprised me. His puppet “Humphrey Beauregret” is a 1940s style P.I. reminiscent of Humphrey Bogart’s classic roles. Not only does the character tell stories, he sings songs such as Unbreak My Heart and All By Myself channeling the trope’s loneliness and taking it to amusing extremes. It was riveting and funny and a good sample of what’s to come in his show.
Montreal Fringe is on from May 28th to June 17th. As festival spokesperson and Fringe veteran Véronique Raymond declared in her opening speech: “It’s the only time when Francophone and Anglophone artists share the same stage.”
Check it out. It’s worth it.
The full schedule is at MontrealFringe.ca and look for our reviews over the next few weeks
We all know of the dirty 30 expression, what about clean 31? This show marks a full decade of burlesque.
I have been a Stripteaser since my idea was to strip down to a bald cap and all white and be the sexiest Mr Clean the world has ever seen. My outfit was complete with the only pristine white panties I have that say “fuck it” on the ass and a pair of pink fishnets from the floor.
Since it was my birthday I decided to hit a bowl before the show. Of course I coughed, and of course I peed a little. The show must go on.
Depeche Mode “Clean” came on in the red lit bar. I lost my virginity to a different Depeche Mode song, kind of silly. I love this bar. Nietzsches is as filthy as me, the cobwebs and memories.
It was really crowded for such a cold December night. I came out as a goofy housewife and vacuumed the bar. Then the reveal, wig off, crowd roars, and Mr Clean took the stage with a dirty rubber fist (which I licked). Killed it.
Afterwards upstairs we were chilling and changing. I looked down and to my whorer and dismay my formerly pristine white panties were now blood stained! What? I couldn’t have gotten my period! I just had it last week!
Wait. Last week I wore these pink fishnets, last week when I realized after the show that my lady in red was raging. I threw the tights to the floor where I found them a week later, in my haste I did not notice the stain.
When I coughed my pee reactivated the shark week and I definitely earned my filthiest person at camp title. Mr Clean dancing around with last week’s period stained underwear is pretty much my life in a nutshell.
I really am gross and don’t know how I spend all of these decades existing in my own filth and bad taste. It’s the best. New year new me, another revolution around the sun, thirty fucking one.
The party is for me and everyone can see my stains. I wear them with pride. I always say I am going to get my shit together, clean my room and purge the clutter from my disorganized soul. Stop wearing ditty clothes off the floor, or at least checking the crotch.
Top notch filth queen. Red crusty funk goddess. Crotch like pennies. I am the hottest mess and my own biggest distraction. Beauty in the rubble of former brilliance. A smile with cracks always lacks. Dry lips and elbows, some dreams forgotten, some achieved, and a whole lot more experience needed. Living life one day at a time, just trying to get high and feel good vibes.
My new years resolution? My birthday wish? I don’t know. Revolution. Be a better person, give even less fucks about what others think. Shock more with my art, really say something meaningful and be smart.
Be brilliant. Ge naked. Eat Shit. Inspire others to break out of the box and onto the streets. Realize you can accomplish everything. Food not bombs, homes not jails, trapped in the middle of an apocalypse, the rise of assholism and the fall of being quiet.
This year I will raise my fist higher and I will make more soup for my friends when they are sick. I want to be the most vitamin enriched veggies bubbling in a pot of hot broth and spices. Reborn.
My neighborhood is changing just like my aging body. It is creaky and sagging. Nobodys/Filigrees is gone. It was just the shell of a former artspace but I cried a little when it was just a pile of rubble. Colorful spaces and history smashed into a pile.
I became ME in that building, it was the safest place to be a majestic fuck up, a misfit that can only fit in at a place where nobody is president. Just like Dreamland, it has got to be an idea.
No. I can’t let gentrification bring me down on my birthday. The future terrifies me.
This is my actual birthday, the day I was cut out of my mothers womb, the celebration of my first breath and a butt slap heard round the world. Am I what I wanted to be when I was five? Do I have all the things I wanted? I never got a Barbie car, but I have happiness.
My bliss is the safety of warmth on a cold winter night. I am blessed in gifts beyond presents. The presence of real compassion and passion.
I got a weed cake, a glorious hot pink sparkle unicorn, handmade rainbow earrings, a giant rainbow dildo, and some eco friendly glitter! My loves really know me. They are so kind, I feel selfish in comparison. I am a Capricorn, I work hard and care with all of me.
Sure I am a mess, but who isn’t? Humans are as gross as they are beautiful. Embrace the yuck in your own life, fight hate with supreme love, celebrate your imperfections and create a world where we all laugh at the face of insecurity.
2018 is our year! Make a wish when you blow out the candles and kiss that pretty girl at the stroke of midnight.
Life as a shit show is exhausting but also incredibly exuberant and rewarding beyond belief! General fun, debauchery, and awe inspiring moves will make your life worth writing about.
Being a beautiful mess and delectable disaster is a full time job. People look to me for amusement and escape from the mundane. I am usually naked and fearless with my performances. The secret? Never stop, won’t stop.
My heart beats for the stage. Life has no rehearsal. I put my heart and soul into everything I do and I think that it shows.
I also really want the dreams of the people around me to come true too! It’s incredible to know that you had a hand in granting someone’s wish, whether it be big or small.
I am not the center of the universe, I am just a person like everyone else. But I conquer every scene along the way because I can.
My goal was to meet him and leave an impression, and that I did. I literally covered myself in fake dog shit for that shit show! Best moments of my life. I may not have money, but I am a success!
