deathhammer

Go see some shows this week.

FRIDAY, MAY 9

Dekoder + Dethfox + Show of Bedlam + USA Out Of Vietnam @ Casa del Popolo

Show starts at 8 p.m., $10.

The Faggots + Manipulated Outcome + Animal Ethics + Society’s Ills @ TRH-Bar

Show starts at 9 p.m., $5.

SATURDAY, MAY 10

Wye Oak + Braids @ Il Motore

Doors open at 8 p.m., $15 in advance via Blue Skies Turn Black or $17 at the door.

White Hills + The This Many Boyfriends Club @ Casa del Popolo

Doors open at 8 p.m, $8 in advance via Blue Skies Turn Black or $10 at the door.

Deathhammer + Occult Burial + Abyssed @ La Vitrola

Show starts at 9 p.m., $12 in advance via Blackdot Presents or $15 at the door.

SUNDAY, MAY 11

King Gizzard and the Lizard Wizard + Comet Control + UUBBUURRUU @ Cabaret Playhouse

Doors open at 8 p.m., $10 in advance via Blue Skies Turn Black or $13 at the door.

The Artsy Chicks + Feefawfum + Palm Trees @ Piccolo Rialto

Show starts at 9 p.m., $5 at the door.

Shows this week. Get. To. It.

FRIDAY, APRIL 4

The PRP Benefit Show: What If Elephants + Stefanie Parnell + Krystale + Faux Play @ La Sala Rossa

PRP Benefit is a grassroots organization that aims to promote awareness of mental health issues. This year will be the 5th edition of the concert series and will feature performances by What If Elephants, Stefanie Parnell, Krystale and Faux Play. All proceeds will be donated to Friends for Mental Health, a non-profit community organization that was established to help families deal with mental illness by providing counseling, community support, crisis assistance, activities for kids and families, referrals and by promoting public awareness.

Doors open at 7:30 p.m., $15 at the door. All proceeds go to Friends for Mental Health.

Trigger Effect (final show) + Hashed Out + Dig It Up @ Foufounes Éléctriques

Today would have been the 10-year anniversary of Montreal punk band Trigger Effect and the band has put together a final show in homage to their late vocalist Nick Babeu, who passed away in November.

The band will be joined by a cast of guest musicians including Mikey Heppner of Priestess; Wade MacNeil of Gallows, Black Lungs and Alexisonfire; Hugo Mudie of Miracles; Nick Raz of The BCASA and many more.

The entire set list of tonight’s show is available online.

Doors open at 8 p.m., tickets cost $13.50 in advance online.

The This Many Boyfriends Club + Smokes + She’s + Notta Comet @ Kathy & Kimy

Show starts at 9 p.m., PWYC.

SATURDAY, APRIL 5

The Wooden Sky + Dusted @ Il Motore

Doors open at 8 p.m., tickets cost $13 via Blue Skies Turn Black or $15 at the door.

SUNDAY, APRIL 6

Cosmonauts + El Napoleon @ l’Escogriffe

Show starts at 9 p.m., $6.

MONDAY, APRIL 7

The Dillinger Escape Plan + Trash Talk @ Le National

Doors open at 7 p.m., tickets cost $22 via Admission or $25 at the door.

Cloud Nothings + Pleasure Leftists + Solids @ Il Motore

Doors open at 8 p.m., tickets cost $15 via Blue Skies Turn Black or $20 at the door.

Crimes + Melted Faces + The Faggots @ Café Chaos

Show starts at 9 p.m., $3.

CJLO recently launched a compilation album for their artist outreach program – which helps support local artists by recording and promoting their tracks. The launch party was a musical sweat fest. Highlights of the evening were The This Many Boyfriends Club and Blood, two local bands with decidedly different sounds, whose alchemic notes caught our attention. Below is a review of their latest releases along with the debut album of local artist Ari Swan.

