Fredua Boakye

“Growing up, people were always telling me that I was the ‘whitest Black kid’ they knew because I loved ‘white rock music’ like Radiohead and Dead Kennedys,” says Fredua of Bad Rabbits. He laughs, and quickly responds to them: “But you can’t ‘act a colour,’ and Rock & Roll culture isn’t reserved for X race. But I will say this until my dying day: Rock & Roll was created by a Black Queer woman named Rosetta Tharpe.”

Fredua is the frontman of Bad Rabbits, and I had the honour to speak with him about race, rock, and his thoughts on being a Black American in 2016.

Fredua tells me that conversations of race and belonging within his scene have always been a part of his consciousness, explaining the common lamentation among young men of colour that he was never “Black enough” for the Black kids, and “too Black” for the white kids.

“I considered myself a hybrid from the jump because nobody on either side liked me… The only kids who accepted me in school were the punk rock kids.” For Fredua, this embrace of the punk scene of the late 80s led to an early and profound appreciation for bands like Bad Brains, Dead Kennedys, and Public Enemy.

The moment of clarity that gave Fredua a real understanding of how he could fit into the Rock scene came when he saw Fishbone and Living Colour music videos, with Black musicians like Kendall Jones and Vernon Reid “not rapping, not singing, just jamming with guitars. When people said I was the ‘whitest Black guy’… There was nothing ‘white’ about what I was doing. Period. I was doing what I saw, and that was a Black person playing this music.”

When I asked Fredua about conversations of race in his current role as the frontman of a multi-ethnic band in a scene dominated by white dudes, he emphatically affirmed that there has never been racial tension at a Bad Rabbits show, as people are too busy having a good time. It’s when he stops making music for people to dance to, and starts talking about things that make him angry and upset – like the ability for police to routinely kill Black people with impunity – that tempers begin to flare.

Fredua explains, “There are probably a bunch of my fans that are inherently racist, and I know this because I’ve argued with them. They’re the types that grew up thinking Black people are supposed to only be entertainers or basketball players. When they see me speaking my mind it’s suddenly ‘Fredua, you’re an entertainer, you shouldn’t be talking like that!’ People are angry at the fact that I have the nerve to talk about things going on instead of making a song for them to dance to.”

In response to the recent spate of highly-publicized killings of Black people by police, Fredua posted a video to his personal Facebook page in support of the #BlackLivesMatter movement.

Fredua tells me that the response from most friends and fans was positive, but one fan came out of the woodwork to leave the following comment: “I follow you because I think your old band was awesome, but let’s be honest, this militant black guy thing isn’t working out for anyone.”

Fredua explains it’s no skin off his nose – people who see him not as a Black human being, but strictly an entertainer aren’t real fans anyway. The reluctance of white peers and fans to see him as anything but a stage presence has bothered Fredua since he first started singing: “I look back at school, and I mean, I did chorus for the girls. Don’t get me wrong,” he says with a laugh, “The girls loved my voice. But they didn’t love me. Because I didn’t look like them.”

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I asked Fredua if these reactions to his showmanship bother him when he looks back on them, and he is quick to point out that he’s one of the lucky ones. “I lived out my dream. That dream was to make music and act like a damn fool for the rest of my natural life, and I don’t have to worry about aging because I found the fountain of youth through music. I have a beautiful house and a beautiful wife and a beautiful dog and I get to do something I love all the time.”

Fredua mentioned that Bad Rabbits has a new album one year in the making that will have more anger in it than previous records. He describes some of the album’s lyrical content as “two year’s worth of anger,” much of it directed toward the issues that we spoke about.

The new album, American Nightmare, is planned to drop in September, but will likely end up coming sooner. When I naively asked if the early release was due to the urgency of the message, Fredua’s voice dropped to that sacred place where the spirit meets the bone:

“This is the thing that kills me about this issue of police brutality,” Fredua says calmly, but with palpable fury. Cops are always gonna kill people. As long as there’s a justice system that lets these people kill someone and go about their day, there is never gonna be any type of change. This country is hell bent on keeping things the way it is – to keep the haves and the have-nots, the white and the Black, the Us and the Them, separate.”

