To some, the idea of seeing five movies in a day might seem excessive. “Why?” they’d ask, their heads barely breaking the surface of the sea of mediocrity they belly-flopped into years ago. To which I would reply, my hands on my hips and my chin thrust proudly into the air, “Why not?” Fantasia 2014 kicked off this weekend, and for me it truly started on Sunday, when I set out to break my own record and attend five screenings, essentially back to back. So to kick off my real coverage of this year’s festival, let’s take a quick look at what I’ve seen so far.

Jellyfish Eyes

It’s no great shock that Jellyfish Eyes has been masterminded by a renowned pop artist, because the film is in many ways pop art personified. Everything is impossibly colourful and crisp looking, about as processed and artificial looking as the plastic toys no doubt already long since sold-out bearing the likenesses of the film’s Pokemon-esque fighting monsters. For a lot of people, Jellyfish Eyes’ bright, four-colour aesthetic would be an instant turn-off but for me it really made the movie.

In a lot of ways, Jellyfish Eyes pulls off the “live action anime” vibe better than more overt attempts at pulling that aesthetic off, like some Miike movies. If nothing else, it’s a gorgeous looking flick, and has enough heart and charm to carry it the rest of the way to a top spot on the list of things I’ve seen so far this year.

 

Zero Theorem posterThe Zero Theorem

Despite being the driving force behind more fantastic, groundbreaking films than many directors working in the industry today, the past several years have not been kind to Terry Gilliam. Or rather, critics and audiences haven’t been kind, as his last few efforts have gone either unnoticed or failed to impress anyone to the degree of his earlier efforts.

As much as I’d love to say that his new film, The Zero Theorem, is the turning point Gilliam fans have been waiting for….eh, it’s not amazing. While the movie continues his trend of stunning sets, costumes and overall look, it also continues the more recent trend of his films feeling meandering and unsure of themselves. The social satire is still there from the Brazil days but it feels like an easy, unsubtle Mad Magazine type of social satire. I’d probably like the movie more on a whole if not for a fairly disappointing ending that doesn’t so much offer closure as a big, black void of closure. I get enough of that from my romantic relationships, thank you very much.

 

Nuigulumar Z

Even without the presence of Japanese cult auteur Noboru Iguchi, it’s not at all surprising that I was drawn to Nuigulamar Z, a wild take on the “Tokusatsu” genre that sees a girl fuse with a teddy bear to fight zombies. Perhaps more than Takashi Miike, Iguchi is quickly becoming the quintessential Fantasia director (for me at least) and Nuigulamar Z is more proof of that.

Almost from frame one, the viewer is assaulted with more irreverent, weird, messed up, “because it’s Japan” zaniness than you’re bound to see anywhere else at the movies this year. If you’re into that kinda thing, you’ll probably be grinning ear to ear as hard as I was for the entire run time. The only thing Iguchi’s fans may find lacking is the lack of any real “splatter” or gore beyond CGI blood-splatters added in post. But apparently his other movie this year, Live, makes up for that. But for weirdos like me who are into this kinda thing even without Iguchi around to add adult babies and boob lasers, it’s about as much fun as you’re going to have at this year’s Fantasia.

 

The Reconstruction of William Zero

God, The Signal was good, wasn’t it? Going into director Dan Bush’s new feature, you can practically hear that phrase being spoken like a litany by about half the audience. But here’s the big problem: if you go in to William Zero expecting The Signal, you’re going to be disappointed.

If you go in to William Zero expecting a low-key, well acted genre flick with some interesting turns but nothing that will splinter the Earth’s crust ‘neath its mighty steps, then your expectations will very much be met. What strikes me as more interesting about William Zero than anything else is just how formally different it feels from The Signal. That oppressive, apocalyptic vibe is totally gone in favor of something a bit cleaner, a bit more polished and less intentionally raw. And though some may find the difference jarring, or even disappointing, when taken entirely on its own it’s a perfectly good, if only half-remarkable movie.