Most weeks I have at least three burlesque shows (sometimes five) , plus work, and volunteering that makes things a bit crazy in my world. A lot of people ask me how I do it. Well, sometimes I just want to collapse into my bed hole and wrap my legs around my lover for days on end, vegan pizza delivery to my window please, warm fuzzy blankets, and a side of kitty cuddles will complete this fantasy. Please! Add the bong to the mix and I will never leave.
But, alas, I must. Rest is important when you can get it, especially in this life where every single moment is delicately scheduled.
I live out of piles of sparkling costumes. I can put together any costume to the T our of the contents of my disaster. I don’t understand how I can reach into the abyss and pull out exactly what I need every time. I am lucky, I am a winner.
My girlfriend laughs at me when I say “I AM A WINNER” out loud with a creepy face and then proceed to get exactly what I want every single time. I think it is the power of positivity. I know it’s mine. I am the master of my own destiny, nobody tells me no! If I have a dream I will achieve it, no questions.
My grandmother was always really lucky like that too. She would win a royal flush on one machine at the casino and then hit another jackpot on the machine next to it while waiting to get paid. I like to think that I inherited her luck. She was the kindest, sweetest women in the world. My life goal is to be just like her, to leave an impression that makes only good things come your way.
I would like to say that I have an endless amount of energy. Getting up early, making art, going to work, volunteering, and then having a show at midnight is a long day.
I wish I could say my secret to success is doing yoga everyday, juicing, and exercise. I don’t do any of those things. Since going vegan and being more aware of how much water I drink I have noticed a shift in my mood and energy gain.
I also decided that I will never do anything I don’t want to do ever again. I will not work for the MAN, I will only do things that make others stronger, I will only be what I love.
It is important to give your time to worthy recipients, life is too short to waste on bullshit. Make sure you are happy and your needs are met, take time to pamper yourself. Put the lotion on the skin. You are worth the time and effort.
My advice is to chill the fuck out, slow it down and stop worrying. Be a unicorn. Never act like a “grown up” but be responsible. Wear rainbows in the snow. Smile lots!
Love as hard as you can and be an open book, make it a comic book, and you are the hero. Fight for people who have less than you, never stop helping.
Being calm and smooth will give you an advantage over the other cogs. Be confident in your abilities and strong in your will. Always leave time for your bliss and remember to be spontaneous. They don’t know what you are going to do next.
Let each moment be a well orchestrated surprise. Drop jaws and panties.
I am a satisfied stoner who enjoys the creative explosion. I just know that I will get it all done and it will be perfect. If I cared about the deadlines I would be overwhelmed and my brain would become soup.
You have a strong shit show power inside of you. Believe in it, will things to happen, work hard, love freely, and everything else will fall into place. I know that everything I desire is attainable and I deserve it.
Being a shit show isn’t perfect, you will be late a lot, you will feel overextended most of the time, but you will change the world and yourself in the process. Don’t dream it, be it. Start this instant. GO!
Twinkle, twinkle little plastic shards, how I wonder how many of you there are?
I have always defended glitter when someone called it herpes! I have always been the person who outshines everyone by bathing in gazillions of tiny little sparkles. I am an asshole, a shiny, shiny turd.
This is not something I am proud of in retrospect. There have been times that I literally wore only glitter, then it seemed glorious, now I feel every speck cutting the throats of children drinking a glass of water, digesting in the bellies of my friends and family, and balling up in the ocean.
I am embarrassed by the amount of glitter pollution I alone have caused, let alone all of the glitter dripping sparkletastic burlesque dancers out there. The aftermath of one of my shows sent millions of microscopic pieces of glimmering plastic down the drain and into the water supply and tainting the food chain for years to come.
This must stop! I challenge all of you, every dancer and party girl, every gay activist that wants to glitter bomb a nazi or fascist politician, every drag queen with eyes on fleek, and everyone with little kids who are about to make holiday crafts: JUST SAY NO TO GLITTER!
The planet cannot suffer for fashion. My shine is NOT more important than the Earth and either is yours. It is so fucked up and sad how much plastic is out there because of vanity.
In every single sip of water we drink there are solar systems worth of micro particles that are too small for any filter. It’s horrifying! When I think of that the choice is easy to ban glitter. My hot scientist partner tells me I shine without it, I don’t need the synthetic brilliance. She inspires me to do better.
The NY Times recently posted an article about banning glitter. We cannot filter out this problem! Scientists studied the effects of plastic in the great lakes and had a huge part in the ban on plastic microbeads. I can’t imagine how much glitter and micro toxins I have ingested while wearing glitter on my lips. Cosmetic glitter is crazy and unnecessarily in a lot of products.
Artist Lara Buckley’s current show Alters of Erie is a lifelong collection of found discarded trash and natural materials mixed together harmoniously. It is currently up at the BOX Gallery in Buffalo NY.
Beauty in the decay. It looks like entire decorated Christmas trees and holiday wreaths from a distance and then you look close to see that it is just perfectly arranged garbage, fish heads on baby doll bodies with plastic rhinestone eyes, invasive plants also fill the room, discarded rubbish on a pedestal, hanging all around the gallery, floating and dancing, things that the world forgot now have new life as eye opening art.
Found pieces of man made bullshit that are polluting our world can be free art supplies. It is also incredible to pick up all of the straws, broken toys, streamers, and other broken bits from the ground and water. We can all get together, pick up rubbish, and make our Earth cleaner while making cool art in the process.
As an artist I need to be more sustainable. Every single painting I have ever painted has glitter on it. I was obsessed. But like anything, once you realized something is wrong abort immediately. Once you know about something and continue doing it even though you know it iss wrong, then you are the problem! You can’t play ignorant. People can grow and change, we call it evolution.