The footage of the recent shootings and lack of legal action against the officers involved has made it abundantly clear to the public that it is possible to kill a Black person with little to no consequence. Black activists like Fredua, understandably furious that their lives are proven to be worth less than white victims of similar violence, are routinely portrayed by mainstream media as “armed-and-dangerous Black Power rebels,” seconds away from violence.

Fredua (Second from left) with Bad Rabbits
Fredua (Second from left) with Bad Rabbits

In an interview with The New Yorker, Black Lives Matter co-founder Alicia Garza explained that this image is “a battle that we are consistently having to fight. Standing up for the rights of black people as human beings and standing against police violence and police brutality makes you get characterized as being anti-police or it has you being characterized as cop killers, neither of which we are.”

Fredua expressed a similar frustration, explaining that “it’s easier for news channels like CNN, MSNBC, and FOX to show footage of angry Black people on TV than it is for them to show smart Black people with an idea. Nobody is listening to the solutions we’re trying to offer. And the picture they put up of the shooter in Dallas? A pissed-off black man with a dashiki and a fist up? That puts a target on my fucking back!”

Despite all of the difficult topics that came up in our conversation, Fredua’s determination to keep performing and thriving as a Black man in America in 2016 shines through. His concluding statement was one of hope:

“I was raised by two West African immigrants that came to this country on an American dream…I’m gonna make sure that I achieve it through them with my voice. That dream was to have a prosperous, peaceful, God-fearing life. I will die for that. I’m not afraid for a shooter coming to my show, I’ll jump in front of any bullet to protect a fan. I’m gonna do what I do until I die. I will literally die for this.”

Just for Laughs festival has started and the comics have taken to the stage multiple times. However, when they’re up on the stage, you don’t really get to have a conversation with them. They tell you their jokes and you laugh and think, if you’re into that kind of thing.

Gina Yashere, Ahmed Ahmed, Dan Naturman, and Ronnie Chieng are four of the comics that will be taking the stage at Club Soda twice every night to do the Ethnic Show. I had a very lovely conversation with them and we talked about their experiences as being comics belonging to a minority. So, what is ethnic anyway?

The Ethnic Show runs July 8h to 19th at Club Soda, for tickets and info: hahaha.com

We need change. What happened to serve and protect? Freddie never had a chance. Apocalypse plague of humanity drawing closer with every injustice to every name I can’t remember, because there are too many. You have the right to remain alive! Too many people are murdered by the people supposedly serving and protecting them.

This revolution will not be televised!

It will be caught with the camera of a dying cell phone by the thumb of child who knows no slavery, but is a slave to connection without being connected to the fact that folks are dying – for what? I sit on a floral covered futon in a room where the only discomfort is that the ceiling fan is making my feet cold and I am too lazy to pull the chord. I am typing on a iPhone that was new at Christmas, but is quickly becoming obsolete. I spent the morning smoking bongs and catching up on what’s happening outside my line of sight. I feel defeated.

Nepal. Baltimore. Places where fates were decided without remorse or recourse. An earthquake quickly drowned out by coverage of a race riot. A man dragged into a police van and then beaten until his spine was severed. Watching videos and reading both genius and fucking ignorant comments, reading the news through my Facebook feed, the Twitters of anyone who is anyone that Fox News can grab on to. Wonderbread reporters saying stupid things to people who are desperately trying to save their children and bring light to the hardships in a desperate America.

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Food Not Bombs is a peaceful protest against war.

It’s not as hard to talk about race through the safety of tapping of your finger on a little glass screen that has so much power. There is no answer I can provide to why humans judge other humans based on the color of their flesh or contents of their presentation. I know that I have been judged and made similar shameful judgements, but I also know that regardless of growing up in the poorest neighbourhood of one of the poorest cities in the country, I still made it to where I am now. I have not personally been the victim of Police brutality or the true ugly face of racism, but I unfortunately know how very real and present it is in our world.

