It’s been a year, y’all. We shook off the collective nightmare of lockdown, put on our dancing shoes, and partied. Bars, theatre, concerts, comedy, art, all the stuff that keeps the lights on in our city and our souls returned from the forced hiatus.

It didn’t take long for us to get used to it, and every now and again I stop myself while doing some mundane thing like walking through the Eaton Centre and remember how much I craved the basics.

As some of you may know, I have a lot of well thought out complaints about the ways of the world (catch me on FTB Weekends with Jason C. McLean), but provincial elections and healthcare crisis aside, the gratitude was especially delicious this 2022.

January

It’s a mind bender to recall that we came into 2022 under curfew, and in lockdown, but at the time it was hard to think of much else. Instead of show announcements, we kept our ears to the ground for cancellations, wondering how far ahead they were planning.

It was miserable. Igloofest was canceled. Online shows offered some reprieve, but meh. If we were in a tumbleweed climate, they would be rolling through this month.

The whole thing was gloomy.

February

February is often called the most depressing month, and in the COVID time it was at least doubly so. We were still under partial lockdown, but hope was on the horizon!

Nuit Blanche was finally coming back and Osheaga announced its lineup, signaling that normalcy was within reach. Some performers would change before the show, but all we heard is that there would be shows.

In fact, some local shows started to pop up and bars were scheduled to reopen February 28. Is dancing allowed? Is singing allowed? No one’s sure, but we’re stoked to get out there and find out.

March

The show is finally going on, which is really saying something considering the curtain on CATS was originally supposed to go up in March of 2020.. Just For Laughs announced its lineup and things to look forward to were starting to pop up everywhere.

This is when Montreal Museum of Fine Arts was doing what it could with limited capacity: starting at the end of February, you could get in if you booked your time slot (in 15 minute increments) online, masking and distancing are mandatory, giving the security staff the new task of keeping people from moving through the rooms too quickly or getting too close to one another. Only the major exhibit was open, and I learned that I don’t like Riopelle, but being back feels momentous.

Concerts have begun, but safety measures are in place there too, making the whole thing seem weird. My bf goes to see Sepultura at a fully masked metal show, and it sounds dystopian to me.

April

The MMFA is actually factually all the way open, though you still need to book a time slot. I beeline for The Decorative Arts & Design Pavilion, which is open for the first time in ages, having been “closed due to reorganization” or some such even before the pandy. I am in my happy place.

The MMFA’s Decorative Arts and Design Pavilion (photo by Dawn McSweeney)

As part of an experiment on our party rules, the SAT serves up drinks and tunes for 24 hours straight which gives me some hope that maybe the “new normal” will allow for some reconfiguration of things we’ve taken for granted as status quo for too long (writing this at the end of December, that hope has long since crashed and burned, but it was lovely while it lasted).

I’m comforted knowing that while everything feels like it’s on the brink, Montrealers can unite against some showy corporate silliness as we all discuss the city’s new giant ring.

May

Spring is springing, and the good times are indeed rolling. I finally get out to my first post-COVID show. I’ve seen Symphony X before, and they put on a good show despite not being on my regular rotation. This is about getting out, and bring with people and not wearing a mask in a crowd.

We meet up with friends for drinks and food. No vax passes. No masks. We come and go from the show so much, it’s about the band the same way high school dances are about dancing. I’m jazzed.

I also leave town for the first time in years, and head to Halifax for the first time ever. We hit some familiar territory, and hug people we’ve missed.

Back in Montreal, masks were still in place at Mainline Theater where performers wore them throughout Carrie: The Musical rehearsals. As someone who’s still masked at work, let me say that phone calls are hard enough, kudos for pulling off a musical.

There were no masks on stage for Contact Theatre’s Next to Normal at Monument Nationale and Cirque du Soleil came back strong with Kooza.

June

At this point our regularly scheduled Montreal programming seems to be rolling right along, and Fringe is next! James Gartler checks out Tango to the Pointe along with Al Lafrance’s Is This Yours? and Josephine, a burlesque cabaret dream play, saying of Josephine that “it stands easily as one of the best shows to ever play at the Montreal Fringe Festival”.

I peep What About Albert? and enjoy the heck out of it.