I have so much back stock of glitter I think I want to put it all in resin so it never has the chance to escape into this world. Make one final piece to immortalize the horrific craft herpes that I have loved for so long and now despise.
I never thought glitter would make me cry. It is not a harmless craft supply or fun makeup, it is pure evil in masquerade.
Ending this plastic nightmare is important for the sustainability of this beautiful planet. Plastics do not make it possible! Plastic is toxic and it is not fully known what the last 100 years of exposure have truly done to us.
Humans are killing the Earth at a astounding rate, climate change is real, so many animals are becoming extinct, and yet that little piece of glitter will still be here for the next 100 years no matter what.
I am going to fully make the change to non toxic biodegradable glitter. It is sold on Etsy and other places in the internet like Ecostardust, but I bet it is mad easy to make.
That way I can have my twinkle and be kind to mother earth too! Yay! It’s a win win.
All that glitters is not necessarily good. We have to take every step to make things safer and healthier, our health and the future of our world depend on it.
First we ban glitter, then who knows! Let’s learn from our mistakes and get better for it! Break the tradition and start new sustainable trends. Let’s all become eco friendly sparkle warriors!
Now that it’s beginning to feel a bit more like winter, it’s time to enjoy some of the indoor arts Montreal has to offer. We’ve got a couple of great suggestions this week, one from the world of burlesque and a documentary film. We will be back with a larger list next Friday. So let’s get started!
Candyass Cabaret: Stumped in the City
While Montrealers decided to push out the old and bring in the new in our recent municipal election, there still are plenty of reminders of what the now previous administration did all around town.
With fake granite tree stumps still on the Mountain and traffic cones on our streets, the monthly Candyass Cabaret burlesque show had more than enough inspiration to frame their show tonight as Stumped in the City. Can you make fiscal mismanagement sexy? Apparently, the answer is yes!
Billed as an “off-mtl375 cabaret” the show is hosted by Jimmy Phule and features performances by Miss Curvy Beauty from France, Nat King Pole, Roxy Hardon, Classy Clare, Tania the Mexican Mime, James Douglas and many more!
Candyass Cabaret presents Stumped in the City, Friday, November 17, 10pm (doors 9pm), Café Cléopatra, 1230 boul St-Laurent (2nd floor)
Queercore: How to Punk a Revolution
On Monday, Cinema Politica and MediaQueer are presenting the Montreal premier of Queercore: How to Punk a Revolution. This film from director Yony Leyser follows the rise of the queercore movement, which was originally intended to “punk the punk scene” but turned into a movement of “artists who used radical queer identity to push back equally against gay assimilation and homophobic punk culture.”
G. B. Jones’ The Troublemakers, a doc which takes a look at the queer movement in Toronto, will kick off the evening and the cult icon herself will be in attendance.
Queercore: How to Punk a Revolution Montreal Premier at Cinema Politica, Monday, November 20, 7pm, Concordia University, Room H-110, 1455 Blvd de Maisonneuve West
* Featured image from the Candyass Cabaret by Argaive
Is there an event that should be featured in Shows This Week? Maybe something FTB should cover, too? Let us know at email@example.com. We can’t be everywhere and can’t write about everything, but we do our best!
Vice President Mike Pence, you know the asshole who believes in “conversion therapy” was recently in my hometown of Buffalo NY to support another known fascist, congressman Chris Collins, and attend a thousand dollar a plate lunch at Salvatores, which is a gaudy, ugly decorated, and ridiculous in itself place. My one star Facebook review was taken down, interesting.
I wonder if women were allowed to attend since Mrs. Pence, aka Mother, was not there? Just in case you didn’t get the memo, this guy can’t eat in the company of any female if his wife is not there. No $1000 spaghetti and meatballs for Mikey today.
Protestors started the party with dancing. We wanted to recreate the big gay rave outside of Mike’s house during inauguration week in DC. “Daddy Pence come DANCE with us!”
Food not bombs brought tea and vegan chili. There were rainbows galore. I really think a sing a long of Danzig’s Mother while taking a knee would have been most appropriate as he passed.
The motorcade zipped by us so quickly. Like a flash from a movie. All of the cops shut down heavy traffic from all directions on one of our biggest intersections. Then came the black vehicles that looked ominous and official to say the least. There was also a random U-Haul… if I were him I would have totally rode in the U-haul.
We had to stay on the sidewalk, the cops said dance as much as you want. The counter protestors, alt right self militia assholes, stood on the perimeter with antiquated headsets that probably didn’t even work. They took photos of us and we documented them just the same.
They were so obvious. One man had a shirt on that said Karl’s Kar Klub… ummm when three things that should be spelled with a C are changed to Ks I have a feeling you are a flaming disgusting pig of a racist.
Another woman wore a yellow jacket and 90s apparel. She looked like a crazy church mom who would so nicely tell you to drink the Koolaid and strap up your white sneakers.
Another really confused me, he was a young white kid with dreads! If you can appropriate black culture then support a white supremacist scumfuck then you are an extra gross enigma.
One of the alt right jerks confronted me when I walked over to my car alone, “Are you supposed to be president trump?” “Yes” I responded. Then they asked if I was for or against him, I said VERY AGAINST, and then he laughed “Well the president doesn’t look anything like that!” “HOW DID YOU KNOW WHO I WAS THEN ASSHOLE?” I then proceeded to show him my chocolate skid marked tighty whities and walk away, that’s the president he voted for. Cheeto jesus with shitty undies.
So I saw Mikeyboy on tv at a machine company in Collins district later that day. He was talking about tax reform that would only help the rich while in one of the poorest rustbelt cites in the country, WTF? Just like everything else in this wretched regime it made no sense to me.