Just seriously, don’t compare it to The Signal.

 

The suspect posterThe Suspect

As good as The Suspect is, I can’t shake the feeling that by the time the festival is over, it will be lost in my memory, fused together with the two or three similar looking Korean action thrillers in an amorphous blob of gunfights, car chases and blue tint.

This may be because when the overly convoluted plot involving North Korean spies wasn’t confusing the hell out of me, the nigh-incomprehensible action scene photography was confusing me even more. It seems that in their haste to ape all the qualities of American and Hong Kong actioners, the team behind The Suspect picked up all the bad qualities, resulting in a mess of shakey-cam, bland leading men and a score that feels like something Hans Zimmer writes to warm himself up.

Which isn’t to say it isn’t enjoyable at times. Some of the supporting cast are fun and likeable enough that the movie really should have been about them, and not the bland, near-superhero of a protagonist. But it feels overly drawn out, overly complicated and emblematic of all the worst qualities of modern fight scene photography, and the fun supporting cast can’t entirely save it from being forgettable.

Fantasia International Film Festival runs until August 6, 2014.

Fantasia is upon us. If you are anything like me and the fans that flock to theatres for this one of a kind experience, your summer can finally begin. The lineup this year is stellar which makes choosing which films to see that much more difficult. Screening decision anxiety and panic is amongst us. Never fear! Take out your colour-coded pens, rulers and notebooks; here are the must-sees of the 2014 lineup!

15.  Metalhead

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Director: Ragnar Bragson

Writer: Ragnar Bragson

Iceland, 2013

Metalhead touches on themes of tragedy, grief, youth, faith and fate. Hera lives in a small town with little to offer her and is haunted by the death of her brother. She rebels against the bourgeois world of her parents and creates a safe haven for herself in the world of heavy metal: a world that she slips further into body and soul.

Screenings: Monday, August 4 at 7:10 p.m. and Tuesday, August 5 at 7:35 p.m at Salle J.A. De Sève (1400 de Maisonneuve w.).

 

14. The House at the End of Time (La casa del fin de los tiempos)

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Director: Alejandro Hidalgo

Writer: Alejandro Hidalgo

Venezuela, 2013

Dulce receives ghostlike messages warning her of her husband murdering his own children. Panic ensues as do tragic events and Dulce is incarcerated for a crime she didn’t commit. Thirteen years later, on parole, Dulce must stay within the house where all these tragic events happened. Fantasia programmer Mitch Davis hails this tale as both scary and touching: not your typical haunted house story.

Screenings: Saturday, July 26 at 9:30 p.m. at Theatre DB Clarke and Wednesday, July 30 at 5:20 p.m. at Salle J.A. De Sève.

 

13. Feed the Devil

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Director: Max Perrier

Writer: Matthew Altman

Canada, 2014

The world premiere of Feed the Devil is co-presented by the Montreal First Peoples Festival. This film follows Marcus, who is in dire need of some fast cash, as he, his sister and his girlfriend search for a marijuana plantation rumoured to be near a First Nations reserve. According to legend, this plantation is smack in the middle of a hunting ground for the gods, where no human is to enter and no human who has dared to enter has ever returned.

Screening: Monday, August 4 at 8:30 p.m. at Cinémathèque québécoise (335 de Maisonneuve e.).
* Tickets for this film will not be available through Fantasia’s ticket outlets and Fantasia passes are not valid for this film. Visit Montreal First Peoples Festival for more info.

 

12. The Snow White Murder Case

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Director Yoshihhiro Nakamura

Writers: Tamio Hayashi, Kamae Minato

Japan, 2014

When a young office worker’s body is found, social media is quick to make the news viral. A television director soon comes into some juicy intel and realizes that this sensational case might be the perfect way to break through in the industry. He begins to to investigate the case, accounts multiply and cloud the waters: who killed Noriko?