Photo by Joseph Ste-Marie, courtesy of The Malicious Basement Theatre Company

July

I smiled through this whole month. There are events at every turn, and Montreal summer is thriving. At the beginning of the month, our Editor Extraordinaire says to me “hey, someone approached us with a creative thing that made me think of you”, which is how I met my creative soulmate, and that will come up later.

ComicCon is back, and the fits are fierce. Flipping through the cosplay pics, I get a little sentimental thinking about how long it’s been since we’ve all been able to let our freak flags fly in all their carefully crafted glory. Man, we’re beautiful.

James Gartler went to Malcolm McDowell’s talk and he learned that the only time in his 60 year career he was ever stiffed on gig was by a producer in Montreal, so we have that dubious distinction.

JFL is back for its 40th edition, and I’m desperate to laugh with strangers. From late July into early August, all my friends have to listen to me fangirling about who I’m interviewing. I loudly tell everyone I know that I can’t make their things ‘cuz I have media passes to comedy shows, and article deadlines. Everyone calmly assures me that I wasn’t invited to their things, and pats me on my head for being so cute and excitable.

Seriously though, when you look at it all in one place our FTB Team had JFL on lock. Samantha Gold spoke to Canadian comedy royalty Rick Mercer, comic, Hollywood and Bollywood actor Vir Das and even Randy Feltface, an actual puppet. Jason C. McLean spoke with Letterkenny star Mark Forward and caught Irish comic Tommy Tiernan’s new show. James Gartler took in Trixie Mattel’s free outdoor drag show and SNL and stand-up star John Mulaney’s latest one-man show.

I spoke to a bunch of folks I never thought I would such as Alonzo Bodden and Pete Holmes. Despite Big Jay Oakerson closing out our phone interview by saying I should come up and say hi at the show, I freeze and never say hi. I see him outside with Brendan Sagalow on another day, after a different show, and I stare like a weirdo, but keep my distance.

July/August

As Montrealers we’re confident in our summers, but painfully aware of their fleeting nature. By the end of July squeezing in all the summer activities becomes a full time job, and this year it’s coming to a head as Osheaga & JFL share a weekend.

Osheaga 2022 photo by Chris Zacchia

As one FTB team was all over JFL, another team covers Osheaga with Joe McLean and Jerry Gabriel‘s previews and coverage from Jerry Gabriel of the rock-oriented Day One and the mix of everything Days Two and Three, plus Chris Zacchia’s festival photos.

Meanwhile, my Maritimers BIL & SIL come to town for their first Osheaga, and they haven’t been here in years. We live it up, and I fall in love with MTL yet again as I experience it through tourist eyes. They had a blast at the show.

August

Oh, I remember August because before we’d even sent the Scotians home, my bf tested positive for COVID. Damn it. We lock ourselves in, and I catch it in short order.

Considering I’ve been working at an office this whole time and taking public transit throughout, it seems fair. We both feel like bags of poop, but we’re super glad it wasn’t worse.

Meanwhile, Samantha Gold was checking out Repercussion Theatre’s All Shall Be Well and the POP Montreal lineup is released giving us more to look forward to.

September

In September I interviewed a fictional character when I sat down with Andrew Jamieson as Conor Blaine, (the aforementioned creative thing and the aforementioned creative soulmate). It was like playing with someone else’s imaginary friend, and it tickled me.

Drinks with fictional character Conor Blaine (photo by Dawn McSweeney)

Montreal Stop Motion Film Festival returns for it’s 14th edition, and I didn’t know this existed until it was over, so as I write this I’m marking my calendar for next year.

At MMFA, Nicolas Party’s pastels surprised me as the colours spilled off the pages and onto the walls. The Decorative Arts & Design Pavilion is closed again as pieces from there are used as part of another exhibit.

POP Montreal started at the very end of the month which takes up right into…

October

POP Montreal taught me a lot about how to better cover a multimedia, multi location arts festival. There was so much to do and see, but for me the highlight was catching Sophia Bel, who I’d never heard of, and now I tell other people about.

Samantha Gold interviewed Rocky Horror Show director Amy Blackmore and the time warp was live for the first time in years. Me First & The Gimmie Gimmies come to town, and it’s a fun time.

November

In art news, MMFA puts on a fantastic Jean Michel Basquiat exhibit called Seeing Loud: Basquiat & Music. It features works by the artist, but is specifically designed to showcase the importance of music in both his career and life. The music plays throughout.

