Drag Queens pride themselves on being able to startle their audiences. Friday night in Quartier Des Spectacles, however, the stiletto was on the other foot.

Rupaul’s Drag Race All Stars 3 winner and songstress Trixie Mattel had to bring her open-air Just For Laughs show to an abrupt halt when two separate audience members required medical intervention within moments of each other.

Due to her off-the-cuff comedic sensibilities, most assumed it was just another bit when the performer repeatedly told her band to stop playing mid-song. Trixie then asked her fans for silence and patience so medics could make their way to the people in need of assistance on either side of the stage.

The comedienne credits the crowd for alerting her to the emergencies. “At first, it looked like they were just moving their hands to the music,” she later reflected, noting that both people ended up being carried out, something that “has never happened during a show before.”

In spite of the minor setback, the Milwaukee native – nee Brian Ferkus – enjoyed an otherwise triumphant night. Thousands packed Quartier des Spectacles to revel in Trixie’s signature blend of vintage outfits and frank comedy.

It’s difficult to imagine another personality who could so easily attract audiences both gay and straight and young and old, nevermind one confident enough to quip about anal sex and call guests “whores” at an open-air event.

Trixie has built her brand by maintaining an honest, “you’re in on the joke” dialogue with fans, both as a makeup mogul and an internet personality. Her hilarious YouTube series, entitled UNHhhh, features extremely unfiltered conversations with fellow Drag Race alum Katya and has garnered them millions of views.

Simply put, people would be disappointed if Trixie didn’t bring some irreverence to the proceedings. And Trixie, having attended JFL once before, knew better than to hold back with a Montreal audience.

The self-proclaimed Skinny Legend bantered playfully while strumming a guitar and bopping her way through a selection of tunes from her folk and rock-inspired albums. Hits like Hello, Hello and Malibu were interspersed with covers of Lana Del Rey’s Video Games and even Nicki Minaj’s Anaconda.

And through it all – of course – were a variety of wig and costume changes glamorous enough to delight even those standing back by the Dairy Queen on St. Catherine’s Street. Hilariously redubbed vintage commercials played between sets to afford Trixie time to change, in a welcome callback to the zany editing of UNHhhh.

There was one slightly botched costume reveal, thanks to two unrehearsed audience members acting as assistants. But throughout it all, the star maintained her composure, even delighting when the skies opened up in time for her final number.

As someone who rose up from humble beginnings to the top of the drag world, Trixie knows how to roll with the punches and fans love her for it.

They will also love hearing that her recent renovation reality show, Trixie Motel, may possibly be expanding into something bigger. Much like the plastic doll that first inspired her, Trixie is eager to explore new avenues, thanks to the continued support of those who’ve followed her career.

Mattel basked in their affection while reminding them to savor the moment: “this is the last f***ing time you’ll see Trixie Mattel do something free for you guys!”

Trixie Motel currently streams on Discovery + though fans wanting to see her and Katya in person should check out their upcoming tour dates.

If you are a fan of RuPaul’s Drag Race, then Just for Laughs had show for you! As part of the Just for Laughs 2020 free virtual festival, they presented Canada’s Drag Race panel, a Crave original, moderated by Sabrina Jalees.

In the wake of the finale of Canada’s Drag Race, the Canadian version of RuPaul’s Drag Race, the panel consisted of the four finalists, Rita Baga, Jimbo, Scarlett Bobo, and the winner, Priyanka. Also on the panel was Canada’s Drag Race judge, Stacey McKenzie, who was streaming from her home in Jamaica.

I love Canada’s Drag Race and I saw every single episode. It’s one of the many shows that has helped keep me sane through the stay at home recommendations during the COVID-19 pandemic. That said, this panel did not disappoint, and I was riveted from start to finish.

The show was moderated by stand-up comedian, producer, and host Sabrina Jalees, who was a guest judge on Canada’s Drag Race. She was a competent moderator who clearly has a lot of affection for the queens.

The queens, for their part, did not disappoint. They appeared on screen in full drag.

Montreal’s Rita Baga was resplendent in a red wig, sharp nails, and a pleather outfit reminiscent of a vampy superhero. Jimbo wore a black wig and enormous fake boobs — which he routinely played with during the show — and had makeup more elegant and beautiful than I had ever seen on him during Canada’s Drag Race.

Scarlett Bobo was dressed in a lovely dress made up of black straps, with hair and makeup reminiscent of glam rockers like Debbie Harry and Courtney Love. Priyanka was in full glam makeup and hair, with a leopard print outfit.

While Baga and Jimbo were perfectly poised throughout the show, Priyanka and Scarlett Bobo’s excitement and enthusiasm were infectious.

The panel discussed everything from the popularity of Canada’s Drag Race, to individual challenges both on and off the show, to how everyone’s lives have changed since the show ended. There was some cattiness, mostly from Priyanka, who, despite winning the show, regularly interrupted people to scream and throw shade.

In spite of this, you can tell there is genuine affection between the queens and Stacey McKenzie, who shied away from being brutally honest about some of the queens’ poorer performances.

One of the highlights of the panel was Stacie McKenzie’s impression of the late fortune teller Ms. Cleo, an impression which Priyanka bombed during the show’s Snatch Game.

If the show had one flaw, it’s that there were moments where Jalees or McKenzie disappeared, and you could not tell if they were still in the panel participating. My guess is this was due to a tech issue.

If you’re a fan of Canada’s Drag Race, you would have loved this show. It had all the glitz, glam, lipstick, and witty repartee one would expect from a panel of drag queens. Here’s hoping Just for Laughs does this again.

If you like your Canadian politics with an extra helping of camp, then Laureen: Queen of the Tundra is the Fringe show for you. Named after the wife of our Prime Minister (portrayed by Montreal drag queen Connie Lingua), this cabaret drag show explores what it’s like to be queer and Canadian under a conservative government.

The structure of the show is very loose. A sketch comedy number is followed by a lip synch performance followed by a testimonial. But throughout the production everyone’s favourite bad guy “Stephanie” Harper (a delightful cameo by Jordan Arsenault) makes sure to keep her evil eye over what’s going on.

The tone of the show skips back and forth between silly and serious. The silly numbers are mostly a portrayal of your standard Canadian clichés; RCMP officers, Celine Dion and Shania Twain all make appearances. Some of these numbers are hilarious; you’ll be laughing in spite of yourself at the Dion number for instance. Others numbers make the show start to drag a bit; the fake talk show number felt like a reject sketch from This Hour has 22 minutes.

But the real reason to see this show is the more serious aspect; the testimonials. In between all the silliness each member of the cast comes out and monologues what it like is to be Trans, queer, or an immigrant in Canada. The raw emotion and expressions of pain, fear, and hope is lovely stuff. It would be great if someone turned that aspect into a whole new show… maybe for Fringe 2016?

Laureen: Queen of the Tundra plays at Cafe Cleopatre until June 21st, for tickets or more info, please consult the Montreal Fringe website