Blood – Kasey/Organism and CJLO Compilation 2013

Blood is David Kleiser, Fraser Roodbol (formerly of Annette’s Beach Party), Ben Griffiths, and Andrew Bates. My ears first perked up to their sound during the CJLO launch party when Blood sang “It takes a lot of cum to find the right one”, a lyrically crass image that merges with the psychedelic smoothness of the band’s sound to create a clever insightful image reflecting on the visceral experiences of searching for connection. Their sound is decidedly retro but blends more modern elements towards a sound that’s been absent on the indie scene for quite some time. There’s often a danger when it comes to making music that refers to the rock days of old, but Blood isn’t offering a caricature, they are translating it. Of the four tracks available by Blood, “Teen Jesus” and “Kasey” are the standouts. Overall, this sound’s pretty dope and I look forward to seeing what a full length from these guys will sound like.

See Them:  At CFC on October 31st, they’ll be the dudes dressed up as Neutral Blood Hotel and promise to play two songs from Avery Island and two songs from Aeroplane.

Hear them: http://bloodsongs.bandcamp.com/

http://cjlo1690am.bandcamp.com/music

a0025657284_10This Many Boyfriends Club – Die or Get Rich Trying / A Pumpkin Like You

This Many Boyfriends Club has been pretty darn prolific in the last year coming out with two more EPs. Tracks for “Die or Get Rich Trying”, mixed and mastered by Marshall Vaillancourt  (Archery Guidld), were recorded as part of the CJLO Artist Outreach Program. The Boyfriends thoroughly nailed it when playing the tunes live – giving them an even more ragged edge that I actually prefer to the recorded tracks. That being said, since their Ep Anything Is Popsicle, the Boyfriends have added quite a bit of punk rock to their dandypunk twee pop cake mix. Danger-Winslow Danger’s grittier vocals are a pleasant surprise. Top tracks on Die or Get Rich Trying are “Sylvie” and “Alright/Already”. Available as a B Side on a limited cassette tape edition of Die or Get Rich Trying is a bonus EP A Pumpkin Like You, which feels like a musical step between Anything is Popsicle and Die or Get Rich Trying. A Pumpkin Like You, stronger as a coherent hole than Die or Get Rich Trying, boasts some fun frolicky tracks that are closer to the band’s twee beginnings. Our favourites are “a little fucking candor” and “polly anne marie.”

Hear Them: http://thismanyboyfriendsclub.bandcamp.com/album/die-or-get-rich-trying

See Them: Nov. 2nd at CFC with Smokes and White Like Fire.

a1221310642_2Ari Swan – Symphony Plastique

“I’ll build you a symphony, if only you’d ask” says Ari Swan’s page. Well, we’re definitely gonna be asking (politely of course) now that we’ve heard Swan’s debut album.

I first heard of Ari Swan when she played with Gabrielle Papillion, one of my favourite Canadian folk artists. Upon further research, it’s pretty clear to me that Swan has got quite a bit of experience under her belt including Folly and the Hunter, Little Scream, Heirloom, Lakes of Canada, and Chimneys. Recently, Ari Swan has released Symphony Plastique, an EP of her solo project and it’s pretty darn rad. Violin driven pop is a hard thing to pull off, I’ll admit it’s something I often find overbearing, but Ari Swan does it masterfully and with charm. Recorded by Jamie Thompson (Unicorns), Symphony Plastique seems to have been a two person album with Ari Swan on violin and vocals and Thompson on percussion and effects. A two person art pop symphony that weaves loops and experiments with all the things a violin and a voice can do. Impressive, very impressive. “I’ve Come with Nothing” and “Words that Follow” are our favourites.

Hear Her:http://ariswan.bandcamp.com/album/symphony-plastique

POP Montreal is back in full force for its twelfth edition. On my end, I’ve not recovered from the summer of festivals yet – and neither has my wallet. This year, I’m going to shows that I know for sure I’ll love, as well as those few artists that have managed to get my adventurous nature to rise up from its lingering hangover. Hair of the dog it is and off to what will surely be another magnetic auditory POP Montreal experience.