Big famous pieces aside, there are framed journal pages, concert posters, and a super cool map where you can track his path via concerts in NYC. This bad boy runs through February 19, 2023.

In other museum news, the Decorative Arts & Design Pavilion is back to being closed for reorganization or whatever. I sigh dramatically.

Anti-Flag brought old school punk to town, and image+nation celebrates 35 years.

December

The beginning of December already feels like a year ago. The Candyass Cabaret brought sexy back, the Stygian Caravan brought creatives together, and speaking of together, Glass Tiger still is.

Andrew Jamieson’s Sleazy Christmas introduced me to comedian Morgan O’Shea who I thought was just some friend of a friend, and next thing you know, he’s going up on stage, and I’m laughing till it hurts. Turns out he’s profesh. I’ll be intentionally seeking out his comedy in the future.

As is always the case, this year isn’t over yet, and we’re already looking to the next.

Osheaga 2023 headliners have been announced, and I already have Lizzo tickets for May.

Entertainment this week? Personally? So much chilling.

All the best to you, yours, and the dreams you’re chasing. Blessed be & haribol.

Featured Image of Sophia Bel @ POP Montreal by Dawn McSweeney

This piece was created as part of a fundraising campaign for an ongoing multimedia project. This is not a fictional creation in and of itself, but rather an account of a real interview that took place with a fictional character. The people reported as being there, were actually there, in the actual places mentioned. The parameters of Conor Blaine’s character, from his accomplishments to his quirks, are already well established, but the dialogue here was improvised: while we each had time to prepare, we were unaware of each other’s preparations / questions, which created a unique authenticity in our interactions. And that’s how I spent a real afternoon with a fictional character…

It seemed appropriate that the night before my scheduled interview with Conor Blaine, I was up irresponsibly late drinking vodka Monsters and binge watching reality TV. While the magnitude of the event should’ve had me in bed early with outfit prepped and alarm set, it was the combination of nerves and excitement that kept me up. My better judgement warned that I would fundamentally regret my choices, but there was comfort to be found in knowing that Conor himself would approve of the use of time…and that he hates sleep.

I arrive at Else’s right on time, and even though it’s just opening, it appears Conor’s been there for a bit. He’s tucked away at a table in the back of the empty dining room, finishing up a phone call as I approach.

As much as I’m glad to see him in the flesh, he’s downright surprised to see me. I found out in short order that he wasn’t aware of our scheduled meeting, but he was a good sport about it.

I introduce myself, telling him I’m there for our interview.

“Aren’t you lucky?” he quips with a smile, and while it’s definitely arrogance, I find it rather charming coming from him.

We cover a few quick points on who I am, and how I got this meeting (his manager Margot set it up without consulting him, a fact that doesn’t appear to surprise him). He’s wearing black boots with black shorts, black heart shaped sunglasses (yes, inside), and a white tuque under his hood. His black hoodie is emblazoned with “Peg the Patriarchy” in pink, and I compliment it, which turns out to be a good opening.

“It’s a Luna Matatas design. Cara Delevigne swiped it for the Met Gala in 2021. Never gave her credit. But she knew who originally created it. It was with intention. Dumb broad. Luna is great, she’s a sex educator, primarily.”

And we’re off to the races.

Anyone who follows Conor on Twitter knows of his penchant for live tweeting 90 Day Fiance, but scattered amid those are gems that highlight his familiarity with the Real Housewives universe, where I’m hoping to connect with him.

“Fuck marry kill, all the Housewives.”

“Kill. Next question.”

Laughing, it takes me a moment to gather myself. I ask him what it is that keeps drawing him back to Montreal. He could be anywhere else, and yet he flies back here whenever he has a spare weekend.

“I love Montreal, truly. It’s a big city, but people don’t give a fuck about fame here. I can just live, you know? Whether it’s arrogance or respect, the Quebecois understand.”

I ask how long he and his husband Raphael have been together, hoping to skip some steps toward intimacy, and get closer to the subjects that matter most to his heart.

“Two years. Probably two years…I think it was two years. It was in the third season. Two years,” he says definitively. “Everybody always wants to know about Raph.”

“Well,” I say. “It’s kind of relationship goals, you know? You guys seem so happy.”