I was once standing outside of the old Pink, a Buffalo dive bar in the hippest neighbourhood, and there was a man pan handling – not being too pushy, just normal. After several moments: a car pulled up and two police officers dragged him away from the bars patio area and threw him to the ground in front of a crowd of a summer Saturday night drinkers. When he was picked up from the cement one officer pretended to kick him and they all shared a sick smile. I stood there and did nothing. I held my Jack and Coke in one hand and cell phone in the other and said absolutely nothing. I was 21. Out of fear my lips were sealed. I didn’t want to get involved. I regret that everyday. Standing up for even one person is the most important thing one can do.

I am angry, but fighting violence with more violence is counterproductive. Peaceful protests, nonviolence, and using art as activism are the only true answers. There are people rioting for sports teams, the KKK and Nazis still exist. Hate mongers and cold blooded killers, gay bashers and wife beaters roam the streets. War is present in all societies. And the most popular children’s toys are always guns. Why are humans, as a whole, so aggressive? Video games and rap music? Heavy metal perhaps. Violent horror movies maybe. Children being raised by the internet? Unfaithful media? Who the fuck knows! Maybe it’s none of the above or a combination of all.

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We feed people because we love them.

Sadly there are disconnected fronts, people fighting for the right thing in the wrong way. Looking for attention, not resolution. Do not stir the pot in someone else’s battle. Solidarity is important. Stand with and support, but do not fight for them – it’s not always your battle. Be educated. There is a group of rabble rousers in front of every city hall inciting a riot. These people are my friends. I agree with their heart and dedication, but when they jump in bull horns first, that leaves no time for tact.

There was a possibility of my cousin becoming a cop – it made me think. He is a good one with the right intentions. I would hope that the shitty crime filled world wouldn’t eat him up. We need more honorable humans in law enforcement.

I care about everyone, every person deserves love and respect and food and smiles. There is a lot that needs to be done and there is nothing you can do about it by simply being quiet! Incite a riot within yourself, bring peace by being peaceful, helpful, loving, and making your own discussions and decisions based on life and not what the media portrays.

The way a story is covered, paying attention to one insignificant part of the story, grabbing onto the juiciest bit of bullshit and shifting the entire tide – it makes me sick. Violence sells. The News is not Reality Television, just as reality Television ain’t real. None of it can be trusted, get your news by being present in the world you live in, be there when it’s happening and, when actually reading or watching other people’s representations of the world events, make sure to find every perspective and never ever trust the biggest headlines. Again: the revolution will not be televised.

Race: it’s not something you can win by being the tortoise in a world of selfish and ignorant hares. Everyone is different and diversity is a spectacular gift that we all share. We all must accept each other’s differences and appreciate the beauty of being unique. Be the change you want to see in the world. Do not tolerate ignorance or hate. Be a good example for new generations. Do the best you can to fight the good fight in the name of peace, acceptance, freedom and above all else love.

The featured image is a painting by Cat, inspired by the events at Ferguson.

Foreword: Following the publication of my most recent article, there were accusations that I was being an apologist for the so-called “racist rag” that is Charlie Hebdo, and absolving them of their ‘racism.’ It’s funny to see reactions from both sides. If you try to take a nuanced position, you’re either writing an apology for terrorism, or an apology for racism. Saying that I don’t believe Charlie Hebdo is a “racist rag” per sé, doesn’t mean I agree with everything that they have ever published – unlike what some believe. As I said in my previous article, I think their depictions of the prophet of Islam were senselessly hurtful, adding to an already toxic environment. It also doesn’t mean I absolve them of their responsibility, when it comes to publishing such cartoons in an era of mounting Islamophobia. On the other, this also doesn’t mean I’m oblivious to the racist environment prevalent in French society. In fact, quite to the contrary… The attack against Charlie Hebdo was merely the latest manifestation of France’s underlying problem with bigotry, xenophobia, and racism. A manifestation of how France like most Western societies – and Canada is no different – creates the so-called ‘other,’  the ‘non-French.”

The January 7 Massacre was the manifestation of that, but CH was the wrong target!

This article is about the systemic racist violence that is perpetrated on a regular basis against French citizens of Muslim heritage or faith, and how the mainstream discourse in the aftermath of January 7 continues to perpetuate the estrangement of the ‘other.’  Here is another article, which in my view should be read by all.  This article is the perfect answer to those that say that CH is a “racist rag.” 