When people yelled “GET A JOB” at us from their giant gas guzzling cars I wanted to yell, fix our economy and stop raping the poor! I have two jobs and make time to fight for what I believe in because I must.
All and all it was a pretty non-eventful, peaceful protest. Queers for Racial Justice got us out there and informed. I was happy to be magically off work that day and ready to rumble, he has to know that he is not welcome here.
Haters and bigots can go fuck off, we will always be here to shut them down peacefully. I will happily not use my milk of magnesia stash today or take a rubber bullet to the guts.
We need to fight them with all we got. Get out there and physically protest! Make your everyday life a protest!
Respect my existence or expect my resistance! (That was my favorite sign there so I chose to carry it.) If you are an artist you better be making art about how this government makes you feel. It is our job to take them down.
Remember that people died at Stonewall so you can hold your girlfriend’s hand in public. We have come a long way and are in danger of getting those rights stripped by assholes in power. We must stand up for those who cannot. There was a transwoman in a wheelchair leading chants. We all need to be more like her!
I am dressing up like Donald Trump again this Saturday for The Stripteasers Haunted Whitehouse show at Nietzsche’s because nothing is scarier than our current political state in the US. I have been dubbed The Alec Baldwin of burlesque, and I am ok with that.
I hate being trump to be honest with you. Its hard to be an asshole, I am a method actor so I become the character. I will be sitting on stage on an actual toilet reading his actual stupid tweets all night long.
Twitter on the shitter, thats what we get folks. This is real life. Save us all…
Even though the past few days have felt more like a second burst of summer (hope you’re enjoying it), we are in September and the fall is approaching. The good news is that we’re starting up our Shows This Week columns again.
This week, music shows in Montreal are centered around POP Montreal, so that column will be back after the festival. There are plenty of other arts shows you can check out this week in Montreal, so let’s get started with Montreal Arts Shows This Week:
Candyass Cabaret: Summer in the City
One group clearly wants to bring what we have been experiencing outside indoors. The Candyass Cabaret kicks off its fall season, which runs the third Friday of every month, with a tribute to summer.
Jimmy Phule is back as emcee and the show features burlesque, musical and other types of performances. Candyass regulars Salty Margarita, Diane Labelle and Nat King Pole are back, plus the evening will feature the triumphant return of Tania the Mexican Mime and much more.
Candyass Cabaret: Summer in the City runs Friday, September 15 at 10pm (doors 9pm) at Cabaret Cleo, 1230 boul St-Laurent (2nd floor). Tickets are $10
Mile End Studio Tour
Montreal’s Mile End neighbourhood is home to quite a few artists and their studios. Now, for the weekend, many of those artistic work spaces are open to the public as part of the second annual Mile End Studio Tour. You can visit the studios of painters, fashion designers, ceramists, visual effects artists and more.
Mile End Studio Tour runs September 16 and 17. A full list of participating studios can be found on their Facebook event page
If this column had returned last week, we would have included the Alienation Vernissage at Usine 106U. If you missed it, though, you can still see this exhibit featuring a slew of local artists, including FTB’s own Legal Columnist Samantha Gold (and even stick a pin in her Trump Voodoo Doll pictured above) for the rest of the month.
Alienation at Usine 106U, 106 Roy Est. Find out about all the artists on the Facebook event page
* Featured image of Samantha Gold’s “Pussygrabber” Doll by John Lanthier via Facebook
Is there an event that should be featured in Shows This Week? Maybe something FTB should cover, too? Let us know at firstname.lastname@example.org. We can’t be everywhere and can’t write about everything, but we do our best!
Some things are more important than money. Things like knowing someone wants to be in a cabin in the woods with you, spending our days in no hurry, reading, making art, and building forts. Burning wood and making love, swimming naked under the stars and howling at the full moon.
I want to plant a field of sunflowers so we can hang out in them. I want to fly kites and climb trees, run through fields and streams, I want to rip my dress, and I want you to tell me it’s ok, because it’s just a dress and there are more important things to worry about.
Money has never been something that concerned me. I know it is a necessity for prosperity in a modern capitalistic society, but why? If everyone just went vegan, grew their own veggies, composted and repurposed everything, and just self sustained in general, we could all go on living in harmony forever without the evil tendrils of capitalism and greed sneaking into every orifice of our identity as humanity. Nothing is free though, is it?
The oldest profession is prostitution, trading your physical self, your lady tunnel and supreme mountains, the curves of your sweetness, for dirty green paper. Children are sold into sex trafficking rings across the world, its fucking horrific. Consent is what is needed, my body is mine alone.
Dirty green paper kills people, it is the root of all that is evil and wrong. I also use my body for money. I dance. I dance because I must, because there are so many things to say. I dance because I know people will always watch.
Amusement and titilation, the politics of body language are not universal. I live in a lace cage, its stretches but you can’t tear through, straps and garters, nets and spikes, don’t forget the blood red lips. Art is not free? You mean, I am worth something more?
It feels good to get paid for something you love. There is no such thing as too much boob. Counting crumpled dollar bills while naked like a drug dealer’s girl (they make women count money and bag drugs while naked so they don’t steal anything).
I give myself golden showers. Glitter for days. I always douse myself in the luminescent perfection. To be loved and hated for your glitter at the same time. Some people want me to rub my body all over them and steal my glitter. My disco tits inspire.
Others won’t touch me, those are the glitter is herpes people (and they can go fuck themselves). Burlesque is a beautiful world of sparkling bits (it is also getting fake shit on by a bag of chocolate frosting in your best friend’s crotch sometimes). Shock value is priceless, giving someone a moment they will never forget is what life is all about.