“Don’t we? Aren’t we?”

And that’s when things got interesting.

We were interrupted by local author and YouTuber Holly Rhiannon, ring light in hand, camera gals in tow, already filming.

It took a moment to straighten everything out; in the end we determined that Margot had double booked the time slot. Holly was the apparent winner of lunch with Conor thanks to an online contest.

“I’m sure you got a heads up about this,” she said.

“I’ve had no heads up about anything. I should be doing something much different than this right now.”

She seemed more curious content creator than enamoured fangirl, and it was clear that she’d entered the contest ironically. Still, neither one of us was going to get the exclusive one-on-one time with the star that we were promised, and we’d have to make do.

Once everyone settled in and drinks had been ordered (gin and tonic for Conor, of course), he asks us each what we thought about Margot. Unsure what he’s after, I tell him the truth, that she was nice enough, and Holly shrugs that she was “great”.

“I don’t think either of you have met her.”

Changing gears, he tells Holly that I’ve been asking some questions, and she says she has questions as well.

“You know how I love doing interviews!” he grins, and while Holly may not realize it, I know he’s being facetious: he likes few things less. “What kind of questions do you have? Are they personal?”

“Some of them might be. I actually don’t know too much about you.”

“I don’t think I’ve ever heard that in my life.”

“Well, I’m not big on celebrity,” she says.

“Not big on celebrity!” he parrots, incredulous.

Trying to get back on track, I ask him how he and Raph manage to keep things spicy considering how much time they spend apart.

He hesitates, looking for the first time at a loss for words, and just as he begins to speak, Holly interjects, saying that she’s more interested in his new Twitter account.

“One thing that I knew about you before is that you weren’t into social media, and then I saw this Twitter account pop up, and you don’t stop tweeting.”

“I was told that it was time to finally get Twitter and the only reason I’ve never had a Twitter account is because I didn’t want to get canceled.”

I ask who it was who did the telling.

“Margot; the one who tells me everything. But I decided I would do it my way. I’ve been trying a few things out; there was that whole issue with Garcelle Beauvais.”

Holly wonders out loud which reality show she’s from before starting that she’s never seen someone so into reality TV.

“Let me be clear to all the cameras involved. I do not like reality television. But I do enjoy 90 Day Fiance. It’s a brilliant socio-anthropological study on the desperation of ugly people, specifically Americans.” He pauses here and looks my way. “Your turn.”

I’m ill prepared for a tag team interview. It’s obvious that we’re coming at this from very different directions, which is a shame because I imagine that had we conspired, we might’ve been a force to be reckoned with.

I try to get back to him and Raph, and how they manage to keep things fresh from a distance.

“I mean, I guess we don’t.”

Which makes me wonder if they have an open relationship…

“No. No, not that I’m aware of.”

Holly asks about his high school experience, and if he had a nemesis.

“My mother [Lilith Blaine]. I was homeschooled, so she was probably — definitely my biggest bully. Like I’ve said, there was nothing about growing up in my house that was normal.”

Asked what would happen if he forgot Mother’s Day, Conor answers with stark honesty.

“I don’t think anyone would’ve noticed. I mean, in the age range when it was apropos to give my mother a card for instance, she was drinking heavily then. You know, she doesn’t like Sundays; or brunch. You know, we share that.”

Now that Lilith has been mentioned, it’s as if a curse has been broken, and I feel free to tell him that I’ve read all her books. As he nods deadpan, I realize how often he must hear it, and regret mentioning it.

“It’s about time I write one of my own,” he says, and I ask what it would be called. “Valuable and Vulnerable.” He has it on the tip of his tongue, and maybe he really has been giving this some thought.

While it’s hard to imagine being as famous as Conor Blaine, it’s also hard to imagine the fact that he’s never known another life. His lineage made him famous before his mother ever began to play stage mom. As much as it might appear enviable from the outside, I wonder if he ever wishes he could give it up and be someone else for a while.

“Absolutely. I’m always looking for a little bit of anonymity. It’s what I was saying about Montreal; a little bit of that anonymity is refreshing.”

At this point, Holly and her team make some adjustments to the lighting, tinkering with the angles. One of the crew says she’s read up on him, and asks about his friendship with Lindsey Lohan. I hold my breath: she is one of the subjects on the list I received of things not to discuss.