A K U A – Michael Rault + A K U A + Milk Lines + Pierre Kwenders + Nom de Plume (DJ Set)
Sep. 28, 9:30 p.m. @ Divan Orange :: Salle CISM 

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Mining the artists section of the POP website, I came upon A K U A’s tunes and was intrigued. Although the music video doesn’t do it for me, the tracks found on A K U A’s site promise something decidedly rich and textural. A K U A is a newcomer to the music scene in some respects but she’s already opened for names like Solange and Katy B and performed at an impressive number of music festivals already. A K U A’s tunes are compelling soundscapes that come to life with her raw, soulful vocals. She is my pick for new artist to explore (for those on a tight budget) for this POP edition.

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Les Soeurs Boulay – Les Soeurs Boulay + Michael Feuerstack + Safia Nolin
Sep. 29, 7:00 p.m. @ Studio Breakglass présenté par SiriusXM

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Folk music plucks my heart strings – that’s the kind of music that plays the most often in my nest. I’m glad to see Les Soeurs Boulay as part of the POP Montreal line up. Their soft-spoken poetic story songs fill hearts with wonder, nostalgia, and musical hugs. These two sisters from Gaspésie recorded their first EP in 2012 and have already captured the attention of the province and beyond receiving the prize for New Artist with the Most Potential at the GAMIQ (Gala alternatif de la musique indépendante du Québec). Full disclosure: writing this blurb, I couldn’t help myself and bought their first album, Le poids des confettis, and am now happily eating my chicken soup wrapped in a blanket listening to lovely harmonies renewing my love of the French language. Favourite tracks: ‘Ôte-moi mon linge’, ‘Cul de sac’, and ‘Par le chignon du cou.’


The This Many Boyfriends Club –
Dent May + Dead Gaze + She Divides + The This Many Boyfriends Club
Sep. 28, 8:00 p.m. @ Cagibi

Speaking of warming one’s heart, The This Many Boyfriends Club is a local band which I had the pleasure of interviewing about a year ago. They describe their music as “torture-pop, dandy-punk, frock ‘n’ roll, and heavy petal”. There’s also some twee in the mix. These pals have been working hard on a new album, Die or Get Rich Trying, recorded through CJLO’s artist in residency program and to be released this month. The This Many Boyfriends Club is the kind of band that I find myself the most interested in in terms of music journalism. There is a raw love of music, a DIY spirit, and a community-building ethos to what they do. I totally dig that. Plus, their rhythm section fucking rocks.

How Sad – Portugal. The Man + How Sad :: SOLD OUT
Sep. 26, 9:00 p.m. @ Théâtre Corona Virgin Mobile

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I recently interviewed How Sad for their EP Launch show, which was a total blast. Indian Summer is a five song EP that weaves together sadness and happiness using synth pop melodies, bummed out lyrics, and catchy hooks skillfully. Having soaked up sunlight listening to previously released tracks, new anthem ‘Hot Blur’ took me by surprise and had me spontaneously breaking into my best awkward dance moves. There’s something undeniably tongue-in-cheek about Indian Summer. Put on your dancing shoes, grab some friends, and get ready for a memorable night indeed.

 

Moonface – Moonface + Caroline Keating
Sep. 29, 8:30 p.m. @ Ukrainian Federation :: Salle St. Ambroise

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I just recently heard about Moonface from Josh Séguin of Two-Year Carnival. Yeah, I know, I’m behind the times (I got lost in my old Keaton Henson albums for a while there). Now that I’ve been initiated to Spencer Krug’s solo piano project, I’m beyond stoked to see that Moonface is playing this year’s POP Montreal. Even more so now that I know that Caroline Keating is opening. I’ve had the pleasure of interviewing Keaton a couple times over the last few years. Over the years, her songs have become a fixture of the soundtrack to Montreal’s passing seasons. This line up is this piano-driven song lover’s dream come true. Most likely it will be yours too.

Honorable Mentions: Cinéma L’Amour, Braids, DJ Noah Bick, Emma Frank Quartet, Corinna Rose, Sarah Jane Scouten and SUUNS