Screening: Tuesday, July 29 at 10 p.m. at Concordia Hall Theatre.

 

11. Cybernatural

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Director: Leo Gabriadze

Writer: Nelson Greaves

USA, 2014

After a humiliating video is posted online by her friends, a young girl kills herself. On the anniversary of her death, the six cyberbullies meet up on Skype. However, an uninvited seventh user joins the conversation and seems to know everything about the crime. As events unfold in real time, the six cyberbullies get a taste of their own medicine and the body count soon begins to rise.

Screening: Sunday, July 20 at 9:30 p.m. at DB Clarke Theatre.

 

10. The Creeping Garden

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Directors: Tim Grabham, Jasper Sharp

United Kingdom, 2014

This documentary centres on something all around us but almost everyone is unaware of it: plasmodial slime mold. Slime mold is not plant, not fungus, nor animal but a strange hodge-podge of all three. It even exhibits forms of intelligence. The Creeping Garden explores this uncanny organism through interviews and microscopic photography and boasts a score by Jim O’Rourke.

Screenings: Sunday, July 27 at 9:45 p.m. & Monday, July 28 at 3 p.m. at Salle J.A. De Sève.

 

9. Life After Beth

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Director: Jeff Baena

Writer: Jeff Baena

USA, 2014

This comedy follows Zack who falls to pieces after the death of Beth, his longtime sweetheart. Zack grows closer to Beth’s parents in the wake of her death until they suddenly shut him out. For, you see, Beth has come back from the grave and doesn’t realize she’s died. Zack is overjoyed… but for how long?

Screening: Saturday, July 19 at 7:15 p.m. at Concordia Hall Theatre.

 

8. At The Devil’s Door 

Director: Nick McCarthy

Screenplay: Nick McCarthy

USA, 2014

From the writer of The Pact, a film that left audiences with an unshakeable chill, comes this tale of a real estate agent (Catalina Sandino Moreno) who faces the task of trying to sell a house with a sordid past. The film stars names you will recognize such as Naya Ricera (Glee) and Ashley Rockwards (Awkward). I can’t wait to see them in something out of high school and into a more dark and dangerous setting.

Screenings: Saturday, July 26 at 7 p.m. at DB Clarke Theatre & Tuesday, July 29 at 5:10 p.m. at Salle J.A. De Sève.

 

7. Honeymoon

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Director:  Leigh Janiak

Screenplay: Leigh Janiak , Phil Graziadei

USA, 2014

Honeymoon is a cabin-set flick that refuses to rely on traditional scares. Paul and Bea are on their honeymoon but things aren’t quite the bliss that you’d expect. The central questions in this film are “who did I marry?” and “am I enough?”

Screenings: Tuesday, July 22 at 7 p.m. at DB Clarke Theatre.

 

6. Jellyfish Eyes (Mememe no Kurage)

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Director: Takashi Murakami

Screenplay: Takashi Murakami, Jun Tsugita

Japan, 2013

There is a lot of excitement brewing around the sci-fi/fantasy epic Jellyfish Eyes sponsored by The Japanese Foundation at this year’s Fantasia. Masashi’s father was lost in the earthquake and tsunami of 2011 resulting in his mother relocating them to a small town, near a university research center. Masashi finds a little flying creature and soon discovers that all the others kids at school have secret creature buddies who — unlike his pink bud, Jellyfish Boy — are controlled by their smartphones. But all isn’t honky dory in this town and something dark is brewing…

Screenings: Sunday, July 20 at 12 p.m. at Concordia Hall Theatre.

 

5. Housebound

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Director: Gerard Johnstone

Screenplay: Gerard Johnstone

New Zealand, 2014

Kylie is on house arrest in the home where she grew up where she is forced to live with her mother and her mother’s boyfriend. Like Kylie, an angry spirit is also displeased with the new living arrangement. But like it or not, Kylie is gonna have to do the time — even if it’s in a haunted house.