I barely break even, spending money on costumes and makeup as soon as I make it. My weekly show is just enough to buy a bag of weed and keep me in glitter.
Can I just live life topless? I want to start a BOOBER instead of Uber where I am just topless and charge 10 times as much. There will be a bouncer in the front seat.
Sometimes artists have a hard time doing free shows, feeling like their my time is precious and expensive. Artists are constantly expected to do work for free. Sometimes I am HAPPY to do things for free if I care about the project and want to donate.
And yes, it is true that I do not like money, I despise it and want to burn the capitalist system to the ground. I want to piss on its ashes. But that doesn’t mean I don’t need some money to live. Not to live life lavishly, but to survive and meet my basic needs and primitive wants. Go to Amy’s Place and get the vegan french toast AND the bbq seitan BIF sammich. I deserve it. I want to say yes to the dress and go to all of the concerts and plays. I want to take a day off to run through a field of blooming flowers barefoot.
I take my clothes off as currency. My revolutions and movements are enough to feed me. I am inspired to do this forever because I cannot trade my life for a cubicle. I will never ever work for the man or sit in an office ever again. I do not look good in a fucking pants suit.
More money more problems. Less money more problems. Seems like everything is just problematic. Happiness is easy if you stop worrying about bills and bullshit. Everyone should free their mind from insecurities and just get naked.
The roar of a crowd is invigorating, higher than any drug. People are more afraid of being naked then being burned alive. Let your confidence and beauty feed you. Take off your clothes every chance you get.
I’ve seen Glam Gam shows before. They’re always fun and clever. They always push the envelope while making a point about sexuality and cultural norms. There is always plenty of nudity.
All of that was again the case at their latest Fringe show Peter Pansexual, but there was something more. A few things more, in fact.
So Very Montreal
Peter Pansexual is as much a story about Montreal as it was a critical parody of Disney’s Peter Pan. The Darlings, in this show, are from London….wait for it….Ontario and the Neverland that Peter (Adrian Mal Au Nez) and Twinkerbell (Meander) transport them to is Montreal’s underground art and late night party scene.
The operatic song You’ll Get By beautifully performed live by Stella Von Stein was not only a fun way to accompany the Darlings’ trip to their new home, but an excellent introduction to a world that many of us, myself included, know or knew all too well, though one that has never, to my recollection, been represented through drama (or comedy) before.
There’s the precarious job market for unilingual transplants, the guestlist as payment economy, the abundance of less-than-legal party favours and, of course, the pansexual orgy that is just around the corner, “second loft to the right” with a light on all night.
Neverland feels real. Sure, an over-the-top fantasy version of reality, but at its core, this is a world many Montrealers are familiar with.
This is definitely the type of show that’s good enough to tour with, though, if Glam Gam decided to take it anywhere beyond Laval, they would have to re-work some major portions of it for each city it played in, because a good chunk of the references are hyper-Montreal specific.
A Unified Story
One of the hardest thing to do with burlesque-inspired theatre is incorporate many divergent elements and different performers into a unifying throughline. Glam Gam and director Sam Sullivan pull it off wonderfully.
The pacing is solid, the transitions make sense and even the most random of all elements, guest performers (they had a different one each night of the Fringe run, Honey Lustre wowed the audience night I attended) fit into the story by way of being an act the characters are watching on stage at an underground party following an attempted Michael Jackson impersonation by Rachel Dolezal (Glam Gam veteran Booze Crotch who also played Dad Darling and blueman Periwinkle) that intentionally got the crowd riled up.
It’s like the play within a play from Hamlet if people were getting naked (note to Glam Gam: naked Shakespeare, just think about it for the future). It’s also close to how David Lynch incorporates his musical guests into the new Twin Peaks without leaving the story (no, that’s not a spoiler for Twin Peaks).
Yes, it was a play, with a beginning, middle and an end. But it was also, at the same time, a burlesque show, with the audience cheering as the performers removed clothing and got raunchy with each other.
Amidst all the nudity, Montreal references and clever puns, there are the characters who move the story along. Obviously modeled on the characters in Disney’s Peter Pan.
We’ve got Peter who, while the instigator of the story and cool at first, turns out to be kind of a di…um, no, wait, don’t use a body part we got to see, he’s kind of an as…nope, same problem, got it, he turns out to be self absorbed and not a very nice person, but someone anyone who has been on the party scene has met.
Twinkerbell (or Twink) is that contact you have for the party favours that never disappoints but rarely sticks around. He helps Peter seem cool, like a wingman with actual wings.
The pair work really well together as Peter’s too-cool-for-school bravado juxtaposed with Twink’s very practical approach to everything made them quite the team for comedy. Like a pair of entertaining though always horny tour guides.
You could see the young Darlings as stereotypes. However, since they’re representative of people in the audience or people those people know, I’d go with archetypes instead.
There’s Wendy (Glam Gam veteran Super Sherri), a funny though quite sympathetic take on the Social Justice Warrior. John is the bro homophobe closet case (played by troupe co-founder Michael J. McCarthy, so if you’re familiar at all with Glam Gam, that’s some serious acting, folks). And then there’s Michael (Lolipop Bob) who is, well, an exhibitionist.
The most in-your-face character is clearly Captain Hooker (Tessa Brown). For me, that was literally true. I was seated in the section of Cafe Cleopatre where she made her first appearance on top of a bar. Up close she was intense to say the least and that intensity stayed with her wherever she went in the room, a real comedic tour de force performance with some of the funniest reactions in the show.