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Marine Le Pen

 

The name of the game in France now is “National Unity.” Politicians from all walks of life have called the French people to unite, in a joint effort to defend the principles and the values of the French Republic: Liberté, Égalité, Fraternité. This being said, one has to ask: Unity against what? Unity in the name of what?

In the wake of the attacks against CH, the mainstream media, the French Left, right, and extreme-right put the emphasis on the fact that the Cherif brothers were Muslim. The French mainstream, just as most of the media in the world, portrayed the assailants as violent Muslims, thereby paving the way for the French political elite to jump, right away, onto the bandwagon of France’s ‘Muslim problem.’ France’s problem of ‘Islamic fundamentalism,’ which subliminally suggests that the French nation has to defend itself against the ‘Muslims’ among them, perpetuates the same racist and xenophobic discourse that suggests that if you’re a Muslim, you can’t truly be ‘French’. The same racist and xenophobic discourse, which alienates French youth from the banlieues on a daily basis, and produced the revolt of 2005 is at the origin of all of this affair now.

By overemphasizing the fact that the four assailants were Muslim, the mainstream French media and the French political caste are attempting to absolve France and the French society of all of the racist and xenophobic crimes it has committed against Arab, Muslim, North African populations in the past and even today.

There isn’t a ‘Muslim problem,’ there’s a French problem; a crisis of French integration, which underlines the hypocrisy and voidness of the French national slogan: Liberté, Égalité, Fraternité. There’s a French problem which is manifest in the way the mainstream media depicts the assailants. The Cherif brothers are French citizens; they grew-up in France, lived all of their lives in France, were discriminated against in France, and were alienated by the French society in France. Their ‘radicalism’ was not a product of Islam, but of the shortcomings of French society, of the systemic and institutionalized racist, and symbolic violence omnipresent in French society that treats French muslims citizens or French arabs citizens, as ‘non-French,’ and as second degree citizens.

But this is nothing new. In 1950s and 1960s, during the French occupation of Algeria, white French colonizers were considered as fully-fledged French citizens, with the right to vote, the right to hold public office etc… The majority of Arab, Berber and Kabyle Algerians were also de facto French citizens, yet didn’t have any of the rights held by the colonizers. Still, they had to pledge their allegiances to the motto of the tricolour: Liberté, Egalité, Fraternité.

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The French problem stems from the fact that the French society has never recognized the crimes it has committed during the Algerian War – the millions of “French citizens” of Arab, Berber or Kabyle descent, who were brutally murdered, tortured and mutilated by French forces. Up until recently in French schools, the war of Algeria didn’t even exist. It was called ‘the Events of Algeria.’ France also never recognized the massacres committed in France during that time against French citizens of Muslim descent. Consider the infamous affair of Le Pont de Neuilly, where more than forty Muslim French citizens were kettled by French law enforcement and pushed into the frigid waters of Seine River and drowned to death. The doubled edged economical oppression of French Muslims in France during the War of Algeria is depicted amazingly in the movie Ici on noie les Algeriens.  And thus French society has in many ways perpetuated this état de guerre against its Muslim population – everyone is equal in France, but some more than others.

The rhetoric of national unity is used as a weapon against “Freedom of Expression,” which it ironically is supposed to defend. French comedian Dieudonné, along with more than fifty others have already been charged for making the ‘apology of terrorism,’ or, in other words, for daring to make comments critical of CH. Although I don’t necessarily agree with Dieudonné, in the same way that I don’t agree with everything CH said or depicted, I have to say: If you defend “Freedom of Speech,” you must defend Dieudonné’s right to speak.
National unity is the French take on the Bushian concept of, “You’re either with us or against us.” And while all of France is focusing on national unity, mosques are being torched throughout France. Marine LePen and Sarkozy are on every airwave, making Islamophobic and anti-Muslim comments under the cover of national unity. Thus ‘National Unity’ is just a magical wand of rhetoric, which allows racists to become the sole defenders of free speech, and on the other hand enables any deviant speech to be banned and silenced.