Screening: Sunday, August 3 at 9:45 p.m. at Concordia Hall Theatre.

 

4. The Harvest

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Director: John McNaughton

Screenplay: Stephen Lancelloti

USA, 2013

When Andy gets sick, his pediatric heart surgeon mother, Katherine, has to start working from home. When a neighbourhood girl begins to befriend Andy, his parents — whose universes have centred around him and his illness — react in a strange way. According to Mitch Davis, “The Harvest exists in a disquieting median space between sinister fairy tale and shattering human horror.” And if that’s not enough, The Harvest promises what looks like a kick-ass performance by Samantha Morton.

Screening: Monday, July 21 at 9:30 p.m. at Theatre DB Clarke.

 

3. The Midnight Swim

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Director: Sarah Adina Smith

Screenplay: Sarah Adina Smith

USA, 2014

The Midnight Swim is one of the most intriguing films of this year’s program. Dr. Amelia Brooks studied the mysteries of bottomless Spirit Lake, which became the site of her death when she didn’t resurface after a dive. Her three daughters head to Spirit Lake to reflect on their relationships with their mother and return to their family home. The sisters begin to believe that something supernatural is at hand after they jokingly summon the spirits of women who have drowned in the lake.

Screening: Sunday, July 27 at 7:30 p.m. at DB Clarke Theatre.

 

2. Suburban Gothic

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Director: Richard Bates, Jr.

Screenplay: Mark Linehan Bruner, Richard Bates Jr.

USA, 2014

Suburban Gothic is the second feature by Richard Bates Jr., director of the bloody and breathtaking Excision. The film follows Raymond (Matthew Gray Grubler) who, like many of us in Montreal, can’t find a job with his college degree and has to move back in with his parents. Raymond has had visions for most of his life and joining with local bartender Becca (played by the amazing Kat Dennings) things go in unexpected ways. According to Ted Geoghegan, “Suburban Gothic is popcorn cinema at its most endearing — a saccharine ghost story featuring a faultless mix of honest scares and well-played humour.”

Screening: Saturday, July 19 at 9:45 p.m. at Concordia Hall Theatre.

1. Frank 

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Director: Lenny Abrahamson

Screenplay: Jon Ronson, Peter Straughan

United Kingdom, 2014

Official selection at Sundance 2014, Frank stars Michael Fassbender as Frank, the frontman of a band who swears by a giant plaster cartoon head that he never takes off. The film follows Jon who meets Frank and his strange lineup of bandmates and follows them down a strange musical odyssey to the SXSW festival in Texas.

Screenings: Sunday, August 3 at 4:20 p.m. at Concordia Hall Theatre & Monday, August 4 at 5:15 p.m. at Salle J.A. De Sève.

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Honourable mentions:

Man in the Orange Jacket, Aux Yeux Des Vivants, Prom Night, Dys-, Wetlands, When Animals Dream, To Be Takei, and Summer of Blood

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The 2014 edition of Fantasia runs from July 17 to August 6.

Being a film nerd mostly interested in genre movies writing for a website mostly interested in local culture can be a tricky thing. Oh sure, I love local film as much as the next guy, but it rarely falls into my specific wheelhouse (whatever the hell a wheelhouse is). This is one of several reasons why the Fantasia Film Festival is one of my favorite times of the year: it’s one of the only instances where I can cover the kinds of films I enjoy most and actually follow Forget the Box’s normal schtick of talking about local culture and events.

That magical time will soon be upon us once again, and majority of the 2014 fest’s film lineup has been released on to the internet to a ravenous fandom. This week on FFR, let’s take a look ahead at what we’ve got in store for this year with a look at some of the films I’m anticipating the most.

Lifetime Achievement Award Presentation: Mamoru Oshii

In a lot of ways, my days as an anime geek are behind me. I haven’t watched a full series in ages, and these days my attentions are focused more on live action Japanese television and film. However, some directors will bring the old flame back, and Mamoru Oshii is one of them.