“Lindsay and I are not friends. She knows why. And she still owes me 20 bucks.”

In an attempt to get things back on my agenda, I ask about the much awaited film version of Son of Mine. It feels like it’s been in the works forever, and he tells me that they are finally in post production, with a trailer expected in November. While much of the cast has been released, we still don’t know who’s playing Conor, and I tried to get it out of him.

“We’ve got a bunch of children that play me through the years.”

While he’s a producer, he downplays his involvement with the project.

“I just paid for it. I knew it’d be a hit. It will be a hit. There’s not much I could do to improve upon it. I mean, you read the book; it’s fantastic. I’m on every page.”

In a flash, Conor deflates. He looks out the window and rolls his eyes.

“You know, I’m done here. If you guys want to ask more questions, you’re going to have to come with me.”

Holly says that she’ll definitely go along, as she was told she’d have four hours with him. Conor’s eyebrows raise at the time allotted, shooting above the frames of his glasses. Personally, there’s no way I would miss out on the opportunity, so I pack up my notebook and follow.

Conor Blaine’s a fast walker. I get the impression he’s trying to create distance, that this is the unseen interlude between cut scenes and he’s just trying to get it over with. He chain smokes and talks on his phone. The only thing he says to us, is that “it’s not far”.

We arrive at Bifteck just before 2pm. The back of the bar is in dusky shadows, the pool tables spotlighted; we wouldn’t notice the sunset if we stayed there all night. We have the place to ourselves, and Conor moves around comfortably. He tells us he used to spend a lot of time here, right around this time of day, and then into the wee hours. Again, it provided anonymity, privacy, a shelter of sorts. One can imagine that as the night goes on and people first trickle, then crowd into the popular St. Laurent dive, that the regulars would take his presence for granted, and those caught off guard would talk amongst themselves. Still, it would be hard to speak to him directly without at least trying to best him at the pool table.

Today is no different; he tells us we can only ask questions while we shoot. He lists off a bunch of rules before noticing Holly and I staring at him blankly, and then tells us to just give it a go.

I’m immediately aware of how much better I was at this game an undisclosed number of years ago, but thankfully Holly’s on par with me and we team up.

I figure it’s now or never, so I delve into the more sensitive questions. Margot had sent me a list of things not to mention, and I ask him why she didn’t just send over a typical list of talking points instead. I’ve personally never received a list of topics not to touch upon.

He’s caught off guard, and asks me what I’m talking about, which flusters me, and before I can muster anything, Holly pulls a printed page from her notebook, unfolds it, and hands it to Conor. He looks over the list, half a smile, the mischievous sparkle in his eye reminiscent of his younger self. He points to things at random:

“Well, this makes sense…I don’t know why she thought this was off limits…Lindsay Lohan does know why, I already said that, so it’s a direct quote.”

Blaine Defense Systems, funny enough, is not on the list. So taboo that it was omitted, Conor’s consistently maintained that he didn’t own the military weapons manufacturer that is the other part of his family legacy, and the media has treated the matter as settled, preferring not to rock the boat by pressing the matter. Recently however, the company was sold to Russian investors for a whopping $900 000 000. Sold in whole by none other than Conor Blaine.

“I don’t judge people like that,” is all he says on the subject of the buyers. “I inherited it when my grandfather died. It skipped my mother for obvious reasons.” He doesn’t have to specify that it’s because she’s a woman; the older generations of his prominent ancestry are notoriously old school conservative, to put it kindly.

As to where these new found profits might go, he says he’s passionate about food security. “I believe that everybody should have access to good, healthy food. I don’t think it’s right that we as a society lock food up. There are even food deserts in Montreal.”

He asks for more questions as he clears the table. Holly and I are not improving at the game, but we are getting better at working together, and we confer with each other, notebooks in hand.

I reluctantly admit we’re out; he nods, and finishes his drink.

As her team packs up, Holly and I debate another round, and another game too as we obviously need the practice. I turn to see if Conor will give us some pointers, and he’s nowhere to be found. He’d made a quiet escape, slipping out of the bar and into the comforting anonymity of a mid afternoon Montreal main street. An awkward ending, but a graceful one too; certainly an unforgettable way to end my already memorable afternoon with Conor Blaine.

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