Erik Leisinger (Radical Raven and pianist), Misty Portugal (Pearl), Seth Scheuner (Smee), Tristan Ginger (Door Bitch), Mish Chartier (Turqoise) and Alex Brault (Flaming Fox) round out the ensemble cast with choreographers Debbie Friedmann and KungfuPaul de Tourreil and stage manager and tech Fiona Clark helping behind the scenes.
This show was all about the ensemble. They worked together to do so much more than guide us from point A to point B, they made the journey fun provocative.
As the show wrapped up with the same song that was near the beginning, I’ll do the same and say that with Peter Pansexual, as with Montreal, you’ll do more than get by, you’ll find something truly unique.
November’s Candyass Cabaret was special one, for sure. Glad I made it. If you missed it, you missed a great show, but you can still catch the next one (more on that later).
It was the Montreal burlesque show’s 50th edition. With a new show, a new lineup and rotating hosts the third Friday of every month, the Candyass crew has been quite busy.
Their anniversary show at Cafe Cleopatre (where else) featured performers who have been part of it since the beginning such as show founder Velma Candyass, Roxy Hardon, Diane Labelle and Nat King Pole. They were joined by performers who became part of the Candyass Club along the way like Jacy Lafontaine, Damiana Dolce, Lili Lolipop and Pyrometheus. There were also visiting guests from Buffalo, New York’s Stripteasers Burlesque: Cat Sinclair (aka FTB columnist Cat McCarthy), Juicy Lucy and Fifi Laflea.
The Buffalo trio, wearing Pussy Riot masks and carrying protest signs, reminded everyone that burlesque performance and the very act of removing (most of) your clothing on stage for the sake of art is much more than sexy. Don’t get me wrong, it’s quite hot, especially when done by these performers, but it’s also a political act.
This, of course, was the first Candyass Cabaret since the Trump victory south of the border. Emcee Ryan G. Hinds also briefly mentioned the political climate the show was being performed in, but kept the evening squarely focused on the theme of the night, which was musical theatre.
He even sang a few tunes himself: Coming Up Roses from Gypsy and You’ll Be Back from Hamilton. All part of his main job, keeping the audience entertained and happy during acts like a good emcee should.
On a personal note, Hinds was quite generous with the questions when he called audience members up to the stage to answer musical theatre trivia. I placed third (having placed first in the audience dance contest at the previous Candyass Cabaret). Full disclosure: The Music Man is NOT my favourite musical, I was in it in high school and it’s the first one that popped into my head when asked. I’m actually partial to Jesus Christ Superstar, Evita and Wicked.
Speaking of singing (as we were before that little diversion), the vocal highlight of the evening has got to be Roxy Hardon’s rendition of Nowadays from Chicago. Deceptively soft at first, then revealing the true power of the tune.
Of course, this led to her being joined on stage by Velma Candyass, who had already performed earlier, for a raucous final…wait, Roxy and Velma? Chicago? Oh now I get it, only took me 50 shows.
It only took Pyrometheus a few moments to get down and dirty with his chimney sweeping brush to the tune of Chim Chim Cheree. Yes, the song from Mary Poppins. Instead of the film version, though, he opted for a lesser known but quite interesting Duke Ellington rendition. Bonus points for not using the Dick Van Dyke version and setting up so many obvious puns.
Then there was Jacy Lafontaine dancing to a song from Sweeny Todd. Making a musical about a murderous barber sexy is not an easy feat, but she pulled it off flawlessly.
Lili Lolipop had everyone Singing in the Rain. No need to bring your umbrella, she brought her own! And Sondheim wasn’t left out as Diane Labelle danced to Tintinnabula from A Funny Thing Happened On The Way To The Forum.
You Don’t Bring Me Flowers isn’t from a musical per se, but, as Hinds pointed out in his introduction, the moment Barbara Streisand is involved, it counts. Nat King Pole in the role of Neil Diamond and Damiana Dolce as Streisand offered a very funny and even sweet modern take this classic love duet.
There was also cake!
Sounds like a great show, right? Sad you missed it? You should be…but fret not, dear reader. FTB is giving you a chance to win a pair of tickets to the next one!
To participate, just sign up for the FTB E-mail Newsletter list right here. We’ll send you a digest of some of our best content each week and also, on Monday, December 12th, we’ll send our subscribers info on how to enter for the draw (so you should sign up by then).
The show is on Friday, December 16th at Cafe Cleopatre, 1230 boul St-Laurent, 2nd floor, Doors 9pm, Show 10pm. This one has a holiday theme and features Diane Labelle, Nat King Pole, Damiana Dolce, Roxie Hardon, Mary Sisuei & Golem de Lave, Lili Lolipop & more! Plus Classy Claire is back with a tasty selection of rumballs.
Even if you don’t win the tickets, trust me, it’s worth your while to check it out. Only $10 at the door!
* All photos by Denis-André Desjardins except where otherwise noted
I know that (US) Thanksgiving is based on the colonization and degradation of indigenous people and the murder of innocent turkeys. Nothing has changed, in fact it has only gotten more blatant.
Currently Native American protesters are being drenched with water cannons in sub zero temperatures, detained in dog cages, and other inhumane atrocities in North Dakota defending their water, defending their people from the tyrannical American government. I see Barack Obama putting a medal of freedom over Ellen Degeneras’ neck and cry at the nice words he says about diversity and being free and LGBT in our country but still in the back of my mind wonder why he hasn’t tried harder to end the disaster in Standing Rock?
In Buffalo NY there are proposals involving a ban on conversion therapy.