Bursting on to the scene in the late 80s and early 90s as the director of the first two Patlabor films, Oshii quickly moved into his own franchise with the groundbreaking Ghost in the Shell, one of the defining movies of the first wave of the North American Anime invasion and a landmark in the genre.

On opening night (July 17) Oshii will be receiving the Lifetime Achievement award before a screening of a brand new HD print of Ghost in the Shell (the original version, not that heinous new version with the bad CGI added in) that’s never been aired outside of Japan.

Jellyfish EyesJellyfish Eyes – Dir. Takashi Murakami

The fact that no one ever attempted a live-action Pokemon movie always seemed odd to me. Granted, the franchise is probably past the apex of its popularity, but people would still probably flock to one like seagulls to a dropped french fry, and bring enough money with them to keep Japanese executives eating Sushi off of naked women until the end of days.

Jellyfish Eyes looks to be filling that niche, looking like a Pokemon film in everything but name and the presence of a catchy theme tune. What makes Jellyfish Eyes look like more that an absurdly commercial cash-grab, however, is that it’s set in the aftermath of the Fukushima Nuclear disaster, which opens the unspoken possibility that the magical monsters that only the heroes of the film can see are actually signs of radiation poisoning. And I know, that’s an incredibly morbid and depressing prediction for the end of what otherwise looks like a children’s adventure movie but….well, it’s Japan. We should expect the unexpected.

The Reconstruction of William Zero – Dir. Dan Bush

Back in ’07, director Dan Bush delivered The Signal, a smart, atmospheric, funny and all around awesome indie horror gem in a time when horror movies were otherwise far too enamored with torture porn and found footage.

Now, after a lengthy absence from the director’s chair, Bush is returning with The Reconstruction of William Zero, a film we know almost nothing about, but that I’ll probably be first in line to see anyway. The press release gives the barest description of the plot, which involves a scientist waking up from a coma, but the presence of bush and Upstream Color star Amy Seimetz already have my interest piqued.

Let us PreyLet Us Prey – Dir. Brian O’Malley

It wouldn’t be Fantasia without something gruesome and dark about people having their gibblets sprayed all over the place in a variety of disturbing ways, and Let us Prey looks to be more than ready to fill that role this year.

The trailer doesn’t let much on in the way of plot, but the mood, style and production values all look rock solid, and hey, it’s got the Onion Knight in it! That’s enough for me to get interested.

Frank – Dir. Lenny Abrahamson

I’ve had my eye on Frank for some time, and not just because it always intrigues me when established, popular actors who probably have job offers rolling in like a Left 4 Dead horde when somebody gets hit by a Boomer takes on a quirky, low-profile indie flick.

Frank stars Michael Fassbender as a brilliant but troubled indie musician on the cusp of stardom who refuses to remove a giant paper mache head that makes him look like a character our of that old David and Goliath claymation cartoon. It’s an odd turn for Fassbender, one that could either prove his acting chops as world-class once and for all, or could just feel like an overly quirky indulgence. It’s probably that risk that has me interested the most,

IngtoogiINGToogi: Battle of the Internet Trolls – Dir. Uhm Tae-Wa

Korean cinema has long been a darling of the Fantasia crowd, and while crime thrillers like No Tears for the Dead certainly look entertaining, it’s the offbeat indie fare that will more often grab my attention, like 2012’s Young Gun in the Time or last year’s The Weight.

INGToogie sees two internet rivals take their grief to the streets for a knock-down brawl, something that’s become more and more common in Korea recently as internet trolls meat for “real life player kills” or “hyunpi”. While the prospect of internet trolls beating each other senseless is enough to lure me to a screening, the stylish presentation makes me think this may be more than just mere catharsis.

Guardians of the Galaxy – Dir. James Gunn

Never heard of it. Looks weird. They’ll screen anything these days.