FRONT POPS

It’s interesting to study the usage of the concept of national unity in French history. First, during the War of Algeria, the French government called for national unity as a tool to unite the French nation in its colonial oppression of Algeria. Second, it was used in the 1930s, a time during which anti-Judaism – not anti-Semitism, since not all Semites are Jewish – was rampant. The extreme-right staged several coup attempts, all of which culminated in a march on the National Assembly that almost overthrew the French government. In 1930, like today, the political caste called for national unity – a union of the right and the Left forces to fight the threat of fascism. The Left refused to make alliances with the centrists and the right-wing, complacent, in many ways accommodated the rise of fascism. Instead, the Left decided to form a Popular Front, made up of Social Democrats, Socialists and Communists and won a majority, bringing along with them the first Jewish head of government in French history: Léon Blum. The Front Populaire is a period that is occupies a significant place in the imaginary of the French Left. Today, instead of a Union Nationale, France needs a Front Populaire to fend off the xenophobic, and racist Islamophobic onslaught that is under way.

Unless French civil society can look its demons in the mirror, and stop projecting its problems onto its minorities; unless France comes to terms with its colonialist past, the massacres it perpetrated in its colonies; unless France stops its neo-colonialist interventionist foreign policy; unless France can strike a balance that truly respects its Muslim and Arab citizens as French citizens first and foremost, equal in every way to their non-Arab counterparts; unless all of this happens, tragedies such as CH Massacre will happen on a regular basis. Until then “Liberté, Egalité et Fraternité” will remain a hollow slogan.

A luta continua.

Every year, the Quebec Public Interest Research Group (QPIRG) at McGill University and the Students’ Society of McGill University (SSMU) hold a series of events and workshops called Culture Shock. This year’s Culture Shock will be held between November 5 and 9, and, as always, will aim to explore myths surrounding immigrants, refugees, indigenous people and communities of colour. The purpose is to create discussion around these topics, let members of these communities share their experiences with one another, but also to educate non-members about the issues faced by communities of colour in Canada and beyond.

What makes Culture Shock especially exciting is the fact that it is open to anyone and everyone, and not just students; which is precisely why we at Forget the Box have decided to give you an overview of the many workshops and events of Culture Shock! Here’s the twist, though. We have compiled the list based on topics that will be discussed, and not the schedule. This way you will be able to focus on one specific subject. Most event descriptions are based on those found on QPIRG McGill’s website.

The workshops are not the only events done under Culture Shock, there will also be a book launch of Nahla Abdo’s Captive Revolutiona keynote event by Dark Matter, a trans south asian art and activist collaboration; a fundraiser party held by Solidarity Across Borders; an anti-colonial dinner; and a Convergence for Indigenous peoples and people of colour.

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If you want access to the schedule, you may find it here.

You can also click on the names of the events to reach the associated Facebook events, for further details on location and times.

Migration 

Migrant Workers in Canada: Why Everyone Should Care

“Canada currently accepts more migrants under temporary permits than those who can immigrate permanently. Barriers to permanent residency for refugees, skilled workers and family members are increasing, while citizenship for migrants is becoming harder to get and easier to lose.” – Why everyone should care about the Temporary Foreign Worker Program, Harsha Walia

This workshop by the Immigrant Workers’ Centre (IWC), the Temporary Agency Worker’s Association (TAWA) and the Temporary Foreign Worker’s Assoication (ATTET) offers an overview of the history of temporary foreign work and migration in Canada. Think of it as a crash course and introduction to the topic. The workshop and the discussion around it should prove to be invaluable for those who wish to acquire a broader understanding of troubles facing migrant workers.

Immigrants With Disabilities In Canada: Discrimination, Segregation, Suicidal Deportation

“Though it is illegal to discriminate against a person for their disability (stated in Article 15 of The Canadian Charter of Rights and Freedoms), this protection is contradicted by Canada’s Immigration Act where Article 19 (1)a,  refuses to grant  residence to immigrants with disability who are confirmed by at least two medical officers to be a threat to public health and public safety or are deemed an excessive burden to health/social services.”

To be held by the Committee-to-be for Immigrants with Disabilities of Solidarity Across Borders, this workshop will also focus on the topic of migration, but from a more focused perspective (compared to the one above), by focusing explicitly on the concept of being “an excessive burden” in Canada.