I love the movie But, I’m a Cheerleader because it was a satire, it showed the absurdity of changing a person back to a “normal” sexuality. People are born gay, straight, transgender, and so many in betweens and there is nothing you can do to change their beautiful diversity. It is disgusting torture.
Mike Pence is pure evil, as are all of the white supremacist butt nuggets that Trump is putting into power. I heard today that he appointed several women, these chicks must really be groovy to align with the pussy grabbing cheeto hate monger.
What is happening in this world? The rise in rape and hate crimes will be monumental.
It is hard to give thanks when it seems the apocalypse is now. It is hard to just suck it up and celebrate, like nothing is wrong.
I have family members that proudly voted for Trump and I have to invite them into my home and share a meal with them. By voting for him you made life more dangerous, you voted for racism, sexism, and bigotry. You are taking away civil liberties and building a wall of ignorance and greed around yourselves. I am embarrassed to sit here and watch you choke on your white privilege.
Regardless, my dinner table is still going to remain all inclusive. Everyone is invited. It is a safe place for all people. Only love reigns in my home. I will fight your ignorance by educating and loving you.
I am thankful that (for the time being, who knows what dark fate is in store for us) I have freedom of speech, my art remains bold and uncensored.
I am thankful for my blood and extended family of activists and fellow free spirits.
I am thankful for my health, for my ability to change the world with my words, art, and voice.
I am thankful for my cats, their cuddles cure anything.
I am thankful for music, for riot grrl rants, for poetry, for the expulsion of rage into art and positivity.
I am thankful for other people’s thoughts, for the ability to learn from my mistakes, to live with kindness and resolution.
I am thankful for our right to protest. No matter how bad it gets we need to stand tall and take back our world, letting them know that evil will not win.
I am thankful for this blog, Forgetthebox has allowed me to express myself freely for the world to read, I have gotten other opportunities and have made so many smart friends 🙂
Montreal- city of strange adventures. Random stories of our adventures included but are not limited to: A man wearing a full vinyl gimp suit with addidas sneakers. Then there was the masseuse wearing a leather jock strap and the best part is that he only spoke in puns, a dom who speaks in puns, he is now dubbed The Punisher.
My favorite moment was fat fuck poutine squirrel. I looked over to see just the ass and tail of a giant chubby squirrel sticking out of a garbage bag, he then pulled out a styrofoam container, hulked it open, and demolished the rest of a poutine, I could hear him eating, it was the cutest thing I had ever seen! The Leonard Cohen Memorial, all of the incredible street art, and a two story vintage shop with a vegetarian cafe were the other cherries on this cupcake of a vacation.
The Montreal Infringement Festival was incredible as always. I had a show everyday I was there. The Rusty Shuttle was an amazing new venue, I love the underground loft DIY artspaces of the world. Barfly was punk rock brilliance, I thoroughly enjoyed being sandwiched between two Folk Punk bands. Everyone in this city is so sexy! I couldn’t even handle it.
I was honored to be part of the World Infringement Conference, my presentation was spur of the moment. We had planned on showing our art work, but unfortunately hanging did not happen, so I decided to turn my presentation time into a guerrilla art gallery. We donned our Pussy Riot masks and I talked about the beauty and necessity of free and accessible art.
The Buffalo Infringement Festival is an artistic Utiopia, a perfect climate for social change and exploration. We have no idea what Fringe is here.
I recalled a performance during last year’s fest where a fire dancer named Clinton said to the crowd, “How many of you had your first show ever during infringement?” So many people raised their hands and clapped. I cried.
There are a zillion moments that justify why I volunteer my time with this festival, that was the one that will make me only work harder. To know that I am helping people express themselves for the first time, creating life long artists, adding to the collective culture of humanity.
Find things to be thankful for in spite of adversity! Be inspired by the wrong, make it right with your art and actions, protect the person next to you, make change in your community and globally, connect with others and join the revolution. This is how great punk music is born. Be the change and hold your head up high. Happy Thanksgiving!
The Candyass Cabaret: Shimmies and Showtunes is at the Cafe Cleopatre (1230 boul St-Laurent, 2nd floor) this Friday November 18th, doors at 9pm show at 10pm. It features burlesque, drag and other theatrical entertainment. $10 at the door. I will be there with my fellow performers naked for the world to see.
I have been active with the Buffalo Infringement Festival and was very inspired to go to the Infringe Mecca of Montreal to see where it all began. Two years ago, Fifi Laflea and I made the trip for the Montreal Infringement Festival and we had no idea the honor it would be to perform with the Candyass Caberet at the historic Cafe Cleopatre.
Being in the dressing room even felt special. I wondered what incredible creatures from times past got ready in front of these very mirrors? I truly cannot believe that special place was almost a thing of the past.
In a world over saturated with sex it is a challenge to truly titilate someone with art. Burlesque is my life. It is an old tradition of theatrical bawdiness with blatant political intentions.
A major highlight of my career was a the 2014 Montreal Infringement Festival where (dressed in horrible white trash drag) I pulled several American flags out of a very large glittery plushy penis to the song “America, F*ck Yeah!” during that Candyass show, with Fifi Laflea as my beautiful assistant. It was definitely a statement about how the rest of the world views Americans and our culture of waste and over privilege.
It is even more important now to be a sort of cultural ambassador with my art due to the election of that pompous Cheeto nightmare. I have a responsibility to show the world that not all Americans are like him, not all of us support hate, most of us are scared, we are angry. We are going to speak out and stand up. Art is the first line.
