Fairy Fails is the debut solo show for Meander, known to many as the Dot Dot Dot from the Montreal drag family House of Laureen. The show introduces Meander the Fairy, and is the tale of a fairy prince destined to rule, but who sadly cannot fly. It’s a fairy tale that’s sweet and delightful, a joyful reminder of what it’s like to be a child full of innocence and wonder.

Unlike the stereotypical play where all the characters talk, Meander the Fairy is silent, communicating with the audience through facial expressions, gestures, and dance moves. Meander is innocent, endearing and sweet without being annoying.

He is helped along in the play by director and stage manager Sam Jameson, who also provides narration. Jameson and Meander met during Glam Gam’s production of Peter Pansexual, in which Meander played the role of Twinkerbell.

The only other voice in the play is that of the witch, whom Meander plays via swift and hilarious costume changes. The bitter old raspy-voiced witch is a perfect foil for Meander the Fairy’s glittering innocence.

Jameson’s narration is reminiscent of the kind you would hear in children’s television and film. Mature and parent-like while still maintaining the humor.

For those of you who know Meander as Dot Dot Dot, the fariy is a far cry from his drag persona. Meander’s background is in a Canadian style of clowning called Pochinko, which he learned at the Manetoulin Conservatory for Performance and Creation (known as the ‘Clown Farm’). It’s a style of clowning reminiscent of the late Charlie Chaplin, and Meander does it well.

He came up with Meander the Fairy with the help of his clowning teacher Francine Coté, who developed the character’s costume and taught him that your clown character should be an expansion of who you really are. Where Dot Dot Dot allows Meander to explore his fiercer side, Meander the Fairy is cute, demure, and graceful. Meander’s makeup has hints of classical French clown with a few bright colors and some glitter thrown in.

Not everyone will like Fairy Fails. A friend of mine felt it was too simple and childish, but it is for those very reasons that I loved it so much. With all the terrible things going in the news and around us, sometimes we need a show that allows us to shut our minds off for the sheer joy of watching a fairy learning to fly.

Fairy Fails is a show that allows you to do just that. See it if you can.

The Man Behind the Curtain is a hard show to review. Inspired by magic, the show is cramped, unpredictable, and uncomfortable, but it’s also fast-paced, hilarious, and intense.

The venue is set up in the apartment of co-writer and director Sam Jameson. Anyone who feels squeamish about attending a performance in someone’s home is missing out on a great show. Productions Presents describes the show as:

“A series of fantastical vignettes that are all tied together by the theme of magic… The show consists of the performance itself, the physical space around you, and the how the physical space changes over the course of the show. “

The Man Behind the Curtain stars Erik Leisinger and is directed by Sam Jameson who met on themet on the set of Glam Gam’s Fringe Production, Peter Pansexual, when Sam was director and Erik was a performer. They worked together again last year on Glam Gam’s Greasy: A Lesbian Love Story – currently the highest grossing Fringe play of all time.

In 2018, Jameson and Leisinger founded Productions Presents, a company for the work they produce together. When I had the chance to speak to them, the question on my mind was whether Jameson or Leisinger were actually magicians, given the show’s magic theme.

“Neither Sam or Erik are professional magicians, and quite frankly can’t really do magic to save their lives. Fortunately, Erik Leisinger’s childhood friend, Erin the Magician is a hotshot magician from the west coast and has helped us throughout the process.”

You will see magic tricks in this show, but they’re nothing spectacular, and as a viewer, you really won’t care because you’ll be too busy laughing. Unlike the classic theatre setup where audience and performance spaces are separate and distinct, The Man Behind the Curtain is immersive theatre, a type of show where “the entire performance area is a part of the show, and the audience has far more freedom to interact with the performance environment and the performers themselves.”

As audience members you won’t be picked on by the performers, but you will be expected to participate a little. That said, the venue has extremely limited space, with a maximum capacity of ten people.

Shows are often sold out so get your tickets in advance. You won’t be disappointed!

The Man Behind the Curtain runs through June 15. Tickets available at montrealfringe.ca