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Decolonization and Indigenous Rights

Oh Canada, our home on Native Land: Discussing Decolonization

It is no secret that Canada is built on Indigenous territories. For that reason, it is important to learn more about Indigenous histories, and position ourselves on the land that we work and live on, and call home.

This workshop, to be co-facilitated by Canadian Roots Exchange – Youth Reconciliation Initative and KANATA McGill Indigenous Studies Community, will strive to build cultural solidarity through an interactive dialogue about our relationships to the land and its histories.

Creating a Culture of Resistance, Decolonization as a Weapon, Rebuilding Nationhood, Land and Freedom, Indigenous Liberation

This workshop and film screening will be facilitated by Kanahus Manuel (Secwpemc). Kanahus is a mother and warrior from the Secwpemc Nation in the Shuswap region of “British Columbia.” She has been active in fighting against development projects and corporations such as the Sun Peaks Ski Resort and Imperial Metals. Recently, she has been involved in organizing to raise awareness about the Mount Polley gold-copper mine tailings spill, possibly the worst mining pollution disaster in Canadian history. For her efforts, she has been named as a defendant by Imperial Metals in a court injunction to stop blockades of the mining company’s operations.

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Colonialism and its Accomplices: A Critical History of the Colonization of Turtle Island

Colonialism is an inherently violent system which marginalizes and oppresses Indigenous people on Turtle Island, and people of colour. This workshop will explore the historical processes from which colonialism arises and how this is deeply tied to capitalism. Historically, Capitalism has been the motive for colonial policies. Colonialism has disempowered and dispossessed Indigenous peoples on Turtle Island through genocide, dislocation, and assimilation. Colonialism has been used to justify the exploitation of people, namely racialized and Indigenous bodies, as well as Indigenous lands and resources.

Molly Swain and Lindsay Nixon of the Indigenous Women and Two-Spirit Harm Reduction Coalition will critically explore processes such as racism, white supremacy, patriarchy, heteronormativity and how these concepts are derived from and enacted within colonialism. Settlers need to understand their positionality on Turtle Island and work towards a decolonized way of thinking so not to participate in harmful behaviors towards Indigenous peoples, and people of colour.

Race

Race @ McGill: Film Screening and Discussion

Race @ McGill is a film produced between 2012 and 2014 by student of colour, Sha, about the experiences and observations of students, faculty, and staff of colour at McGill.  It seeks to highlight and connect the shared struggles and resilience of racialized and indigenous community members at McGill.

While the film itself may be focused on McGill, the discussion afterwards should prove to be invaluable to those who wish to share their experiences, or to hear about these experiences to reflect upon themselves.

Giving Birth to Yourself: Revolutionary Storytelling for People of Colour, by Kai Cheng

According to Kai Cheng Thom aka Lady Sin Trayda, the facilitator of this workshop, racialized, Indigenous, and mixed-race folk very often come into the world with a story of what they are not: white, whole, beautiful, enough. This story is the soul of colonization: it drains them of the will to struggle, of the confidence to name themselves and their ancestors, the vision to see each other and act in solidarity.

The potential of stories as both revolutionary and therapeutic will be explored, as will the possibilities and limitations of writing/storytelling in indigenous versus colonial languages. Participants will experiment with the use of story tools, including meditation, visualization, play, story-listening, and group creation. Poets, writers, rappers, spoken word artists, slam poets, storytellers of all kinds and at all stages welcome.

Also, note that this is a closed workshop; meaning only Indigenous persons, mixed-race folk, and people of colour may attend.

Oppression & Design

White Space: A look into the relationship between graphic design and systems of oppression

Sajdeep Soomal, who is a self-taught graphic designer and a history student at McGill, will be facilitating this workshop which aims to trace out how graphic design contributes to the perpetuation and formation of systems of oppression. The topics to be discussed include Typefaces and Racial Formation, Minimalism and Economic Privilege.

Think of the wispy strokes and the diamond shaped dots used in Aladdin in order to create an aura of mysticism, which then becomes central to Western conceptions of brownness and contributes to the racial formation of brown people in the West. Or, in terms of Minimalism, the extensive use of whitespace, or empty space is a result of a level of economic privilege, where people do not feel the pressure to use that empty space. Come to the workshop to discuss these topics and more.

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