Have you ever had one of those 3am conversations with a fellow music aficionado, sitting on the floor with vinyl records strewn about, debating the merits of certain genres of music in a kind of stream-of-consciousness free-flow of observations and criticisms? If not, Fred Armisen can give you the full experience.

Saturday night at the Olympia, the former Saturday Night Live star, co-creator of Portlandia and band leader for Late Night with Seth Meyers took to the stage for his one-man show and immediately began asking questions he’s clearly been pondering for years now: how can you tell when a jazz solo for upright bass has ended? Why don’t violinists cue up the orchestra? Why do horn players always talk about money?

The evening is a journey into the mind of a man who has spent the past several decades observing the oddities of both music and comedy. He calls the show “Comedy For Musicians… but everyone is welcome“. There really couldn’t be a more apt title. The audience ate it up, but those with a musical background clearly got more out of the show.

It helped that the crowd was well­­ warmed-up by local comedian Francois Bellefeuille, who gave a Nasty Show-worthy anecdote about his internship as a veterinarian, where he found himself having to masturbate a horse to completion and get graded for it.

Armisen, perhaps not having heard his set, awkwardly brought the subject back to horses at one point in his own act, noting that they always seem to look through you with little interest. To the audience‘s relief, the subject promptly swung back to music.

Like the best kind of high school teacher, Armisen exudes a casual warmth that immediately puts you at ease, while also piquing your interest. True, there were moments where his delivery almost recalled that of Nicholas Fehn, his SNL character who was famously unable to complete a single sentence without starting another.

Nevertheless, much of the pleasure in the show came from his ability to hop, skip and jump around. He even copped to the unorthodox nature of his comedy, saying “When I first came up with that – I guess I’ll call it a joke”. In a festival overflowing with punchlines, his approach to humour was a breath of fresh air.

Armisen took us through the percussive evolution of Punk Rock and vented on the following: needlessly long pieces of classical music, guitar players who sing along to their own solos, singers who pretend they can‘t reach their notes when they clearly can, and guitarists who make feedback a large part of their act.

In his best bit, he reenacted what he believed must have been the inner narrative of the studio drummer performing the opening to Diana Ross’ hit “I’m Coming Out”.

At one point, Armisen even lead the audience in an improvised sing-along reminiscent of his hilarious Garth and Kat SNL sketches, where he and costar Kristen Wiig would have to keep up with each other’s spur-of-the-moment lyrics.

The audience was able to follow along, and for their efforts were rewarded with a few short songs by some of Armisen’s fictional bands, Test Pattern and Blue Jean. They left with only one complaint: that the musician left without returning for an encore, which the crowd eagerly demanded. Here’s hoping the next time Armisen returns to Montreal, he is ready and willing to give them more of what they came for.

Tickets for other Just For Laughs shows are available at hahaha.com.

Michael Che is the first Just for Laughs Gala host, or at least the first host I’ve seen, to fully embrace all aspects of the job.

It’s not just having a solid standup set for the beginning, which he did. It’s also not just having the ability to riff on and with the audience, which he clearly did as well.

Introducing the other comics performing is something other hosts I’ve seen have treated as almost a throwaway emcee duty. Che, on the other hand, made his intros a solid part of the show.

Of course he did. Reading dry, witty one-liners off a teleprompter comfortably into the camera is pretty much his day job, or rather his close to midnight on Saturday job as a co-host of SNL’s Weekend Update.

My favorite joke of the night came during one of his intros:

“Our next comic comes from England, which is known for its alcoholism and Islamophobia. He should do great in Quebec.”

– Michael Che

There were other edgy gems in his intros and throughout his set There were also some solidly funny sets from the other comics performing last night.

Jessica Kirson was the standout for me. I’ve seen her perform before, but her inner monologue bits, seemingly a new edition to her act, narrating both what she and the audience were thinking of her set in real time, was some fourth-wall breaking hilarity.

Jay Pharoah, who closed out the evening, had the large audience laughing the whole time he was on stage. His bit about escaping unwanted advances in Greece was particularly good.

Fellow SNL alumn Fred Armisen was, um, interesting. A couple of short songs, a singalong, and that was it.

Fin Taylor, the aforementioned Brit, made some good points, and one really solid one, but, for the most part, I wasn’t really sure where he was coming from and where he would land and I’m still not sure.

Pete Holmes and Sam Jay delivered solid sets, as did fellow Canuncks Matt O’Brien and Phil Hanley. It was a night jam-packed with talent, as Che remarked at the beginning.

Also kudos to the warm up act/hype man whose name I don’t know. He started dancing in our row and decided to let his energy get everyone ready instead of jokes, as those would be forthcoming.