Comedian Walter J. Lyng brings his popular local talk show “Night Fight” to the 2015 Fringe stage. Teaming up again with his musical director Leighland Beckman, the duo engage in all your typical late-night talk show activities… with a twist. (Yes, a knife makes an appearance!)

You have your “politically correct” monologues (last night was about the Charleston shootings, you know a topic that lends no way to being insensitive), awkward banter (both with each other and the audience!), musical guests (aka some delightfully filthy music provided by Beckman), and the popular “Top 38” (This list was “Worst Ice Cream Flavours” which included totally enticing flavours like Vanilla Vag).

None of the pre-mentioned gags that I happened to catch on Thursday will be spoilers for anyone else who wants to check out the show. As with any talk show the jokes and guests change with every performance. I hope the commercials they play during the “commercial break” moments, though, don’t change, because they’re ridiculous, in the most amazing way possible.

While this was my first ever Lyng/Beckman performance, it’s easy to tell the duo have been working together for a long time. They bounce their comedic energy off each other so seamlessly that it’s unsurprising they’ve been hyped as one of the best shows of the fest, and nominated for a Frankie for best English comedy. Check out this show while you still can!

The Shiner is a charming one-woman show about the two selves we have inside us at all times; the adult and the child. Performed by Katie Legitt and directed by Al Lafrance, this show crams thirty-odd years of experience into one solid hour of storytelling. And like any good story there’s moments of happiness and sadness, silliness and wonder.

Just like LaFrance’s last Fringe show The Quitter, The Shiner relies completely on the ability of its star to captivate the audience. Whereas Lafrance relied on his snarky wit, Legitt brings her own unique strengths to the table. For Legitt this means demonstrating her passion for her day job as a spiritual animator, as well as being able to transform into a naïve, scrappy version of her younger self.

Legitt does both masterfully. Kudos also has to be given to the scriptwriting; the show has just the right amount of younger/older self to balance the serious/silliness aspect. Too much of either and the show would have veered off course. What a pleasure to see a strong woman who embraces the pain of the past and the passion for her work and literally turns it into a work of art!