I asked Velma Candyass, world renowned burlesque performer, a few questions. She is also one of the ringleaders that helped to save the Cafe Cleopatre from demolition. She also does incredible tours of the Montreal Red Light District with Donovan King, and runs her own burlesque troupe The Dead Doll Dancers. She is an absolutely incredible performer, a super babe, my burlesque crush, and a total sweetheart.
Wow, I am very impressed that this is the 50th show! How do you feel about 50 Candyass Caberet shows?
Im shocked at having produced this much under the Candyass concept. It’s a lot of work but I genuinely enjoy the challenges involved in managing a show and herding the artists
What was the theme of the first show?
If my foggy brain recalls, it was not too long after the victory saving the Cleopatra venue. So it was a ‘welcome to the cabaret” theme with lots of variety arts, drag queens and burlesque with a european cabaret flavour.
Why did you choose a Showtunes theme for this one?
Why showtunes? Why not? It was a theme that several of my regular artists really wanted to have and since I hadn’t featured musical theatre type acts in awhile, I felt was a great idea. No matter what, everyone has at least one musical they like, so therefore the artist should be able to develop an act based on an old favourite .
What are your favorite musicals?
I personally like Chicago, Cabaret, Avenue Q, Contact, Wicked, West Side Story and The Producers .
I know a lady never tells her age, but how long have you been doing burlesque?
Oh gawd a long time. Long enough to see the transitions in the styles of burlesque going on. And some of the Legends passing on.
What is your biggest inspiration?
Oh gosh, I would say The Velvet Hammer Burlesque was a definite aha moment along with Le Scandal Cabaret. It was all bubbling underground and dynamic.
Who is your burlesque crush/icon?
Tiffany Carter and April March are my burlesque crush/icons. Completely different styles and eras yet wonderful legends to learn from.
What are your thoughts on the political importance and impact of burlesque?
It’s 2016 and a woman/person stripping naked and in control of their bodies is still a big deal as evidenced by some of the crazy things going on in the world. Political burlesque acts are an important expression and, just like the court jester, tell the stories that wouldn’t get told otherwise .
What are your thoughts on the Infringement Festival?
Infringement festivals provide a place for artists to create and have their say. Its getting more and more difficult to be able to afford to participate in many of the large(r) mainstreamed festival and this provides a DIY experience to develop one’s skills.
* Photos (except for backstage shot) by Argaive
* Candyass Cabaret: Shimmies and Showtunes – Saturday, November 18th, Cafe Cleopatre, 1230 Boul St-Laurent, 10pm (Doors 9pm). $10
Forget The Box’s weekly Arts Calendar is back for its early November edition. The chill has definitely returned to Montreal, but that doesn’t mean it’s time to lock ourselves indoors yet! Take a look at these excellent events if you’re looking for fun and inexpensive things to check out!
As always; if you’re interested in going to one of these events and want to cover it for us, send a message or leave a comment below.
Bareoke presented by Glam Gam
No stranger to performing in local strip clubs with the burlesque troupe Glam Gam, Lipster’s organizers realized this type of venue would surely allow them to transform their karaoke show into Stripster!
Now you can find them the first Saturday of every month at the historic Café Cléopâtre, which comes equipped with a large stage, a smoke machine and crazy lighting which allows people to take their performances to the next level.
Glam Gam’s organizers have made an important step in making the space open for everyone, according to their Facebook event page : “We are thrilled to have performers of all different backgrounds, ages, body types, gender identities and sexualities. Some people will take off just a sock, others will get down to their skivvies and a lot of brave souls prance around in their birthday suits! The best part is that everyone respects and encourages each other’s boundaries with little to no policing on our part.”
Come see what all the fuss is about!
Bareoke @ Café Cléopâtre, 1230 St Laurent, Saturday, November 5, 10PM, $5
Fishbowl Collective Presents: An Anti-War Art Pop-up
The Fishbowl Collective will be occupying a studio space in Griffintown and filling it with art of all kinds against war/militarism of any kind!
At 8:30, the space will be taken over by anti-war Pierrots in an hour-long version of Theatre Workshop’s Oh What a Lovely War!
From 9:30-11 the space will act as a showcase for local artists to show their work!
Local anti-war organizations will be tabling in the space.
Using songs and documents of the period, Oh What a Lovely War! is an epic theatrical chronicle of the horrors of WWI as presented by a seaside pierrot troupe. It was collectively created by Theatre Workshop in 1963 under Joan Littlewood, and over 50 years later remains unique in its innovative satiric way of looking at the difficult subject of war and its futility. Its dismissal of sentimentality and its distinct anti-war-agit-prop flavour highlights the oppression of the working stiff turned common soldier and points to the absurdity involved in war.
Socialist Fightback is screening Pride (2014) at McGill University’s Shatner Building in Room 202 this Wednesday. Entrance is FREE, and a spirited discussion is sure to follow. Curious about what “Solidarity” means to the LGBT community? Check this movie out.
Pride offers an excellent example of solidarity along class lines. Between 1981-1984, the British government under Margaret Thatcher had closed around 20 mining pits and coal mining employment continued to fall. The miners’ strike of 1984-85 was a major industrial action to shut down the British coal industry in an attempt to prevent colliery closures.
Also victims of Thatcher’s bigotry and conservative policies, gays and lesbians came together to collect funds and sustain the miner’s strike. Although reluctant at first, the miners accepted the support from the LGSM.
Pride is a great demonstration of how class unity is the best and most effective way of fighting against all types of oppression.
Pride is screening in the Shatner Building Room 202 @ McGill University, November 9, 7pm, FREE
Is there an event that should be featured in Shows This Week? Maybe something FTB should cover, too? Let us know at email@example.com. We can’t be everywhere and can’t write about everything, but we do our best!